@šXV—š—đ@14.5.1`17.12.31š
Ś”„‚čŘ‚ę‚â”p”Ő‚É‚Č‚Á‚˝ƒAƒCƒeƒ€‚́u”„‚čŘ‚ę’†v‚Ć•\ŽŚA‚Ü‚˝‚̓ŠƒXƒg‚Š‚çíœ‚ľ‚Ä‚¨‚č‚Ü‚ˇ‚ށA”„‚čŘ‚ę’†ƒAƒCƒeƒ€‚ŕƒoƒbƒNƒI[ƒ_[‚͐Žž‚¨Žó‚Ż‚ľ‚Ä‚¨‚č‚Ü‚ˇB‚ą‚Ě—š—đ‚ɍڂÁ‚Ä‚˘‚Ä‚ŕă‹L‚Ě——R‚Ĺ–{ƒy[ƒW‚ɍڂÁ‚Ä‚˘‚Č‚˘ę‡‚Ş‚ ‚č‚Ü‚ˇ‚ށA‚ą‚ż‚ç‚Š‚ç‚ŕ‰Â”\‚ČŒŔ‚čƒoƒbƒNƒI[ƒ_[‚Í‚¨Žó‚Ż‚˘‚˝‚ľ‚Ü‚ˇB



s’ljÁƒAƒCƒeƒ€/XVƒy[ƒWt@@@@@@@@ˆČ‘O‚̍XV—š—đbˆČŒă‚Ě—š—đ
i12/23j
yŽÚ”ށz@y”ú”iz
Ą’ß“c‹ŃŽji”ú”ij‚ƉĄŽRŸ–çiŽÚ”ށj@1976”N10ŒŽ˜^‰š@@•§Ocora@
ĄŽÚ”Ş‚ĚŒ|p@‰ĄŽRŸ–ç@@1997”N1ŒŽ˜^‰š@@@•§Ocora@
y–k•Äz
Ąƒx[ƒŠƒ“ƒOŠC‹Ź`ƒCƒkƒCƒg‚̉̂ƑŊyŠí@@@@•§Ocora
ĄƒJƒiƒ_@ƒCƒkƒCƒg‚Ě—V‚щ́@@@•§Ocora

i12/17j
y–MŠy‚ť‚Ě‘ź`˜N“ǁz
ž‚ć‚Ý‚Ş‚Ś‚鎊ě˜N“ǂ̐˘ŠE@@şŰŃËŢą@
yƒR[ƒJƒTƒXz
Ÿš‰ĚAŽ]‰ĚA•‘—x`ƒOƒ‹ƒWƒFƒtAƒcƒ@ƒuƒƒv[ƒƒX‚̍ě•i‚Š‚ç@@ƒAƒjƒAEƒŒƒqƒi[(Vc)Aƒ”ƒ@ƒVƒŠƒXEƒcƒ@ƒuƒƒv[ƒƒX(Pf)@@@ŐĆĘŢ°ťŮ@
yƒ}ƒOƒŒƒuz
ƒTƒnƒ‰
žƒ}ƒŠƒGƒ€EƒnƒbƒTƒ“^ƒfƒZƒIƒX@@@Ëްݽށ@
yƒƒVƒAz
žƒAƒ‰Eƒ\ƒŒƒ“ƒRƒ^ƒ\ƒŒƒ“ƒRƒEƒŠƒTƒCƒ^ƒ‹@@@V˘ŠEÚş°Äށ@

i12/12j
yŽO–Ąü‰šŠyz@‰Ě•‘ŠęƒR[ƒi[
‘“ŕƒrƒfƒI@ź’|‰Ě•‘Šę–źěƒrƒfƒI@’Ę‚ľ‹śŒžu‰ź–źŽč–{’‰b‘ v‘SŽľŠŞ@@ź’|

i10/24j
y“ěƒˆ[ƒƒbƒpz
ƒ|ƒ‹ƒgƒKƒ‹
ĄƒAƒ}ƒŠƒAEƒƒhƒŠƒQƒX^The Very Best of Amalia @Rodrigues (2CD)@@@źDisconforme
ƒXƒyƒCƒ“
 ƒoƒŒƒ“ƒVƒA‚̉̉ď‹c`Cant d'estil@@@@•§Ocora@
˘ƒ‰ƒ€EƒfEƒtƒHƒN(L'ham de foc)^Cor de Porc@@@Ëްݽށ2,500
ƒRƒ‹ƒVƒJ
 ƒRƒ‹ƒVƒJ‚Ěƒ|ƒŠƒtƒHƒj[`ƒoƒ‹ƒoƒ‰EƒtƒHƒ‹ƒgƒDƒi@@•§Buda@
ƒCƒ^ƒŠƒA
 ƒ~ƒXƒe[ƒŒƒX`ƒCƒ^ƒŠƒA‚Ěƒ|ƒŠƒtƒHƒj[š‰Ě@@@@@•§Buda@
 ƒŠƒmEƒJƒ“ƒiƒ”ƒ@ƒbƒLƒEƒI[ƒ^Aquadia@@@@ˆÉForresthill Records
ƒMƒŠƒVƒA
—A“üDVD@ƒMƒŠƒVƒA`‘ž—z‚̍‘@@@•§PLAYA SOUND

i9/30j
yƒAƒCƒkz
žV’ů•œ@Šž–ě–΁@uƒEƒEƒFƒyƒPƒŒW‘吏vi2CD{‘Đj@@iŕjË޸Ŕ°

i9/19j
yƒLƒŠƒXƒg‹ł‰šŠyz
ŸCD‚Ĺ•ˇ‚­ƒLƒŠƒXƒg‹ł‰šŠy‚Ě—đŽj@@“ú–{ƒLƒŠƒXƒg‹ł’co”Ĺ‹Ç
 ‚ą‚̏ꏩ‚Í‹°‚ë‚ľ‚Ť‚Š‚ȁ@@8|12˘‹I‚ĚƒOƒŒƒSƒŠƒIš‰Ě‚ĆƒXƒyƒCƒ“‚Ěƒgƒ[ƒvƒXAƒ|ƒŠƒtƒHƒj[@@@źPneuma@
 ƒn[ƒfƒB=ƒK[ƒfƒB‚Ě‚˝‚ß‚ĚƒJƒ“ƒeƒBƒK@ƒAƒ‹ƒtƒHƒ“ƒ\10˘•ŇŽ[Fš•ęƒ}ƒŠƒA‚ĚƒJƒ“ƒeƒBƒKW ‚Š‚ç@ƒOƒŒƒSƒŠƒIEƒpƒjƒAƒOƒA^ƒ€ƒVƒJEƒAƒ“ƒeƒBƒOƒ@@źPneuma@

i9/17j
y–k“ŒƒAƒWƒAz
 ƒVƒxƒŠƒA‚̉šŠyVol.9@ƒoƒCƒJƒ‹ŒÎŽü•Ó‚ĚƒuƒŠƒ„[ƒg‘°@@•§Buda@
 ŒĂŠyŠí“Ć‘tEd‘tu´–žă‰Í}v `Bailey Record
 ƒ\˜A–Msi‹ČWVol.1@Millitary Band of the People`s Liberation Army of China `Baily Records
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
Sitar
 ƒVƒƒƒqƒbƒhEƒpƒ‹ƒ”ƒF[ƒY•ƒAƒNƒ‰ƒ€EƒJ[ƒ“^Sitar 2@@@Raga Bihag@@@@‰pSense World Music@
Khayal
 ƒ”ƒB[ƒiEƒTƒnƒXƒ‰ƒuƒbƒf[^Master Pieces@@@Raga Marwa@@@ˆóTimes Music@
Ąƒ”ƒB[ƒiEƒTƒnƒXƒ‰ƒuƒbƒf[^Maestro's Choice @@@Raga Abhogi, Raga Jog@@@ˆóMusic Today@

i9/11j
yƒoƒ‹ƒJƒ“”‘z
 ƒuƒRƒ”ƒBƒiEƒNƒ‰ƒuVol.2@@@@@“ĆEssay@
 ƒZƒ‹ƒrƒA@Sounds Global 2 @@@@žŮËŢąB92@
 ƒNƒƒAƒ`ƒA‚̉́`ƒ_ƒ‹ƒ}ƒ`ƒAŠCŠÝ‚ĚKlapa‰Ě—w@@‰pARC@
 ƒAƒ‹ƒoƒjƒA“ě•”ƒ‰ƒx’n•ű‚Ě’Q‚Ť‰Ě‚Ćˆ¤‚̉́@@@•§Ocora@
 ƒoƒ‹ƒJƒ“ƒƒbƒZƒ“ƒWƒƒ[ƒY@“yKalan Muzik Yapim@
Ąƒuƒ‹ƒKƒŠƒA‚Ě‘f°‚ç‚ľ‚Ť‡Ľi’jşA—ş—ź•űj@Zdravko MihaylovŽwŠö@@@@•§Auvidis Ethnic@

i9/4j
yƒCƒ‰ƒ“z
ƒA[ƒ”ƒ@[ƒY
ĄƒpƒŠƒT[^ƒiƒ”ƒ@[ů–@ @@@@@@@@
ĄƒpƒŠƒT[^ƒ}[ƒt[ƒ‹ů–@@@@@ˆČă‚Q“_@•ÄTaraneh
ƒTƒ“ƒgƒD[ƒ‹AƒsƒAƒm
ĄƒWƒƒƒ”ƒ@ƒbƒhEƒ}ƒAƒ‹ƒtƒB^Raaz@@@•ÄCALTEX@

i8/26j
y–k‰˘Eź‰˘z
 ƒXƒEƒF[ƒfƒ““ě•”‚Ě“`“‰šŠy@@@Blekinge Spelmansforbund ‰pARC
ŹƒXƒJƒ“ƒfƒBƒiƒ”ƒBƒA‚ĚŒk’J‚ć‚č@@ƒXƒEƒF[ƒfƒ“Aƒmƒ‹ƒEƒF[ •§Ocora
 ƒ”ƒF[ƒZƒ“^Trio “ĆWestpark
ĄƒXƒCƒX@@Paysages musicaux@@ •§Ocora
Ąƒ„ƒ“EƒfEƒXƒƒg•ƒ}ƒ‹ƒNEƒfEƒxƒ‹^JamaJama Geletterde Mensen Live@@ ”’Eufoda
 ƒWƒ‡ƒ‹ƒWƒ…EƒVƒFƒƒ“^ˆŤ‚̉؁@(2CD)@ •§EPM
ĄƒpƒXƒJƒ‹Eƒ‹ƒtƒF[ƒ”ƒ‹^Trob'Art Project@@@@•§l'Autre
ŹWorld Library of Folk and Primitive Music@Vol.1@`ƒCƒ“ƒOƒ‰ƒ“ƒh •ÄRounder
ŹWorld Library of Folk and Primitive Music@Vol.2@`ƒAƒCƒ‹ƒ‰ƒ“ƒh •ÄRounder
ŹWorld Library of Folk and Primitive Music@Vol.3@`ƒXƒRƒbƒgƒ‰ƒ“ƒh@•ÄRounder
ĄƒoƒKƒhEƒPƒ“ƒyƒ‹^Sud -Ar Su@ •§Keltia
ŹƒS[ƒfƒbƒNEƒVƒXƒ^[ƒY^ƒuƒ‹ƒ^[ƒjƒ…‚Ě“`ŕ‚̉̐ş •§Keltia
yŽl‚˝‚ż‚ĆƒVƒƒƒ“ƒ\ƒ“z
 Žl‚˝‚ż‚ĆƒVƒƒƒ“ƒ\ƒ“@`ƒ{ƒŠƒXEƒ”ƒBƒAƒ“@@•§EPM@

i8/23j
yƒAƒ‰ƒuz
 ƒ€ƒj[ƒ‹EƒoƒV[ƒ‹•ƒCƒ‰ƒN“`“‰šŠyŠy’c@@•§Chant du monde

i8/20j
yƒ†ƒ_ƒ„‰šŠyz
 ƒM[ƒ‰EƒxƒVƒƒƒŠ^Zaffa@@ƒCƒGƒƒ“Œnƒ†ƒ_ƒ„l‚̉šŠyVol.1@@@˛˝×´ŮAcum
 ƒCƒT[ƒNEƒAƒ‹ƒKƒYƒBEƒGƒtƒFƒ“ƒfƒB^ƒIƒXƒ}ƒ“Eƒgƒ‹ƒR‚ĆƒIƒXƒ}ƒ“Eƒ†ƒ_ƒ„‚đ‰Ě‚¤@@“yKalan Muzik Yapim@
˘ƒVƒƒƒ[ƒ€Eƒxƒ‹ƒŠƒ“ƒXƒL^The Voice of Fervor @@@@•§Buda@
˘ƒAƒ‹ƒxƒ‹ƒgEƒGƒ€ƒV^Coplas Sefardies@@@@@@@@@•§Buda
y“ě–kƒAƒƒŠƒJz
 ƒJƒiƒ_‚ĚƒCƒkƒCƒg‚̉́@@@Songs of the Inuit Iglulik @@ źWitness@
 Stranded in the USA@`‰ŠúƒAƒƒŠƒJˆÚ–Ż‚̉́@@@@@“ĆTrikont@
 ƒxƒŠ[ƒY‚ĚƒKƒŠƒtƒi‰šŠy@@@@@‰pARC@
 gƒAƒXƒ^EƒXƒBƒGƒ“ƒvƒŒEƒRƒ}ƒ“ƒ_ƒ“ƒeh@@@@@ŠóMinos@
 Tu Querida Presencia (che)@@@ˇ­°ĘŢBis Music@
 ƒJƒ‹ƒƒXEƒKƒ‹ƒfƒ‹^The Very Best of Carlos Gardel (2CD)@@źDisconforme
Ą•§—ĚƒMƒAƒi‚ĚƒAƒƒŠƒ“ƒfƒBƒAƒ“@@ƒJƒŠ[ƒi‘°‚̉́@@@@•§Buda@

i8/18j
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒ‰ƒ“ƒKƒiƒ„ƒLEƒ‰ƒWƒƒƒS[ƒp[ƒ‰ƒ€(Vina)@@•§cinq planetes
ƒŐ ƒEƒ}ƒ„ƒ‹ƒvƒ‰ƒ€‚jDƒVƒ”ƒ@ƒ‰ƒ}ƒ“^Rhythm Fantasies@@@‰pSense World Music@
 “ěƒCƒ“ƒh‚Ěƒi[ƒ_ƒXƒƒ‰ƒ€‚Ćƒ^ƒ”ƒBƒ‹@Thiruppulivanam E.Haridoss‘ź@@•§Buda@
ƒŐ ƒXƒ_Eƒ‰ƒOƒiƒ^ƒ“^Shakti@@ˆÉAccords Croises@

i8/13j
y“ěƒAƒWƒAz
Ąƒ‰ƒWƒƒƒXƒ^ƒ“‚̉šŠy@with Gulabi Sapera @@•§Ethnic
yƒAƒ‰ƒuz
 ’†“Œ‚ĚƒxƒhƒEƒBƒ“`ƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒA˜^‰š@@‰pARC@
žƒCƒ‰ƒN‚Ěƒ|ƒbƒvEƒXƒ^[‚˝‚ż@@@@ľĚ¨˝ťÝËŢ°ĆŹ(UAE Musicbox intl)@
 ƒYƒBƒ„[ƒhEƒTƒn[ƒu^ƒEƒ†ƒ“EƒGƒ‹EƒoƒJƒ‹ @@@ÚĘŢÉÝForward Music
 ƒVƒFƒCƒtEƒCƒ}[ƒ“^”b’UˆÇ‚Ě–é(Les Nuits des Amandiers)@@źWitness@
Ąƒ‚ƒtƒVƒ“Eƒ‚ƒnƒƒh^Oud - Ancient Lute@@@@@•ÄHollywood Music Center@
žƒ}ƒWƒ_EƒGƒ‹Eƒ‹[ƒ~[^ƒŒƒoƒmƒ“‚̉̕P“oęI@@@ľĚ¨˝ťÝËŢ°ĆŹiŠóPress Hellasj@
ƒAƒ‰ƒu‚Ě‘ĹŠyŠí@ƒxƒŠ[ƒ_ƒ“ƒX‰šŠy
—A“üDVD@ƒ_ƒ“ƒXEƒoƒCEƒ~ƒVƒƒ[ƒ‹@@ƒTƒNƒ‹ƒhEƒA[ƒX@@@Kervanseri Productions
—A“üDVD@ƒ\ƒjƒA•ƒCƒbƒTƒ€^The Art of Drum Solo@@@@@@•ÄFirstars
—A“üDVD @ƒtƒBƒtƒBEƒAƒuƒh^ƒGƒWƒvƒg‚̐Ż@@@@@@@@@•ÄHollywood Music Center@
 ƒAƒ‹Eƒ‰EƒJƒTEƒEƒFEƒ^ƒoƒ‹`ƒIƒŠƒGƒ“ƒ^ƒ‹Eƒ_ƒ“ƒX‚Ě‘ĹŠyŠíƒ\ƒ‚ƉšŠy@@ŠóPress Hellas@
yƒ}ƒOƒŒƒuz
ƒ}ƒOƒŒƒuAƒTƒnƒ‰
ŹƒAƒgƒ‰ƒXŽR–Ź’†•”‚Ěƒxƒ‹ƒxƒ‹‰šŠy@@•§Ocora@
 ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹ Musical Explorer@`Desert Voice•Ň@@@Terra Musica@
 ƒ‰ƒtEƒKƒCƒhEƒgƒDEƒTƒnƒ‰@@@@ľĚ¨˝ťÝËŢ°ĆŹi‰pWorld Music Network)
ƒAƒ‰ƒuEƒAƒ“ƒ_ƒ‹ƒVƒA‰šŠyŠÖŒW
 ƒCƒtƒTƒ“Eƒ‹ƒ~ƒL•Ensemble Al-Jud^Al-Samaa audition spirituelle extatique@@@•§Institut du monde arabe@
 ƒk[ƒoEƒAƒ‹=ƒ}[ƒ„@@ƒAƒ“ƒ_ƒ‹ƒVƒA‚̉šŠy@@ƒIƒ}ƒ‹EƒƒeƒBƒEƒBiƒE[ƒhAƒrƒIƒ‰A‰Ěj‘ź@@@@źPneuma@
žƒ‚ƒƒbƒR‚ĚŒĂ“T‰šŠy`ƒOƒ‰ƒiƒ_‚̐S@ƒAƒ~ƒiEƒAƒ‰ƒEƒB(Vo,daf)‘ź@@@@ˇÝ¸Ţ@
 ƒAƒ‹ƒWƒF‚ĚƒAƒ“ƒ_ƒ‹ƒVƒA‰šŠy`ƒIƒ}ƒ‹Eƒxƒiƒ}ƒ‰@@@@•§Institut du monde arabe@

i8/9j
yƒgƒ‹ƒRz
 ƒƒX[ƒhEƒWƒFƒ~ƒ‹^arsiv serisi (2CD)@@@“yKalan Muzik Yapim@
 ƒ}ƒXƒ^[ƒYEƒIƒuEƒgƒ‹ƒR‰šŠy`ƒPƒƒ“ƒ`ƒF•Ň(2CD) @@@ײ˝i“yKalan Muzik Yapimj
 ƒTƒŠƒtEƒrƒ‹ƒMƒ“•ƒ€ƒ‰[ƒgEƒAƒCƒfƒ~ƒ‹^Neva@@@@@“yKaf Muzik@
 ƒMƒ…ƒ‹ƒ`ƒ“Eƒ„ƒtƒ„^Hayallerim@@@@@@“yKaf Muzik@
 ƒxƒYƒ}[ƒ‰[^‚˘‚É‚ľ‚Ś‚Ěƒgƒ‹ƒR‹{’쉚Šy@@ľĚ¨˝ťÝËŢ°ĆŹi“yKalan Muzik Yapimj@
žƒA[ƒVƒ…ƒNEƒ”ƒFƒCƒZƒ‹^ƒ^[ƒLƒbƒVƒ…Eƒuƒ‹[ƒX(2CD)@@@ľĚ¨˝ťÝËŢ°ĆŹi“yKalan Muzik Yapimj@
 ƒgƒ‹ƒR–Ż—w@‘ć‚PW@íŽž‘̐§i‘ćˆęŽŸ˘ŠE‘ĺíj‚ĆƒCƒGƒƒ“‚̉šŠy
˘@“Ż@‘ć‚QW@ˆŮ‘‚Ć–]‹˝‚̉šŠy
˘@“Ż@‘ć‚RW@ŽáŽŇ‚Ć—EŽŇ‚̉šŠy
˘@“Ż@‘ć‚SW@–ؐťƒXƒv[ƒ“‚đ’@‚­ƒtƒH[ƒNEƒ_ƒ“ƒXi’†‰›ƒAƒiƒgƒŠƒAj
˘@“Ż@‘ć‚TW@‚¨‚ľ‚á‚ׂč‚Ćƒ_ƒ“ƒXEƒ`ƒ…[ƒ“
 @“Ż@‘ć‚UW@ƒhƒiƒEAźƒgƒ‰ƒLƒAAƒ‹ƒƒŠƒA‚̉́@@@@“ySony@
 ƒJƒfƒBƒ‹Eƒ†ƒŠƒ…ƒ“•ƒfƒŠEƒZƒŠƒ€^Dumbaba@@@“yKalan Muzik Yapim

i8/6j
y”ú”iz
ž”ú”iŒ€ĽF’ß“c‹ŃŽj‚̐˘ŠE@@@ƒLƒ“ƒO
žăŒ´‚܂聕{“c˝M^˜A”ú”iE´ˇAˆę@@iŕjË޸Ŕ°
yŽO–Ąü‰šŠyz
ž“ú–{‰šŠy‚Ě‹ @‹`‘ž•v@@@–L’|ŽRé­i1878-1967j2CD@@@›Œ´“`ŽöŽčKŠÓ@“š–žŽ›‚Ě’i@@@şŰŃËŢą@
Ÿw‹`‘ž•vx@@şŰŃËŢą–MŠy–ź‹ČƒZƒŒƒNƒVƒ‡ƒ“@@ň—Ú—žF–L’|ŽRé­ ŽO–ĄüF’ßŕV“Ą‘ @@@şŰŃËŢą
yƒAƒtƒŠƒJz
yƒGƒ`ƒIƒsƒAE“ŒƒAƒtƒŠƒJz
 ƒGƒ`ƒIƒsƒA‰šŠyWŹ‘ć16W@@`ƒAƒXƒPƒiƒ`ƒ…EƒEƒFƒ‹ƒN@@
 ƒGƒ`ƒIƒsƒA‰šŠyWŹ‘ć17W@@`Tlahoun Gessesse
 ƒGƒ`ƒIƒsƒA‰šŠyWŹ‘ć18W@@`ƒAƒXƒOƒGƒbƒoI@@@@
˘ƒGƒ`ƒIƒsƒA‰šŠyWŹ‘ć19W@@`ƒ}[ƒ€[ƒhEƒA[ƒƒh@@@ˆČă‚S“_@•§Buda@
Ąƒ}ƒ_ƒKƒXƒJƒ‹‚Ěƒ”ƒ@ƒŠƒn@‚R@@@“ĆFeuer und EisiÝŒÉŒŔ’č“Á‰żj
@
yƒTƒnƒ‰z
 ƒ‰ƒtEƒKƒCƒhEƒgƒDEƒTƒnƒ‰@@@ľĚ¨˝ťÝËŢ°ĆŹi‰pWorld Music Network)@
ŹƒjƒWƒF[ƒ‹“`“‰šŠyƒAƒ“ƒ\ƒƒW[@@•§Ocora
 ƒjƒWƒF[ƒ‹@ƒ_ƒƒ‹Eƒ}ƒEƒC‚ĚŽël‚˝‚ż@@@@@@•§Ocora@
@
yźƒAƒtƒŠƒJz
 ƒJƒƒ‹[ƒ“‚ĚƒxƒeƒB‘°‚̉šŠy@@Mvet ai Mendzang@@@@“ĆWergo
@
yƒƒ‰ƒlƒVƒAz
Źƒ\ƒƒ‚ƒ“”“‡‚Ěƒ|ƒŠƒtƒHƒj[@iƒKƒ_ƒ‹ƒJƒiƒ‹‚ĆƒTƒ”ƒHj@@•§Chant du monde@
@
i8/4j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
ĄƒAƒ‰ƒEƒfƒBƒ“EƒJ[ƒ“(Sarod) ^Vol. 1-5 : All India Radio Archival @@@ˆóT-Series
ĄƒoƒfEƒOƒ‰ƒ€EƒAƒŠEƒJ[ƒ“^ Vol. 1-11 : All India Radio Archival @@@ˆóT-Series
 ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^India's Maestro of Melody - Live Concert Vol.7@@“ĆChhanda Dhara@
 ƒVƒ”Eƒ^ƒ‰ƒ‰ƒKƒbƒeƒB(Sitar)•ƒAƒbƒ‰ƒ€ƒvƒ‰ƒuEƒJƒhƒRƒ‹(Tabla)@ •§Buda
 ƒAƒ‰Eƒ‰ƒJ‚đ’Ç“‰‚ľ‚Ä LiveVol.1@@ “ĆChhanda Dhara
 ƒAƒ‰Eƒ‰ƒJ‚đ’Ç“‰‚ľ‚Ä LiveVol.2@@ “ĆChhanda Dhara
yƒNƒ‹ƒh‰šŠyz
 ƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^Danses celestes@ •§Chant du monde
yƒnƒ“ƒKƒŠ[z
 ƒnƒ“ƒKƒŠ[‚̉šŠy‚Ě•ęŒę@Zenei Anyanyelvunk ^Hungaroton
ƒŐ ’†‰›ƒˆ[ƒƒbƒp‚ĚŽÓ“÷Őiś°ĆłŢ§ŮjWinter Chasing`ƒJƒeƒBEƒXƒ”ƒHƒ‰[ƒN•Monarchia@@^Hungaroton
 ƒnƒ“ƒKƒŠ[‚Ě“`““I‚Č–q“J‚̉šŠy@`Dancing in the Forest@ ^ABT
 ƒ}ƒŠƒAƒ“ƒiEƒ}ƒˆƒƒXƒB•ƒ`[ƒN•ƒx[ƒP[ƒVƒ…Eƒ[ƒlƒJƒ‹@ ^FolkEuropa
 ƒ[ƒ‹ƒNƒ‰Eƒ„[ƒmƒVƒ…•ƒT[ƒVƒ…ƒ`ƒƒ[ƒ”ƒ@[ƒVƒ…AƒoƒƒOEƒJ[ƒ‹ƒ}ƒ“Aƒ”ƒBƒ[ƒŠ@ ^FolkEuropa
 ƒT[ƒVƒ…ƒ`ƒƒ[ƒ”ƒ@[ƒVƒ…Eƒoƒ“ƒh^Transylvanian Folk Music ^‰ĺ—˜”Ő
 ƒ‚ƒnƒ`EƒAƒ‹ƒxƒ‹ƒg•ƒiƒWEƒWƒ‡ƒ‹ƒg^Tizenket Banda - Erdelyorszag ^FolkEuropa
 ƒ‚ƒƒgƒ”ƒ@Eƒ[ƒlƒJƒ‹^Az Eladott Lany@@ ^Szeredas
 ƒ~ƒXƒgƒ‰ƒ‹^Balassi - Mezon Szellel Jarok ^Magyar Radio
 ƒ~ƒXƒgƒ‰ƒ‹^Osveny@@ ^Misztral
 ƒpƒ‹ƒmEƒOƒ‰ƒXƒg^Jarom az utam@@ ^Fono
 Uj Elo Nepzene Sorozat 10@`ƒnƒ“ƒKƒŠ[‚Ě”_‘ş‰šŠy@Vol.10@@@^Dance House Guild
 ƒAƒ‰ƒVƒ“ƒ_^Ne Olursan Ol - Barki Is Legy ^Etnofon
 ƒRƒuƒ]ƒXEƒLƒbƒVƒ…Eƒ^ƒ}[ƒX•ƒGƒ‹ƒ_ƒ‹EƒTƒBƒR[ƒ‹^Szivetekben Orizzetek@@@@^Etnofon
ƒ‹[ƒ}ƒjƒA“Œ•”ƒ‚ƒ‹ƒhƒ”ƒ@‚Ěƒ`ƒƒƒ“ƒS[
ƒŐ ƒ}ƒ“ƒ_ƒ`ƒFEƒAƒEƒŒƒ‹^Hegedus Tanczene@@@@ ^Etnofon@
 ƒjƒXƒg[ƒ‹EƒCƒƒi^Pusztinai Nagy Hegy Alatt@@ ^Etnofon
 ƒjƒXƒg[ƒ‹EƒCƒƒi^Elment a madarka@@@@@@ ^Etnofon
ƒŐ ƒƒJEƒ~ƒn[ƒC^Szerelem, Szerelem@@@@@@@ ^Etnofon

i8/3j
y’†‰›ƒAƒWƒAz
žƒ‰ƒtEƒKƒCƒhEƒgƒDE’†‰›ƒAƒWƒA @@ľĚ¨˝ťÝËŢ°ĆŹi‰pWorld Music Networkj@
 ƒAƒtƒKƒjƒXƒ^ƒ“‚Ě“`“‰šŠy`ƒAƒtƒKƒ“‚Ě•ś‰ť‚ƉšŠy‚Ě“`“@@@“yAras Muzik
—A“üDVD@ƒAƒtƒKƒjƒXƒ^ƒ“‚̉šŠy@@Breaking the Silence@@@‰pAditi
—A“üDVD@ƒAƒ‹ƒƒjƒA‚̉̂Ɨx‚č@Treasures@@@@@•ÄHollywood Music Center@
 ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“‚Ěƒoƒ‰ƒoƒ“@Alihan Samedou@@@@“yMega Muzik
yƒIƒ€ƒjƒoƒXz
 25 Years Network : Emociones (3CD)@@“ĆNetwork Medien
 ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹ Musical Explorer@`Desert Voice•Ň@@@@@
˘ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹@ Musical Explorer@`African New Voice•Ň
˘ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹@ Musical Explorer@`Atlantic Airs•Ň
˘ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹@ Musical Explorer@`Caribbean Jammin'•Ň
˘ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹@ Musical Explorer@`South Seas•Ň
˘ƒfƒBƒXƒJƒ”ƒ@ƒŠ[Eƒ`ƒƒƒ“ƒlƒ‹@ Musical Explorer@`Brasilian Voices•Ň @ˆČă6“_@Terra Musica

i7/29j
yƒCƒ‰ƒ“z
˘ƒA[ƒ”ƒ@[ƒY‚Ěˆę˘‹I(3CD)@@˛×ÝMahoor Institute @
˘ƒ^[ƒ‹‚Ěˆę˘‹I(2CD)@@˛×ÝMahoor Institute@
˘ƒZƒ^[ƒ‹‚Ěˆę˘‹I(2CD)@@˛×ÝMahoor Institute@
˘ƒTƒ“ƒgƒD[ƒ‹‚Ěˆę˘‹I@@˛×ÝMahoor Institute
˘ƒJ[ƒWƒƒ[ƒ‹’Š‚ĚƒLƒƒƒ}ƒ“ƒ`ƒF‚ĚŒ|p@@˛×ÝMahoor Institute
 ƒAƒŠƒiƒMEƒ”ƒ@ƒYƒB[ƒŠ[ě•iW‚Q@@ƒI[ƒPƒXƒgƒ‰‹Č@@˛×ÝMahoor Institut@
 ƒAƒŠEƒAƒNƒoƒ‹EƒVƒƒ[ƒiƒYƒB[(Tar)^ƒsƒVƒ…ƒ_ƒ‹ƒA[ƒ}ƒh‚ĆƒŒƒ“ƒOW@@@˛×ÝMahoor Institute@
˘ƒA[ƒK[EƒzƒZƒCƒ“EƒSƒŠ[‚Ěƒ‰ƒfƒB[ƒt(3CD)@`ƒAƒŠEƒAƒNƒoƒ‹EƒVƒƒ[ƒiƒYƒB[(Tar)@@˛×ÝMahoor Institute@
˘ƒƒNƒlƒbƒfƒBƒ“Eƒ‚ƒtƒ^[ƒŠ^Violin@@@˛×ÝMahoor Institute@
 ƒƒNƒlƒbƒfƒBƒ“ƒn[ƒ“‚̍ě•iW@@ƒAƒ‹ƒVƒƒƒhEƒ^[ƒ}[ƒXƒr(Tar)@@@˛×ÝMahoor Institut@
 ƒTƒC[ƒhEƒzƒ‹ƒ‚ƒYƒB(1897-1976)^Setar Solo@@@˛×ÝMahoor Institute
˘ƒTƒC[ƒhEƒzƒ‹ƒ‚ƒYƒB(1897-1976)^Setaar@@@˛×ÝMahoor Institutet
˘ƒAƒ{ƒ‹ƒnƒTƒ“EƒTƒo[^Violin@@@˛×ÝMahoor Institute@
˘ƒAƒ{ƒ‹ƒnƒTƒ“EƒTƒo[^Centenary of Ostad Abolhasan Saba@@˛×ÝMahoor Institute@
˘ƒ‚ƒ‹ƒ^ƒU[Eƒ}ƒnƒWƒ…ƒr[(1900-65)^The Art of the Piano@@˛×ÝMahoor Institute@
˘ƒSƒ‰ƒ€EƒzƒZƒCƒ“EƒrƒOƒWƒF[ƒn[ƒj^Tar
˘ƒSƒ‰ƒ€EƒzƒZƒCƒ“EƒrƒOƒWƒF[ƒn[ƒj^Khoshnavaz@@@ˆČă‚Q“_@˛×ÝMahoor Institute@
˘ƒyƒ‹ƒVƒAŒĂ“T‰šŠy‚̐şŠyƒ‰ƒfƒB[ƒt@`ƒ}[ƒ€[ƒhEƒLƒƒƒŠ[ƒ~[(5CD)@@˛×ÝMahoor Institute@
 ƒtƒ@ƒ‰ƒ}ƒ‹ƒYEƒpƒCƒ”ƒ@[ƒ‹ě‹Č‚Ěƒ`ƒƒƒn[ƒ‹ƒƒYƒ‰ƒuW@@˛×ÝMahoor Institute@
 ƒt[ƒVƒƒƒ“ƒOEƒUƒŠƒt^Tar@@@˛×ÝMahoor Institute@
˘ƒ~ƒ‹ƒU[EƒAƒuƒhƒDƒbƒ‰[‚Ěƒ‰ƒfƒB[ƒt(5CD) @ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf(Setar)@@˛×ÝMahour Institute
˘ƒ_ƒŠƒE[ƒVƒ…Eƒ^ƒ‰ƒC^Sayeh-Rowshan@@˛×ÝMahoor Institutet@
˘ƒ„[ƒfEƒ„[ƒŒEƒ[ƒ‰ƒo[ƒ“@@@ƒzƒZƒCƒ“EƒAƒŠƒU[ƒfAƒVƒFƒCƒ_[•ƒA[ƒŒƒtEƒAƒ“ƒTƒ“ƒuƒ‹@@˛×ÝMahoor Institute@
 ƒ_ƒ‹ƒ”ƒB[ƒVƒ…Eƒn[ƒ“ě•iW@@ƒAƒ‹ƒVƒƒƒhEƒ^[ƒ}[ƒXƒr(Tar)@@˛×ÝMahoor Institute@
 ƒAƒ‹ƒVƒƒƒhEƒ^[ƒ}[ƒXƒr^Deldar@@@˛×ÝMahoor Institute@
˘ƒyƒ‹ƒVƒA‚ĚƒA[ƒ”ƒ@[ƒY‚Ćƒ^ƒXƒj[ƒtW@@@˛×ÝMahoor Institute@
 ƒyƒ‹ƒVƒAŒĂ“TşŠy‚ĚŒ|p@Vocal Calligraphy@ƒAƒŠEƒŒƒUEƒSƒ‹ƒo[ƒj(Vo)Aƒ_ƒŠƒE[ƒVƒ…Eƒ^ƒ‰ƒC(Tar)AƒWƒƒƒ€ƒVƒhEƒVƒFƒ~ƒ‰[ƒj(Zarb)@ˆÉAccords Croises
 ƒpƒ„[ƒ€EƒWƒƒƒn[ƒ“ƒ}[ƒj^Encounter@@@˛×ÝMahoor Institut@
‘“ŕDVD@ƒCƒ‰ƒ“‚ĚŒĂ“T‰šŠy‚Ě˜g@`ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf@@ˇÝ¸Ţ@
 ƒ}ƒŠƒAƒ€EƒAƒz[ƒ“ƒfƒB^Banu - Songs of Persian Women@@@“ĆLaika Records

i7/24j
y”\Šyz
ž“ú–{‰šŠy‚Ě‹ @”\Šy@‘D•ŮŒc@@@•óś‹ă˜YEź–{ŒŞŽO(2CD)@ şŰŃËŢą
‘“ŕDVD@ŠĎ˘—Ź”\@“S—ցi‚Š‚Č‚íj
‘“ŕDVD@ŠĎ˘—Ź”\ g—tŽë i‚ŕ‚Ý‚ś‚Ş‚čj@@@@iŕjË޸Ŕ°
y•§‹ł‰šŠyz
 ƒu[ƒ^ƒ“‚Ě‘m‰@‚É‚¨‚Ż‚éƒ`ƒxƒbƒg•§‹ł‹V—ç(2CD)@@”’Sub Rosa
žƒp[ƒŠŒę@“úí“ÇćuŒo“T@@Aho Rattanupassana Suttanta@@@samgha(ƒTƒ“ƒK)
 ƒXƒŠƒ‰ƒ“ƒJ‚Ě‘žŒŰ‰šŠy(2CDj •§Buda
yƒCƒXƒ‰[ƒ€‰šŠyz
 ƒAƒrƒ_Eƒpƒ‹ƒ”ƒB[ƒ“^Ishq@ @@@@ˆÉAccords Croises
 ƒtƒ@ƒCƒYEƒAƒŠEƒtƒ@ƒCƒY^L'amour de toi me fait danser@@@ˆÉAccords Croises
 ƒZƒ}[ƒ[ƒ“Aƒwƒjƒ“ƒOEƒVƒ…ƒ~[ƒg•ƒAƒ“ƒTƒ“ƒuƒ‹^Mystische Sufigesange@ “ĆPeregrina Music
ĄƒhƒDƒu@@ƒ}ƒuƒbƒNEƒ`ƒ“ƒ^@@ ˛ÝÄŢČźąForte Records

i7/18j
from latest catalogue

i6/23j
y“Œ‹ž‚̉ĉšŠyŐ@DVDz
<“Œ‹ž‚̉Ä>‰šŠyŐ20Žü”N‹L”ODVD@@10ƒ^ƒCƒgƒ‹@ƒLƒ“ƒOƒŒƒR[ƒh
‘ć19‰ń<“Œ‹ž‚̉Ä>‰šŠyŐ2003@@@ 3ƒ^ƒCƒgƒ‹@@NMNL
i6/18j
ySense World Musicz@–kƒCƒ“ƒhŒĂ“T‰šŠyƒR[ƒi[“ŕ
 ƒƒXƒBƒtƒbƒfƒBƒ“Eƒ_ƒKƒ‹^Dhrupad
 ƒpƒ‹ƒEƒB[ƒ“EƒXƒ‹ƒ^[ƒi^Parveen
 ƒ‹[ƒpƒ“ƒfEƒVƒƒ[^Aanand
 ƒ`ƒƒƒkƒ‰ƒ‹Eƒ~ƒVƒ…ƒ‰^Spirit of Benares
 ƒAƒWƒ‡ƒCEƒ`ƒƒƒNƒ‰ƒoƒ‹ƒeƒB^Shrine
 ƒJƒEƒVƒLEƒ`ƒƒƒNƒ‰ƒoƒ‹ƒeƒB^Pure
 ƒvƒ‹ƒoƒ„ƒ“Eƒ`ƒƒƒeƒ‹ƒW[^Vibemaster @ ˆČă@‰pSense World Music@

i6/14j
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
ˆóAVM‚̐V•ˆŠeŽí
 T.R.ƒ}ƒnƒŠƒ“ƒKƒ€^Flute
 T.R.ƒ}ƒnƒŠƒ“ƒKƒ€^Mali
 ƒAƒŠƒAƒNƒfƒBEƒ‰ƒ}ƒkƒWƒƒEƒAƒCƒGƒ“ƒKƒ‹^Classical Vocal
 ƒ}ƒhƒDƒ‰ƒCEƒ}ƒjEƒAƒCƒGƒ‹^Classical Vocal
ƒŐ G.N.ƒo[ƒ‰ƒXƒuƒ‰ƒ}ƒjƒAƒ€^Immortal Music of the Great Master
 M.D.ƒ‰[ƒ}ƒi[ƒ^ƒ“^Carnatic Music
 K.V.ƒiƒ‰ƒ„ƒiƒXƒƒ~^Thyagaraja Samarpanam
 ƒAƒ‹ƒiEƒTƒCƒF[ƒ‰ƒ€^Classical Vocal
 ƒ{ƒ“ƒxƒCEƒWƒƒƒ„ƒVƒ…ƒŠ^Classical Vocal

i5/24j
y’†‘E‘ä˜pz
 ’†‘‚ĚŒĂ‹Ő@”€ä˝‹Ő•ˆ@`’—‹ŒƒiŒĂ‹Őj @@@•§Ocora@
 ’†‘@ŽlěČ‚̏­”–Ż‘°‚̉šŠy@@@@@ •§Buda
 –ž´’Š‚Ě’†‘‚É‚¨‚Ż‚鐚•ęƒ}ƒŠƒA—[‚ׂ̋F‚č@@@•§K617
 ’NÝŽRăĽ‰Ě@@‡ĽF‘ו˝š Ź•z”_Ž™“ś‡Ľ’c @‘ä˜pWind Records
yƒIƒ€ƒjƒoƒXz
 ˘ŠE‚̐ş(2CD)@@@@ľĚ¨˝ťÝËŢ°ĆŹi•§Budaj
 ˘ŠE‚Ěƒhƒ‰ƒ€@@@ •§PLAYA SOUND

i5/21j
y’†‰›ƒAƒWƒA`ƒVƒ‹ƒNƒ[ƒhz
žƒAƒWƒAEƒVƒ‹ƒNƒ[ƒh‰šŠyƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹u‘ĺ’n‚Ě‹ż‚Ťv@@ƒRƒWƒ}˜^‰š
y“쉢z
ƒ|ƒ‹ƒgƒKƒ‹
 ƒAƒ}ƒŠƒAEƒƒhƒŠƒQƒX^ƒAƒr[Eƒ[ƒhEƒŒƒR[ƒfƒBƒ“ƒOƒX@@@•’Sounds of the World@
žƒAƒ}ƒŠƒAEƒƒhƒŠƒQƒX^ƒtƒ@ƒh‚Ě‹M•wl@@@@ײ˝@2,625™™™
 ƒAƒŒƒ“ƒe[ƒWƒ‡‚̉́@@Vozes do Sul@@@@@•’Capella
ƒXƒyƒCƒ“
‘“ŕDVD@ƒpƒuƒEƒJƒUƒ‹ƒX(1876-1973)@ƒCƒ“EƒvƒGƒ‹ƒgƒŠƒR@@@@ÄŢŘ°Ńײ̼ş°ÎßÚ°źŽÝ@
 ƒGƒ‹Eƒ|ƒ“ƒgEƒ_ƒ‹ƒJƒŠƒX^Del Pirineu Estant@@@@źDiscmedi
 ƒIƒŒƒJ‚s‚˜^Quercus Endorphina@@@@@źElkarlanean
 ƒIƒ‰ƒcEƒYƒKƒXƒeƒB^Elearen Lainoa@@@źElkar
ƒMƒŠƒVƒA
 ƒŒƒxƒeƒBƒR‚ĚƒfƒBƒAƒXƒ|ƒ‰(2CD)@@@@“ĆNetwork Medien@
žƒ‰ƒtEƒKƒCƒhEƒgƒDEƒŒƒxƒeƒBƒJ@@@@ľĚ¨˝ťÝËŢ°ĆŹi‰pWorld Music Networkj@
 ƒnƒŠƒXEƒAƒŒƒNƒV[ƒE^ƒAƒ“ƒ\ƒƒW[(2CD)@@@ŠóMinos
 ƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD^ƒ}ƒmƒXEƒnƒWƒ_ƒLƒX‚Ě'62”N (1998)
 ƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD^ƒ}ƒmƒXEƒnƒWƒ_ƒLƒX‚đ‰Ě‚¤ (2002)
 ƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD•ƒTƒƒjƒJ‚̏t^Virgin Maries of the World@(1999)
 ƒŒƒiEƒvƒ‰ƒg[ƒmƒXwithƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD^Anapnoes (1997)
 ƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD^Dreams of the Mermaid (1998)
 ƒŒƒiEƒvƒ‰ƒg[ƒmƒX@Karuotakis 13 Songs by ƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD@(1996)
ĄƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD^Nanurismatai“`““IŽqŽç‰Ěj@@@@@ˆČă7“_@ŠóLyra
ĄƒƒŠƒiEƒJƒi^Lafira@@@@@@@ŠóLyra@
 ƒAƒeƒjƒAƒ“ƒY^ƒMƒŠƒVƒA‚̉šŠy@@@‰pARC@
 ƒƒXEƒ_ƒŠ^ƒNƒŒƒ^‚̉šŠy@@@@@ŠóFM@
ĄƒƒŠƒiEƒƒ‹ƒN[ƒŠ^Greatest Greek Singers@@@@ŠóLyra@

i5/15j
yƒgƒ‹ƒRz
žƒn[ƒtƒYEƒTƒfƒbƒeƒBƒ“EƒJƒCƒiƒN^ƒgƒ‹ƒRşŠy‚̐_‘ @@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yKalan Muzik Yapimj@
˘žƒƒX[ƒhEƒWƒFƒ~ƒ‹(2CD)@@@@ײ˝i“yKalan Muzik Yapimj@
žƒ}ƒXƒ^[ƒYEƒIƒuEƒgƒ‹ƒR‰šŠy@`ƒE[ƒh•Ň(2CD)
žƒ}ƒXƒ^[ƒYEƒIƒuEƒgƒ‹ƒR‰šŠy@`ƒlƒC•Ň(2CD)@@@ˆČă‚Q“_@ײ˝i“yKalan Muzik Yapimj
žƒxƒYƒ}[ƒ‰[@@@@@ײ˝i“yKalan Muzik Yapimj@
 ƒJƒ‹ƒfƒXEƒgƒDƒ‹ƒNƒŒƒ‹^Hemavaz@@@@—–Connecting Cultures
 ƒTƒoƒnƒbƒgEƒAƒbƒLƒ‰ƒY^ƒAƒŒƒ”ƒB[”h‚̉́@@@@•§Long Distance@
žƒgƒ‹ƒR‚Ě–Ż—w`ƒA[ƒ‹iƒAƒ‰ƒ‰ƒgj•Ň@@@ײ˝iÄŮşUlus Muzik”Ձj@
žƒgƒ‹ƒR‚Ě–Ż—w`ƒAƒ“ƒJƒ‰•Ň@(2CD)@@@ײ˝iÄŮşUlus Muzik”Ձj@

i4/22j
yƒCƒ‰ƒ“z
 ƒzƒZƒCƒ“EƒAƒŠ°ƒU[ƒf^Sallaneh@@@˛×ÝMahoor Institute of Culture and Art@
 ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf•ƒWƒ”ƒ@ƒ“EƒKƒXƒpƒŠƒAƒ“^Endless Vision@@@˛×ÝHermes Records@@
ĄƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^Raze No@@@˛×ÝMahoor Institute of Culture and Art@
 ƒŒƒU[EƒSƒŠEƒ~ƒ‹ƒUƒUƒŠ^Vocals@@˛×ÝMahoor Institute of Culture and Art@
 ƒ^[ƒwƒ‹ƒUƒf[^Vocals@@@@@@@˛×ÝMahoor Institute of Culture and Art@@
 ƒ_ƒŠƒE[ƒVƒ…Eƒ^ƒ‰ƒC^ƒZƒ^[ƒ‹Eƒ\ƒ@@˛×ÝMahoor Institute of Culture and Art@

i4/20j
y”ú”iz
ž‰–‚˜a”V^š—…‘oŽ÷@@@@‰–‚˜a”Vi”ú”ijA‘ĺ‰Y“TŽqi”\ŠÇAŽÂ“Jj Office Oriental Eyes
ž‰–‚˜a”V^‚Ü‚ë‚΂ľ@@@@‰–‚˜a”Vi”ú”ijAˆ˘•”ŒcŽqi”\ŠÇjAƒJ[ƒeƒBƒXEƒpƒ^[ƒ\ƒ“i\ŽľŒˇâľA˜N“ǁjA‹g“cˆę•v(Fl)@@@Kenkon Records

i4/16j
yƒAƒ‰ƒuz
Ąƒ€ƒj[ƒ‹EƒoƒV[ƒ‹•ƒIƒ}ƒ‹EƒoƒV[ƒ‹^Ud Duet @@@•§Ethnic@
 ƒAƒxƒhEƒAƒYƒŠƒG^ƒIƒ}ƒ‹EƒnƒCƒ„[ƒ€@•§Nocturne
ĄƒTƒo[Eƒtƒ@ƒNƒŠ^au palais des congres 1978@•§Club du Disque Arabe
 ƒtƒ@ƒgƒDƒEƒZƒ‹ƒnƒ“^‰ä‚Ş‘c‘ƒGƒWƒvƒg@@@•ÄHollywood Music Center@@
 ƒVƒFƒCƒtEƒAƒtƒ}ƒhEƒAƒ‹EƒgƒDƒj^Sultan of All Munshidin (2CD)@@•§Long Distance@
ĄƒVƒFƒCƒtEƒAƒtƒ}ƒhEƒoƒbƒ‰ƒCƒ“^ƒX[ƒtƒB[‚̉́@@Ul Bet Al-Sabr, Tala A Al-Badru Alaina, Al Asfur, Layali@•§Long Distance@
 ƒTƒo[EƒK[ƒŠƒu^Sufi Spirit@•ÄHollywood Music Center@
˘ƒVƒŠƒA‚Ě“`“‰Ě@@ƒ[ƒCƒ“EƒAƒ‹EƒWƒ…ƒ“ƒfƒB@@‰pARC@
 ƒVƒƒƒfƒBEƒWƒƒƒ~ƒ‹^Qudud Halabiyya@•ÄHollywood Music Center@
 ƒ‚ƒnƒƒhEƒwƒCƒŠ•ƒ‚ƒnƒƒhEƒGƒ‹EƒEƒUƒr^Night of Tarab@@@•ÄHollywood Music Center@
 ƒ‚ƒtƒVƒ“Eƒ‚ƒnƒƒh^Oud - Ancient Lute@•ÄHollywood Music Center
žƒ}ƒWƒ_EƒGƒ‹Eƒ‹[ƒ~[^ƒ”ƒHƒŠƒ…[ƒ€Eƒƒ“@@@@ײ˝iŠóPress Hellasj
˘ƒxƒŠ[ƒ_ƒ“ƒX‚Ě“`ŕ@1947-1976@i—A“üDVDj@@@•ÄHollywood Music Center@
 ƒTƒCƒF[ƒhEƒoƒ‰ƒn^Around the World@@@@“ĆBalaha Rec
—A“üDVD@ƒxƒŠ[ƒ_ƒ“ƒX‚ĚƒX[ƒp[ƒXƒ^[@@@•ÄFirstars
žƒ‰ƒtEƒKƒCƒhEƒgƒDE’n’†ŠC‚ĚƒJƒtƒFEƒ~ƒ…[ƒWƒbƒN@ľĚ¨˝ťÝËŢ°ĆŹi‰pWorld Music Networkj@
yƒ}ƒOƒŒƒuz@ƒAƒ‰ƒuEƒR[ƒi[‚Š‚ç•Ş—Ł‚ľ‚Ü‚ľ‚˝
ĄƒrƒXƒNƒ‰‚ĚƒfƒBƒƒ“@sƒAƒ‹ƒWƒFƒŠƒAt@•§Ocora
Ąƒt[ƒŠƒAEƒAƒCƒV^ƒI[ƒŒƒX’n•ű‚̉́@@@@@@@@•§Ethnic@
Ąƒt[ƒŠƒAEƒAƒCƒV^Hawa@@@ @@@@@@@@@•§Auvidis Tempo
Ąƒ‚ƒƒbƒR‚ĚƒAƒ‰ƒuEƒAƒ“ƒ_ƒ‹ƒVƒA‰šŠy@@–ƒAƒ~ƒiEƒAƒ‰ƒEƒB•ƒA[ƒƒhEƒsƒ‚Ɣނ̊y’c@@@•§Ethnic@
Ąƒ‚[ƒŠƒ^ƒjƒA@@ƒlƒ}ƒfƒB‚̏—Ť‚̉́@@@@@•§Buda@
 ƒ`ƒ…ƒjƒWƒA‚̉šŠy@Ez Zouhour@‰pARC
Ąƒ`ƒ…ƒjƒWƒA‚Ě‰Ě‚ĆƒŠƒYƒ€@Vol.2@•§Club du Disque Arabe@
 ƒgƒj[EƒKƒgƒŠƒtŠÄ“@uEXILSvOST@@@•§Naive@
—A“üDVD@L'Algerie en fete @(Pal‚Ě‚Ý)@@@@•§Warner
—A“üDVD@ƒŠƒŠEƒ{ƒjƒbƒVƒ…^Concert Unique a Mogador @(Pal‚Ě‚Ý)@@•§Warner
 ƒVƒFƒŠƒtƒ@^ƒxƒ‹ƒxƒ‹‚Ěƒuƒ‹[ƒX@@•§Long Distance@
Ąƒ‚ƒƒbƒR`ƒtƒFƒY‚ĚƒAƒCƒbƒTƒ@@•§Institut du monde arabe@
 ƒ‹ƒCƒXEƒfƒ‹ƒKƒh^ƒ^ƒ“ƒW[ƒ‹(2CD)@źNubenegra@
ĄźPneumaƒŒ[ƒxƒ‹@ƒTƒ“ƒvƒ‰[@@@źPneuma@
ĄƒAƒ~ƒiEƒAƒ‰ƒEƒB^ƒAƒ‹ƒJƒ“ƒ^ƒ‰`ƒ‚ƒƒbƒR‚ĚƒAƒ‰ƒuEƒAƒ“ƒ_ƒ‹[ƒX‰Ě—w@@•§Auvidis Ethnic@

i4/2j
yƒCƒ‰ƒ“z
˘ƒzƒZƒCƒ“EƒAƒŠ°ƒU[ƒf^Sallaneh@@@˛×ÝMahoor Institute of Culture and Art@
˘ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf•ƒWƒ”ƒ@ƒ“EƒKƒXƒpƒŠƒAƒ“^Concert (after math)@@@˛×ÝHermes Records@@
 ƒCƒ‰ƒ“‚ĚŒĂ“T‰šŠy@@ƒ}ƒXƒ[Eƒ[ƒ‰ƒŠ(ą°łŢ§°˝Ţ)AƒzƒZƒCƒ“EƒZƒCƒtƒBƒU[ƒf(ą°łŢ§°˝Ţ)‘ź@@•§Air Mail Music (PLAYA SOUND) @
ŁƒCƒ‰ƒ““Œ•”@–kƒzƒ‰ƒT[ƒ“‚̉šŠy@@@@@ƒVƒ}Eƒrƒi@@@@@@•§Buda@
˛×ÝMahour Institute
ƒşŠy„

˘ƒGƒOƒoƒ‹EƒAƒUƒ‹^Vocal Vol.1
˘ƒGƒOƒoƒ‹EƒAƒUƒ‹^Vocal Vol.2 @
˘ƒŒƒU[EƒSƒŠEƒ~ƒ‹ƒUƒUƒŠ^Vocals
˘ƒ^[ƒwƒ‹ƒUƒf[^Vocals@@
ƒƒZƒ^[ƒ‹„
˘ƒIƒXƒ^ƒbƒhEƒ†[ƒZƒtEƒtƒHƒ‹ƒ^ƒ“^Old Zarbis - Classical Metric Pieces
˘ƒIƒXƒ^ƒbƒhEƒ†[ƒZƒtEƒtƒHƒ‹ƒ^ƒ“^Setaar
˘ƒ_ƒŠƒE[ƒVƒ…Eƒ^ƒ‰ƒC^ƒZƒ^[ƒ‹Eƒ\ƒ
˘ƒk[ƒ‹ƒAƒŠEƒ{ƒ‹[ƒ}ƒ“ƒh^ƒ~ƒ‹ƒU[EƒAƒuƒhƒDƒbƒ‰[‚Ěƒ‰ƒfƒB[ƒti‰żŠi–˘’čj
ƒƒ^[ƒ‹„
˘ƒJ[ƒWƒƒ[ƒ‹’Š‚Ěƒ^[ƒ‹‚ĚŒ|p
ƒƒTƒ“ƒgƒD[ƒ‹„
 ƒtƒ@ƒ‰ƒ}ƒ‹ƒYEƒpƒCƒ”ƒ@[ƒ‹^Shahrashoub

i4/1j
y’†‰›ƒAƒWƒA`ƒR[ƒJƒTƒXz
˘ƒgƒ‹ƒLƒXƒ^ƒ“‚̉́@‚P@’†‰›ƒAƒWƒAƒVƒŠ[ƒY
˘ƒgƒ‹ƒLƒXƒ^ƒ“‚̉́@‚Q @@@@@@@@@@@@ÄŮşAsia Production
˘ƒ‰ƒtEƒKƒCƒhEƒgƒDE’†‰›ƒAƒWƒA@@ײ˝@
 ƒAƒtƒKƒjƒXƒ^ƒ“@ƒw[ƒ‰[ƒg‚̏—Ť‰šŠy‰Ć@@@@@•§Unesco@
 ƒŒƒ”ƒHƒ“Eƒ~ƒiƒbƒXƒBƒAƒ“^Doudouk Beyond Borders@@@@•§Long Distance@
 ƒnƒCƒOEƒ„ƒYƒWƒAƒ“^Yeraz@@@@@@@@@@@ŠóLyra@
 ƒOƒ‹ƒWƒA‚̉̂ƉšŠy@@Idjassi@@@@@@@@•§Long Distance@
 ƒOƒ‹ƒWƒA–Ż—wW@@@@@˜IPartiks

i3/19j
yƒNƒŒƒYƒ}[‰šŠyz
 ƒNƒŒƒYƒ}ƒeƒBƒNƒX^Brother Moses Smote the Water@@@@“ĆPiranha@
 ƒjƒOƒ“^Standard@@@ ĘÝśŢŘ°Etnofon@

i3/17j
yƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
ƒnƒ“ƒKƒŠ[
ƒŐ ƒxƒA[ƒ^Eƒpƒ‹ƒ„^agrol-agra @@@@@@@ĘÝśŢŘ°Orpheia
 ƒYƒ‹ƒS^Szive Jarasat Hallod Az Idonek@@@@@ĘÝśŢŘ°Etnofon@
 ƒNƒ[ƒhEƒtƒ‰ƒQƒ‹•Carmina Danubiana^Vers l'Est je veux aller - Burgondia utca@@@@ĘÝśŢŘ°Etnofon@
 ƒ”ƒHƒhƒDƒN[Eƒ”EƒOƒ[ƒgƒDƒN^Port@@@@ĘÝśŢŘ°Etnofon@
žƒ‰ƒCƒR[EƒtƒF[ƒŠƒNƒX•ƒqƒYEƒoƒ“ƒh@@@@ËŢ°Ý˝Ţ
 ƒ‰ƒCƒR[EƒtƒF[ƒŠƒNƒX•ƒqƒYEƒoƒ“ƒh@@@@ËްݽޗA“ü”Ձ@
˘ƒJƒ‹ƒpƒ`ƒA–~’n‚ĚƒWƒvƒV[‰šŠy@@@@@@@@ƒnƒ“ƒKƒŠ[”ՁiƒŒ[ƒxƒ‹•s–žj@
˘Csaloka / Sej, Haj Zorog A Level@@@@@@@ƒnƒ“ƒKƒŠ[”ՁiƒŒ[ƒxƒ‹•s–žj
 Szaszcsavas Band / Live in Chicago@@@@@ƒnƒ“ƒKƒŠ[”Ձ@
˘Uszturu / Az Oregeke @@@@@@@@@@ƒnƒ“ƒKƒŠ[”Ձ@
˘Laka "kicsi" Aladar Es Fodor Sandor "neti" / Kalotaszegi Nepzene@@@ ƒnƒ“ƒKƒŠ[”Ő
 Okros / Bonchida, Haromszor@@@@@@ƒnƒ“ƒKƒŠ[”Ձ@
 Tecsoi Banda / Ruszin Nepzene@@@@@ƒnƒ“ƒKƒŠ[”Ő
ƒ‹[ƒ}ƒjƒA
 ƒVƒ…ƒJƒ‹^Bear Tamers Music@@@@@”’Sub Rosa@
 ƒpƒ“ƒZƒ‹ƒ^EƒtƒFƒ‰ƒ‹^ƒuƒJƒŒƒXƒg‚Ěƒ‰ƒEƒ^[ƒ‹‚̉́@@@@•§Long Distance@
 ƒtƒ@ƒ“ƒtƒ@[ƒŒEƒTƒ”ƒ@ƒŒ^Speed Brass of the Gypsies@@@”’Sub Rosa@
˘ƒ}ƒŠƒAEƒ^ƒiƒZ^Maria Tanase Vol.2@@@@@•§ILD
˘ƒgƒŠƒIEƒhƒuƒƒWƒƒ^ƒ‹[ƒ}ƒjƒA‚Ě“`“‰šŠy@@•§l'Autre
 ƒ‹[ƒ}ƒjƒA‚Ěƒ‰ƒEƒ^[ƒŠ‚̉šŠy@@@@ŠóFM@
žƒ}ƒnƒ‰Eƒ‰ƒCEƒoƒ“ƒ_@—x‚éƒWƒvƒV[EƒcƒBƒXƒg@@@@@@@@@Ěß×ݸÄ݁@2,415

i2/25j
from latest catalogue

i2/4j
y’†‰›ƒAƒWƒA`ƒVƒ‹ƒNƒ[ƒhz
žVƒVƒ‹ƒNƒ[ƒh@(ľŘźŢĹŮĽťłÝÄŢÄׯ¸)@`ƒGƒ“ƒ`ƒƒƒ“ƒgƒƒ“ƒg @@@ƒˆ[ƒˆ[Eƒ}(Vc)•ƒVƒ‹ƒNƒ[ƒhEƒAƒ“ƒTƒ“ƒuƒ‹@@@ƒ\ƒj[
yƒCƒ‰ƒ“z
ĄƒCƒ‰ƒ“‚̉šŠy@@ƒ}ƒWƒbƒhEƒLƒA[ƒj(Santur)Aƒ_ƒŠƒE[ƒVƒ…Eƒ^ƒ‰ƒC(Tar)AƒWƒƒƒ€ƒVƒhEƒVƒFƒ~ƒ‰[ƒj(Zarb)@@•§Harmonia Mundi@
y”\Šyz
žŠĎ˘—Ź—w‹Č–ź‹Čďiˆęj
žŠĎ˘—Ź—w‹Č–ź‹Čďi“ńj
žŠĎ˘—Ź—w‹Č–ź‹ČďiŽOj
žŠĎ˘—Ź—w‹Č–ź‹ČďiŽlj
žŠĎ˘—Ź—w‹Č–ź‹ČďiŒÜj
žŠĎ˘—Ź—w‹Č–ź‹Čďi˜Zj
žŠĎ˘—Ź—w‹Č–ź‹ČďiŽľj
žŠĎ˘—Ź—w‹Č–ź‹Čďi”ށj
žŠĎ˘—Ź—w‹Č–ź‹Čďi‹ăj
žŠĎ˘—Ź—w‹Č–ź‹Čďi\j@@ˆČă10“_@ƒRƒƒ€ƒrƒA@

i1/24j
yăߖžz
Ÿwş–žx`ƒRƒƒ€ƒrƒA–MŠy–ź‹ČƒZƒŒƒNƒVƒ‡ƒ“@@@@ƒRƒƒ€ƒrƒA
yŽÚ”ށz
ž‹•–ł‘mŽÚ”Ş‚Ě˘ŠE@–k—¤‚ĚŽÚ”Ş@ŽO’J^’†‘ş–žˆę@@iŕjË޸Ŕ°
yƒR[ƒJƒTƒXz
ŁƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“@@ƒAƒŠƒ€EƒJƒVƒ‚ƒt@@@@@@•§Ocora
ŁƒAƒŠƒ€EƒJƒVƒ‚ƒt^ƒ€ƒK[ƒ€‚ĚŒ|p@@@@@@@@•§Ocora@
ŁƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“‚Ěƒ€ƒK[ƒ€‚P`ƒAƒŠƒ€EƒJƒVƒ‚ƒt@@Mugam Chargah, Mugam Bayati Shiraz
ŁƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“‚Ěƒ€ƒK[ƒ€‚Q`ƒAƒŠƒ€EƒJƒVƒ‚ƒt@@Mugam Rast, Tasnif, Mugam, Tesnif Dashti
@ƒAƒŠƒ€EƒJƒVƒ‚ƒt(Vo, Daf)Aƒ}ƒŠƒNEƒ}ƒ“ƒXƒƒt(Tar)AƒGƒ‹ƒJ[ƒ“Eƒ}ƒ“ƒXƒƒt(Kemanche)@@@@@ˆČă‚Q“_@•§Inedit@@
yƒAƒ‰ƒuz
ĄNawba Hsin@`ƒVƒhEƒA[ƒƒhEƒZƒbƒŠ•ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒ‹ƒoƒCƒVƒ“@Vol.3@(2CD)@@@@@•§Al Sur@
‘“ŕ‘Đ@wƒAƒ‰ƒu‚Ě•—‚ƉšŠyx  Žá—Ń’‰GE’˜@@@@@ƒ„ƒ}ƒnEƒ~ƒ…[ƒWƒbƒNEƒƒfƒBƒA
y•§‹ł‰šŠyz@
 ƒ`ƒxƒbƒg@_š‚Č‚é‹VŽŽ@@@@@@@•§Air Mail Music (PLAYA SOUND)

i1/22j
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
˘M.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Sri Venkateswara, Balaji Pancharatnamala (5CD)
˘M.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Radio Recitals, Excerpts from Radio (4CD)
˘M.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Live at United Nations (2CD)
 M.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Guru Guha Vani (2CD)
˘M.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Old Gems@@@@@@ˆČă5“_@ˆóGramophone(RPG)@
 O.K.ƒXƒuƒ‰ƒ}ƒjƒAƒ€(Ĺ°ŔŢ˝Ü×Ń)^Nagaswaram in the Carnatic Tradition@@@@•§Inedit@
˘ƒo[ƒ‰ƒ€ƒ‰ƒŠƒNƒŠƒVƒ…ƒi•ƒ‰ƒOƒi[ƒgEƒ}ƒlƒg^Karnatik@@@@@@@@ •§mk2 Music@

i1/18j
y”ú”iz
ž’}‘O”ú”i^ŽRčˆŽä@@iŕjË޸Ŕ°

i2005/1/12j
yƒlƒEƒ}z@ƒAƒ‰ƒu‰šŠyƒR[ƒi[“ŕ
 ƒ}ƒCƒ‚ƒjƒfƒX@@ƒAƒ‹=ƒAƒ“ƒ_ƒ‹[ƒX‚É‚¨‚Ż‚éƒZƒtƒ@ƒ‹ƒfƒBƒ€‚̉Š‹ŕŽž‘ămƒ‚[ƒ[ƒXEƒ}ƒCƒ‚ƒjƒfƒX–vŒă800”N‹L”On
 ƒeƒgƒDƒA[ƒ“‚̏—‰ĚŽč‚˝‚ż@–kƒ‚ƒƒbƒR‚Ě“`““I‚ȏ—‚˝‚ż‚̉Ě
 ƒAƒ‹=ƒAƒ“ƒ_ƒ‹[ƒX‚̉šŠy@@ŠÇŠyŠí‚Ě‚˝‚ß‚ĚƒAƒ“ƒ_ƒ‹ƒVƒA‰šŠy
 ƒOƒ‰ƒiƒ_Ş•ž@ƒˆ[ƒƒbƒp‚Ě‹{’쉚ŠyAƒiƒXƒŠƒbƒh’ŠƒAƒ“ƒ_ƒ‹ƒVƒA‚Ě‰ĚW‚ƉšŠyi15-16˘‹Ij@@ ˆČă4“_@źPneuma

i12/30j
y–kƒAƒWƒAz
ŁŹƒVƒxƒŠƒA‚̉šŠyVol.7@(2CD)@@ƒlƒlƒc‚ĆƒZƒ‹ƒJƒv‚Ě“`“‰Ě @@•§Buda
ŁŹƒVƒxƒŠƒA‚̉šŠyVol.6@@ƒTƒnƒŠƒ“iŠ’‘žj‚̉̂ƊíŠy @@•§Buda
ŁŹƒVƒxƒŠƒA‚̉šŠyVol.5@@ƒAƒ€[ƒ‹–~’n‚ĚƒVƒƒ[ƒ}ƒ“‚̉̂ƓúX‚Ě‰Ě @@•§Buda
ŁŹƒVƒxƒŠƒA‚̉šŠyVol.4@@ƒJƒ€ƒ`ƒƒƒcƒJ‚Ě—x‚č‚Ć‘žŒŰ @@•§Buda
ŁŹƒVƒxƒŠƒA‚̉šŠyVol.3@@ƒ`ƒ…ƒNƒ`AƒGƒ”ƒFƒ“AƒWƒ…ƒJƒM[ƒ‹‚ĚƒRƒŠƒ}iŽŠ‘R‚Ć“Ž•¨‚̉́j @@•§Buda
ŹƒVƒxƒŠƒA‚̉šŠyVol.2@@ƒ„ƒN[ƒgiƒTƒnj‚̏–Ž–Ž‚Ć‘Ś‹ť @@•§Buda
ŁŹƒVƒxƒŠƒA‚̉šŠyVol.1@@‹É–kƒVƒxƒŠƒA‚ĚƒVƒƒ[ƒ}ƒ“‚Ě‰Ě‚ĆŒę‚č‰Ě @@•§Buda
y“ěƒAƒWƒAz
ĄƒTƒ^ƒWƒbƒgEƒŒƒCŠÄ“u‰šŠyƒTƒƒ“vƒTƒ“ƒgƒ‰@@@•§Ocora@
Ź–kƒCƒ“ƒh@ƒ~ƒeƒBƒ‰[‚ĚŽlƒ”ƒBƒfƒBƒ„[ƒpƒeƒB‚Ěˆ¤‚̉́@@‰ĚŽčFJahawarlal Jha, Ganesh Kant Thakur, Vindya Basini Devi@@@•§Ocora@
 ƒpƒ‹ƒ”ƒ@ƒVEƒoƒEƒ‹^ƒ‰ƒhƒnEƒuƒnƒ”ƒ@
 ƒvƒŒƒ€EƒLƒVƒ‡[ƒ‹Eƒ~ƒVƒ…ƒ‰^ƒ”ƒ@ƒ‰ƒiƒVEƒ‰ƒX@@@@ˆČă‚Q“_@ľĚ¨˝ťÝËŢ°ĆŹi•§Arionj@
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
Ą‚l‚…‚…‚”‚‰‚Ž‚‡@‚‚†@‚`‚Ž‚‡‚…‚Œ‚“`ƒVƒ^[ƒ‹‚ĆƒOƒŒƒSƒŠƒIš‰Ě‚̏o‰ď‚˘iƒhƒ~ƒjƒNEƒ”ƒFƒ‰[ƒ‹ŠÄCj
ƒjƒVƒƒ[ƒgEƒJ[ƒ“(Sitar)•ƒAƒ“ƒTƒ“ƒuƒ‹EƒWƒ‹Eƒoƒ“ƒVƒ‡ƒ@@@@ˆÉAmiata
yƒAƒ‰ƒuz
ŁŸƒ€ƒj[ƒ‹EƒoƒV[ƒ‹(oud)^Concert in Budapest 1992@@@ľĚ¨˝ťÝËŢ°ĆŹiŠóPress Hellasj@
ĄƒGƒŠ[EƒAƒVƒ…ƒJƒ‹^’†“Œ‚ĚƒJ[ƒk[ƒ“‚Ɖ́@@@•§Buda@
ĄƒUƒhEƒ€[ƒ‹ƒ^ƒJ^Zarani@@Muwashahs with piano@@@@•§l'empreinte digitale@
Ąƒ}[ƒ€[ƒhEƒtƒ@ƒhƒ‹^ƒUEƒhƒ‰ƒ}[ƒYEƒIƒuEƒUEƒiƒCƒ‹@@@“ĆPiranha@
—A“üDVD@ƒAƒWƒU‚Ěƒ‰ƒNƒXI@ƒxƒŠ[ƒ_ƒ“ƒX‚ĚƒpƒbƒVƒ‡ƒ“@@@@•ÄHollywood Music Center
y“ěƒˆ[ƒƒbƒp`ƒJƒ^ƒƒjƒAAƒ}ƒWƒ‡ƒ‹ƒJz
ĄƒoƒŒƒA[ƒŒƒX”“‡‚̉šŠy(2CD)@@@@źDiscmedi
yƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
Ąƒ[ƒ`ƒFEƒvƒ‰ƒW[ƒj‘ş‚Ěƒuƒ‰ƒXEƒoƒ“ƒh@mŮ°ĎĆą‰šŠyWŹ‘ć‚QWn@@@•§Buda@
Ąƒ}ƒ‰ƒ€ƒŒƒVƒ…‚ĚƒNƒŠƒXƒ}ƒX@mŮ°ĎĆą‰šŠyWŹ‘ć‚SWn@@@•§Buda@
ĄƒGƒ`ƒFƒ‹‘ş‚ĚŒ‹ĽŽŽ@@@@@ĘÝśŢŘ°Hungaroton
yƒ†ƒ_ƒ„‰šŠyz
Ą‰ë‰Ěi‘S‚WÍj`i‹L•ˆ‰đ“ǁA‰šŠyŠÄCFƒXƒ…ƒUƒ“ƒkEƒnƒCƒNEƒ”ƒ@ƒ“ƒgƒD[ƒ‰j@@@@•§Alienor
Ą‹Œ–ńš‘‚̉šŠy Vol.3 i‹L•ˆ‰đ“ǁA‰šŠyŠÄCFƒXƒ…ƒUƒ“ƒkEƒnƒCƒNEƒ”ƒ@ƒ“ƒgƒD[ƒ‰j@@•§Alienor
ŹƒGƒ`ƒIƒsƒAŒnƒ†ƒ_ƒ„l‚Ě“T—ç‰Ě@@@@@•§Inedit
Ąƒxƒ“ƒW^MASHIACH@(˛˝×´ŮĽĘźĂިŻ¸ĽżÝ¸ŢĽÍŢ˝Ä)@@@•ÄBenji
ŁƒŠEƒ‰EƒiƒˆƒbƒXƒB[•ƒWƒƒƒbƒNEƒnƒ‰ƒ“ƒg•vČj^Mameloschiade,Masseltoffiade @@@@@“ĆTrikont
yƒNƒŒƒYƒ}[‰šŠyz
Źƒiƒtƒeƒ…[ƒ‹Eƒuƒ‰ƒ“ƒhƒ”ƒ@ƒCƒ“^King of the Klezmer Clarinet@@@@@•ÄRounder
ĄƒiƒmEƒyƒCƒŒ•ƒtƒŒƒ“ƒY^Duos Nomades@@@@•§Buda@
y•§‹ł‰šŠyz
ĄƒAƒ€ƒh‚Ěƒ`ƒxƒbƒg‘m‰@‚̉šŠy@@@@•§Ocora

i12/18j
y“ěƒˆ[ƒƒbƒpz
ƒ|ƒ‹ƒgƒKƒ‹
 ƒnƒj[ƒ^EƒTƒƒ^Tao Pouco e Tanto@@@•’Capella
ƒXƒyƒCƒ“
 ƒAƒhƒ‹ƒtƒHEƒIƒXƒ^^Avedivare@@@@źVentilador
 ƒzƒAƒLƒ“EƒfƒBƒAƒX^Musica en la Calle@@@@źSeveral Records@
 ƒGƒ‹EƒAƒOƒA^Candeal@@@@źSeveral Records@
ƒtƒ‰ƒƒ“ƒR
 ƒGƒ“ƒŠƒPEƒ‚ƒŒƒ“ƒe^En La Casa Museo Federico Garcia Lorca@@@źBig Bang
 ƒ‚ƒŒƒ“ƒe•ƒ‰ƒKƒ‹ƒeƒB[ƒnEƒjƒbƒN^Omega@@@źEl Europeo Musica
ƒJƒ^ƒƒjƒA
 ƒ}ƒŠƒiEƒƒZƒCƒ†^Maritim@@@@•§World Village@
ƒoƒXƒN
˘ƒAƒ‰ƒ“Eƒ[ƒ}ƒbƒNƒXEƒRƒŒƒNƒVƒ‡ƒ“`ƒoƒXƒN‚̍‘:Biscay and Guipuzacoa
˘ƒAƒ‰ƒ“Eƒ[ƒ}ƒbƒNƒXEƒRƒŒƒNƒVƒ‡ƒ“`ƒoƒXƒN‚̍‘:Navarre@@@ˆČă‚Q“_@•ÄRounder@
˘ƒoƒXƒN‚ĚŽqŽç‰S@@@@•§ARB
ƒCƒ^ƒŠƒAAƒTƒ‹ƒfƒBƒjƒA
 Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒŠƒOƒŠƒA’n•űi–kź•”j
˘Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒtƒŠƒEƒŠAƒ”ƒFƒlƒcƒBƒAAƒWƒEƒŠƒAi–k“Œ•””“sŽsj
˘Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒ}ƒ‹ƒ`ƒF’n•űi’†“Œ•”AƒAƒhƒŠƒAŠC‰ˆŠÝj
˘Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒGƒ~ƒŠƒAEƒƒ}[ƒjƒƒ’n•űi’†–k•”j
˘Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒJƒ“ƒp[ƒjƒA’n•űiƒiƒ|ƒŠ‚𒆐S‚Ć‚ˇ‚é“ě•”j
˘Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒsƒGƒ‚ƒ“ƒe’n•űi–kź•”‚Ěƒtƒ‰ƒ“ƒX‚Ɛڂˇ‚éƒIƒNƒVƒ^ƒ“•ś‰ťŒ—j
˘Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒAƒuƒ‹ƒbƒcƒH’n•űi’†•”j
 Tribu' Italiche SerieisƒVƒŠ[ƒY@`ƒJƒ‰ƒuƒŠƒA’n•űi“ě•”j@@@@@@@ˆČă‚W“_@ˆÉEDT
 ƒJƒ“ƒcƒHƒjƒG[ƒŒEƒOƒŒƒJƒjƒREƒTƒŒƒ“ƒeƒB[ƒm^Ballati Tutti Quanti Ballati Forte@@@@ˆÉDunya Records@
˘ƒVƒ`ƒŠƒA‚Ě–Ż‘°‰šŠy@@@@•§Ocora@
˘ƒAƒ‰ƒ“Eƒ[ƒ}ƒbƒNƒXEƒRƒŒƒNƒVƒ‡ƒ“`ƒCƒ^ƒŠƒA˜^‰šFLiguria, Piemonte and Val D'Aosta@@@@•ÄRounder@
ƒŐžƒ}ƒŠ[ƒiEƒsƒ^ƒE^ƒTƒ‹ƒf[ƒjƒƒ“‡‚̉šŠy@@@@@ľĚ¨˝ťÝËŢ°ĆŹi•§Arionj@
ƒMƒŠƒVƒA
 ƒGƒƒgƒNƒŠƒgƒX^Thoughts Like Arrows in the Heart@@@@ŠóFM@
ĄƒMƒŠƒVƒA‚ĚƒWƒvƒV[‚̉́@@@ŠóFM@
 ƒƒXEƒ_ƒŠavecƒVƒFƒ~ƒ‰[ƒjEƒgƒŠƒI@archives 11/06/2003@@@@•§Naive@

i12/16j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒnƒŠƒ‹EƒOƒ_ƒY(źŔ°Ů)^Sourvenir
 ƒnƒŠƒ‹EƒOƒ_ƒY(źŔ°Ů)^Tolo@@ˆČă‚Q“_@‹Khalil Gudaz
yƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
 ƒ^ƒ‰ƒtEƒhƒCƒiEƒ{ƒgƒJ@@@•§Label Ouest(l'AutreŒn)@
 ƒGƒŠƒbƒNEƒ}ƒ‹ƒVƒƒƒ“‚Ćƒoƒ‹ƒJƒjƒNƒX^Pruna@@@•§Chant du monde
˘Suburban Bucharest : Mahala Sound from Romania@@@“ĆTrikont@
˘ƒ€ƒWƒJ[ƒVƒ…withƒ}ƒ‹ƒ^EƒZƒoƒXƒ`ƒƒƒ“^Live at Liszt Academy@@@ĘÝśŢŘ°Muzsikas
Ąƒ€ƒWƒJ[ƒVƒ…•ƒ}ƒ‹ƒ^EƒZƒoƒXƒ`ƒƒƒ“^Morning Star@@@@@ĘÝśŢŘ°Muzsikas
 ƒnƒ“ƒKƒŠƒAƒ“Eƒ_ƒ“ƒXEƒnƒEƒX`–Ż‘­‰šŠy@iTanchaz - Nepzenej@@ĘÝśŢŘ°Hagyomanyok Haza
˘ƒ|ƒbƒ^EƒQƒU^Szulettem mint primas@@@@ĘÝśŢŘ°Folk Europa
 ƒpƒpEƒCƒVƒ…ƒgƒ”ƒ@ƒ“EƒKƒWƒƒ^ƒJƒ‹ƒpƒ`ƒA–~’n‚Ě–Ż‘°‰šŠy@`ƒuƒ_ƒyƒXƒg‚Š‚çƒRƒ}ƒ“ƒh[‚܂Ł@@ĘÝśŢŘ°Folk Europa
 ƒJƒ‹ƒpƒ`ƒA^Moldvahon 1.Vasar - The Fair@@@ĘÝśŢŘ°Etnofon@
 ƒ[ƒ^^20 Ev Meta - Eljott Az Orom@@@@ĘÝśŢŘ°Folk Europa@
 ƒx[ƒP[ƒVƒ…Eƒoƒ“ƒh^Zsok - Joc@@@@@ĘÝśŢŘ°Etnofon@
˘ƒtƒBƒOƒ‹Eƒoƒ“ƒh^ƒXƒƒ”ƒ@ƒLƒA‚Ěƒnƒ“ƒKƒŠ[”_‘ş‰šŠy@@@ĘÝśŢŘ°Etnofon@
 ƒCƒ”ƒ@ƒ“Eƒ‰ƒ“ƒgƒVƒ…^Holnapig@@@ĘÝśŢŘ°Etnofon@
 ƒjƒOƒ“^Standard@@@@ĘÝśŢŘ°Etnofon
yƒoƒ‹ƒJƒ“”‘z
 ƒoƒ‹ƒJƒ“Eƒ”ƒHƒCƒX@Part 2@@@ŠóFM@
 ƒWƒƒƒ‰[ƒgƒmƒN^The Balkan Move@@@ˆÉDunya Records@
 ƒgƒŠƒIEƒoƒ‹ƒJƒ“EƒXƒgƒŠƒ“ƒOƒX^ƒoƒ‹ƒJƒ“‚ĚƒMƒ^[@@@•§PLAYA SOUND@
 ƒTƒ“ƒfƒBEƒƒsƒ`ƒbƒ`EƒIƒ‹ƒPƒXƒ^ƒ‹^Balkea@@@@“ĆNetwork Medien@
 ƒ}ƒPƒhƒjƒA‚̉šŠy‚P
 ƒ}ƒPƒhƒjƒA‚̉šŠy‚Q@@@ˆČă2“_@“TCaprice@
yƒ`ƒFƒRAƒƒVƒAz
 ƒCƒ”ƒ@Eƒrƒgƒ”ƒ@^‹zŒŒ‹S‚Ě—x‚č@@@‰pNBE Live
 ƒEƒ‰ƒfƒB[ƒ~ƒ‹EƒfƒjƒbƒZƒ“ƒRƒt^Guzulka@@@@ˆÉFelmay
ƒŐ˘ƒYƒ‹ƒ„^Elusive@@@@“ĆWestpark

i12/10j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒtƒ@ƒCƒ„[ƒYEƒJ[ƒ“(Vo)^Golden Shadows@@@ˆÉFelmay@
 ƒoƒfEƒOƒ‰ƒ€EƒAƒŠEƒJ[ƒ“(Vo)^Regal Resonance@@ˆÉFelmay@
 ƒVƒƒƒqƒbƒhEƒpƒ‹ƒ”ƒF[ƒY(Sitar)^Magnificent Melody - A tirbute to Dulal Babu@@@ˆÉFelmay@
 N.ƒ‰ƒ}ƒj•ƒnƒŠƒvƒ‰ƒTƒhEƒ`ƒƒƒEƒ‰ƒVƒA(Bansuri)^Together (2CD)@@@ˆÉFelmay@

i12/8j
yŽÚ”ށz
ž‘P—{Ž›Œb‰î^‹•‹ó@@- ‹•–ł‘mŽÚ”Ş -@@@@@É°ťŢÝײÂÚş°Äށ@
 ‰JŒŽ•ˆ@›Œ´‹vm‹`iŽÚ”ށjŒI—яG–ži\ŽľŒˇj‘ź@@@•§Air Mail Music (PLAYA SOUND)
yƒAƒ‰ƒuz
ŁƒiƒXƒB[ƒ‹EƒVƒƒƒ“ƒ}^ƒWƒŠƒA[ƒu‚̐ů–@@@ƒ†[ƒtƒ‰ƒeƒX‚Š‚çƒOƒ@ƒ_ƒ‹ƒLƒr[ƒ‹‚܂Ł@@@@źPneuma@
ŁƒiƒXƒB[ƒ‹EƒVƒƒƒ“ƒ}^ƒoƒOƒ_ƒbƒh‚ĚƒŠƒ…[ƒg@@@•§Institut du monde arabe@

i12/2j
yƒIƒ€ƒjƒoƒXz
 ƒOƒ[ƒoƒ‹EƒE[ƒ}ƒ“@@Ethnic Songs from 14 Countries ‰pARC
˘–ŻO‚ލ‡}‚𕡂­`ƒˆ[ƒƒbƒp‚Ě˜J“­‰ĚW@@@ “ĆThorofon
ŁARC–Ż‘°‰šŠy@‰š‚ĚƒJƒ^ƒƒO@(10CD)@@ ‰pARC@

i11/25j
y“Œ“ěƒAƒWƒAz
ƒŐ ƒ‰ƒIƒX‚Ě“`“‰šŠy@@@@•§Inedit@
—A“üDVD@ƒoƒŠ“‡@–Ł˜f‚ĚŠy‰€@@@@@@@•§PLAYA SOUND@
žƒoƒŠ“‡‚̐ź•”‚̉šŠy@`ƒWƒFƒSƒOAƒWƒ‡ƒQƒhEƒuƒ€ƒuƒ“@@@•§Arioni”z‹‹ľĚ¨˝ťÝËŢ°ĆŹj@
žƒ^ƒpƒkƒŠ@–kƒXƒ}ƒgƒ‰‚Ě“`“‰šŠy@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi˛ÝÄŢČźąPertiwij@
 ƒgƒDƒ‹ƒ}ƒ“EƒVƒi[ƒK@@ƒ^ƒpƒkƒŠ`–kƒXƒ}ƒgƒ‰‚Ě“`“‰šŠy@‘ć‚QW
˘ƒgƒDƒ‹ƒ}ƒ“EƒVƒi[ƒK@@ƒ^ƒpƒkƒŠ`–kƒXƒ}ƒgƒ‰‚Ě“`“‰šŠy@‘ć‚RW@@@@
˘ƒgƒDƒ‹ƒ}ƒ“EƒVƒi[ƒK@@ƒ^ƒpƒkƒŠEƒIƒOƒ“@‘ć4W@@@ˆČă‚R“_@@@ľĚ¨˝ťÝËŢ°ĆŹi˛ÝÄŢČźąPertiwij@

i11/20j
yŽO–Ąü‰šŠyz
ŸƒWƒFƒC-ƒZƒ“ƒX`@‘ĺ]ŒËƒqƒbƒgEƒRƒ“ƒsƒŒ[ƒVƒ‡ƒ“@@@ƒRƒƒ€ƒrƒA
ž–]ŒŽ–p´^ˆÉŒŰ@@@@@@@@@@@iŕjË޸Ŕ°
ž“Ą–{“ńŽO‹g‘S‹ČW(ˆę)`i˜Zj@@@@ƒRƒƒ€ƒrƒA@
yƒAƒ‰ƒuz
žƒƒfƒt@`ƒTƒnƒ‰A‚˘‚É‚ľ‚Ś‚̉S@@@ƒ}ƒŠƒGƒ€EƒnƒbƒTƒ“AƒwƒCƒ‰ƒiAƒtƒ@ƒNƒiƒVƒ…AƒiƒCƒ€EƒAƒ‰ƒ‹‘ź@@@@ËްݽށiŒ´”ՁFźNubenegraj

i11/12j
y–kƒAƒWƒAz
ƒŐ‚w ƒgƒDƒ”ƒ@‚̉šŠy@Ay-Kherel@@@@‰pARC@
‚w˘ƒIƒNƒiEƒcƒ@ƒnƒ“EƒUƒ€iOkna Tsahan Zamj^Shaman Voices A journey in the Steppe@@@•§Claude Samard

i11/11j
yŽO–Ąü‰šŠyz
Ÿ’ˇ‰S‚Ě”üŠw@‘ćˆęWE“ńWEŽOW@@lŠÔ‘•ó@‹n‰ŽŒÜŽO˜YEŠÄC@@‹n‰ŽŒÜŽO˜YE‹{“c“N’j‘ĺ‘SW@@@@NHKť°ËŢ˝žÝŔ°@
y’n‰SEⵋȁz
Ź’n‰S@ŕƒ––ŚA‚ä‚ŤiájAçę—ú‚ĚŒË@`ƒrƒNƒ^[•‘—x–ź‹Č‘I(28)@@•xŽR´‹Ő@‘ź@@@@iŕjË޸Ŕ°@
ž“ĄˆäşŽqi’n‰Ěj@‘ć7‰ńƒrƒNƒ^[“`“•ś‰ťU‹ťŕ’cÜu§—ăÜv@@@@@@iŕjË޸Ŕ°
ž•Äě—TŽ}iś“c—Źâľ‹Čj@‘ć2‰ńƒrƒNƒ^[“`“•ś‰ťU‹ťŕ’cÜu§—ăÜv@@@iŕjË޸Ŕ°@
žŽR“oź˜aiŽR“c—Źâľ‹Čj@‘ć5‰ńƒrƒNƒ^[“`“•ś‰ťU‹ťŕ’cÜu§—ăÜv@@@iŕjË޸Ŕ°@
y–Ż—w@‘źz
ž•ŸŽm‚肁^’ĂŒy–Ż—wW@@ŽR“cç—˘i‘žŽO–Ąüj@@şŰÝËŢą@
 ‘ĺ]ŒË•˜Z‘žŒŰ^Ő@@@@@@@@@@•§PLAYA SOUND@
˘—A“üDVD@‘ĺ]ŒË•˜Z‘žŒŰ^ƒ‰ƒCƒ”@@•§PLAYA SOUND

i11/6j
‰pSense World MusicV•ˆ@–kƒCƒ“ƒhŒĂ“T‰šŠy
 ƒvƒ‹ƒoƒ„ƒ“Eƒ`ƒƒƒeƒ‹ƒW[^Nirman
 ƒvƒ‹ƒoƒ„ƒ“Eƒ`ƒƒƒeƒ‹ƒW[(Sitar)•ƒJƒ‰Eƒ‰ƒ€ƒi[ƒg(Violin)^Samwad
 ƒVƒƒƒqƒbƒhEƒpƒ‹ƒ”ƒF[ƒY(Sitar)•ƒNƒ}[ƒ‹Eƒ{[ƒX(Tabla)^Synergy (2CD)
 ƒJƒ‰Eƒ‰ƒ€ƒi[ƒg(Violin)^Kala
 ƒNƒ}[ƒ‹Eƒ{[ƒX(Tabla)^Dynamic (2CD)
 ƒVƒƒƒ‹ƒ_EƒTƒnƒC(Tabla)•ƒ”ƒBƒVƒ…ƒkEƒTƒnƒC(Tabla)^Gurukul
 ƒAƒ‰ƒeƒBEƒAƒ“ƒJƒŠƒJƒ‹EƒeƒBƒPƒJƒ‹(Vo)^Anjali
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
˘—A“üVCD@ƒAƒTƒhEƒAƒŠEƒJ[ƒ“^Rudra Veena Vol.1
˘—A“üVCD@ƒAƒTƒhEƒAƒŠEƒJ[ƒ“^Rudra Veena Vol.2@@@@@ˆČă‚Q“_@ˆóDoordarshan
 ƒJƒ‹ƒeƒBƒNEƒZƒVƒƒƒhƒŠ(Sitar)^Raga:Rasa That which colors the mind(2CD)@@@@@•ÄTraditional Crossroads@
 ƒ}ƒUƒ‹EƒVƒƒƒKƒ“^ƒpƒ“ƒWƒƒ[ƒu‚Ěƒ‰[ƒK@•§Long Distance@
 ƒAƒ€ƒWƒƒƒbƒhEƒAƒŠEƒJ[ƒ“(Sarod)^Raga Miya-Ki-Malhar, Zila-Kafi(Ragamala)@@@•§Ocora@
 ƒnƒŠƒvƒ‰ƒTƒhEƒ`ƒƒƒEƒ‰ƒVƒAavecƒUƒL[ƒ‹EƒtƒZƒCƒ“@archives 17/02/92@@@@@@•§Naive@
 ƒXƒfƒBƒ‹Eƒpƒ“ƒfƒC^Tabla @@@@@@@•§cinq planetes
y“ě•Äz
i—A“üDVDjƒJƒ‹ƒƒXEƒKƒ‹ƒfƒ‹ on DVD@@@@@@@Doble F
˘ƒJƒ‹ƒƒXEƒKƒ‹ƒfƒ‹^Sus 20 Tangos mas famosos@@@Fueye
žƒmƒ‹ƒfƒXƒ`‰šŠy‚ĚˆâŽY@‘ć‚QW@@@@@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹ@
ƒŐ ƒRƒƒ“ƒrƒA@@ćZ–ŻƒEƒBƒ‘°‚Ě“`“‰šŠy@@@@@ˆÉFelmay@
 ƒXƒT[ƒiEƒoƒJ^Vestida de Vida@@@@@@@@@@•§Iris Musique@

i10/30j
yƒAƒtƒŠƒJz
ƒTƒnƒ‰
žƒeƒBƒiƒŠƒEƒFƒ“^ƒŒƒCƒfƒBƒIEƒeƒBƒXƒ_ƒXEƒZƒbƒVƒ‡ƒ“ƒY@@@@@ײ˝iWayward Recordsj@
—A“üDVD@ť”™‚ĚƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹i‰pŒęŽš–‹j@@@@@@@@@ײ˝@
 ƒTƒnƒ‰@ť”™‚ĚŽžŠÔ@@@@@@•§Air Mail Music (PLAYA SOUND)
ƒGƒ`ƒIƒsƒA
˘ƒGƒ`ƒIƒsƒA‰šŠyWŹ@‘ć16W@`ƒAƒXƒPƒiƒ`ƒƒEƒEƒGƒ‹ƒN
˘ƒGƒ`ƒIƒsƒA‰šŠyWŹ@‘ć17W@`ƒgƒ‰ƒtƒ“EƒQƒZƒZ
˘ƒGƒ`ƒIƒsƒA‰šŠyWŹ@‘ć18W@`ƒAƒXƒOƒGƒbƒoI@@@@@@@@ˆČă‚R“_@•§Buda@
“ŒƒAƒtƒŠƒJ
 ƒRƒ‚ƒ@@ŒŽ‚Ě“‡X@@@@@@•§Air Mail Music (PLAYA SOUND) @
źƒAƒtƒŠƒJ
—A“üDVD@ƒuƒ‹ƒLƒiEƒtƒ@ƒ\‚Ěƒhƒ‰ƒ€‚ĆƒWƒƒƒ“ƒx@@@@@@@@•§PLAYA SOUND@

i10/28j
yƒAƒ‰ƒuz@–‚Š‚Č‚čd‚­‚Č‚Á‚Ä‚˘‚Ü‚ˇ‚̂ŁA‹ß“ú’†‚É‚Q•ŞŠ„‚ˇ‚é—\’č‚Ĺ‚ˇB
ƒAƒ‰ƒu‰šŠyƒAƒ“ƒ\ƒƒW[
 ƒtƒFƒY‚̐S@`@ƒ‚ƒƒbƒR@˘ŠE‚̐š‚Ȃ鉚ŠyŐ2003@(2CD)@@@•§Chant du monde@
ƒCƒ‰ƒN
 ƒoƒOƒ_ƒbƒhŠy”h‚ĚƒE[ƒhEƒ\ƒ@`ƒAƒXƒBƒ€EƒAƒ‹ƒVƒƒƒ‰ƒr(Oud)^Monajat •ÄMaqam Music
žƒIƒ}ƒ‹EƒoƒV[ƒ‹•ƒzƒ‹ƒ”ƒ@[ƒgEƒWƒvƒV[Eƒoƒ“ƒh^ƒWƒvƒV[EƒE[ƒh@@ľĚ¨˝ťÝËŢ°ĆŹiÚĘŢÉÝByblos Recordsj
ƒŒƒoƒmƒ“AƒpƒŒƒXƒeƒBƒi
 ’†“Œ‚ĚƒE[ƒh‚ĚŒ|p@new perspectives on traditional maqams@ƒVƒƒƒ‹ƒxƒ‹Eƒ‹ƒnƒi(Oud,Vo)‘ź@@‰pARC@
 ƒ‚ƒlƒCƒ€EƒAƒhƒƒ“•Pecheurs de Perles^Motayemiˆ¤‚Ě“ŠŒj@@•§Buda@
 ƒTƒ~ƒ‹EƒVƒuƒŠƒj(Ų)^SHIP@@@@ÚĘŢÉÝBadawest Phone
ƒ}ƒOƒŒƒu
 ƒtƒ@ƒEƒYƒBEƒTƒCƒFƒu(Oud)^In Concert ƒ^ƒNƒV[ƒ€‚Ě‹ @@@ÚĘŢÉÝByblos Records@
 ƒ}ƒŠƒNEƒxƒŠƒŠ^Zmanayi-Ce temps-la@@@“ĆBlue Flame
ƒTƒnƒ‰
 źƒTƒnƒ‰@ƒ‚[ƒŠƒ^ƒjƒA‚̉š@@ƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒA˜^‰š(1978”N)@@‰pARC@
ƒAƒ‰ƒu‰Ě—w
 ƒAƒ‰ƒu‰šŠy‚Ě‹ ‚É•ů‚Ž@@@@@•ÄHollywood Music Center@
 ƒEƒ€EƒJƒ‹ƒX[ƒ€‚É•ů‚Ž@iA Tribute to Om Kalsoumj@@@•ÄHollywood Music Center
 ƒEƒ€EƒJƒ‹ƒX[ƒ€^Music of the Great@@ •ÄHollywood Music Center
ƒxƒŠ[ƒ_ƒ“ƒX‰šŠy“™
 ƒtƒ@ƒgƒDƒEƒZƒ‹ƒnƒ“^ƒoƒ‰ƒfƒB‚̏—‰¤@@@@•ÄHollywood Music Center@

i10/14j
yŽÚ”ށz
ž‘P—{Ž›Œb‰îiŒĂ“TŽÚ”ށj@@@@iŕjË޸Ŕ°@
y–Ż—w`‰Ť“ęz
ž‰ĂŽčŠĄ—яš^‰S—V‚с@‰ĂŽčŠĄ—яš‚̐˘ŠE@(2CD)@@@şŰÝËŢą@
yƒCƒ‰ƒ“z
 ƒJƒCƒnƒ“EƒLƒƒƒ‹ƒz[ƒ‹•ƒAƒŠEƒAƒNƒoƒ‹Eƒ‚ƒ‰ƒfƒB^In the Mirror of the Sky@@@•§World Village@
 ƒgƒŠƒIEƒVƒFƒ~ƒ‰[ƒj^tchechmeh@@@@@@ •§Emouvance
 ƒPƒCƒ”ƒ@ƒ“EƒVƒFƒ~ƒ‰[ƒj‚Ɛ˘ŠE‚ĚˆĚ‘ĺ‚ȉ̎č’B^Œž—t‚ĚƒŠƒYƒ€@@@@@@@@@@@ˆÉAccords Croises@
y’†‰›ƒAƒWƒA`ƒR[ƒJƒTƒXz
˘ƒoƒ_ƒtƒVƒƒƒ“‚̉̂ƉšŠy@(“Œ•”ŔźŢˇ˝Ŕ݁`ąĚśŢĆ˝ŔÝ)@Concert 27/11/03@@@@@@•§Naive@
 ƒVƒƒƒ€ƒX^Fleurs d'exil@i–S–˝‚̉ԉ€j@@@•§Sounds of World
ĄƒOƒ‹ƒWƒAƒ“Eƒ”ƒHƒCƒX^Memory@@@@@@@˜IBoheme@

i10/7j
yƒgƒ‹ƒRz
žƒ~ƒ…ƒj[ƒ‹Eƒk[ƒŒƒbƒeƒBƒ“EƒZƒ‹ƒ`ƒ…ƒN^ƒCƒ…ƒXƒ^[ƒh(4CD)@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yYKY Muzikj
žƒ~ƒ…ƒj[ƒ‹Eƒk[ƒŒƒbƒeƒBƒ“EƒZƒ‹ƒ`ƒ…ƒN^ƒCƒXƒ^ƒ“ƒu[ƒ‹EƒRƒ“ƒT[ƒg@@@ľĚ¨˝ťÝËŢ°ĆŹi“yBallet Plakj@
žƒTƒtƒBƒCƒFEƒAƒCƒ‰^ƒgƒ‹ƒR‰Ě—w‚Ě“`ŕ(2CD)@@@@ײ˝i“yKalan Muzik Yapimj@
˘ƒlƒXƒŠƒ“EƒVƒpƒq^ƒIƒfƒIƒ“EƒRƒŒƒNƒVƒ‡ƒ“(2CD)@@@@@ľĚ¨˝ťÝËŢ°ĆŹiÄŮş”Ձj
˘ƒgƒ‹ƒRŒĂ“T‰šŠyě‹Č‰ĆƒVƒŠ[ƒY`ƒnƒWƒ…EƒAƒŠƒtEƒxƒC(1831-1885)
˘@“Ż@`ƒŒƒtƒBƒNEƒtƒFƒ‹ƒTƒ“(1893-1965)
˘@“Ż@`ƒAƒ‰[ƒGƒbƒfƒBƒ“Eƒ„ƒƒVƒ…ƒ`ƒƒ
˘@“Ż@`ƒVƒFƒ”ƒLEƒxƒC(1860-1891)
˘@“Ż@`ƒfƒfEƒGƒtƒFƒ“ƒfƒB(1778-1846)@@@@@@ˆČă5“_@“ySony@
 ƒgƒ‹ƒR‚ĚŒĂ“TŠíŠy@@Taksimler ve Saz Eserleri@@@@“yAsia Production@
˘ƒgƒ‹ƒR‚ĚƒE[ƒh@@ƒ”ƒFƒ_ƒhEƒQƒ“ƒ`ƒgƒDƒ‹ƒN@@@@ľĚ¨˝ťÝËŢ°ĆŹi•§Arionj@
 ƒIƒXƒ}ƒ“‹{’ě‚̉šŠy@`ź—m‚̉e‹ż‚đŽó‚Ż‚˝ƒIƒXƒ}ƒ“‹{’쉚ŠyW@@ƒ”ƒFƒ_ƒgEƒRƒTƒ‹(Pf)Aƒwƒ“ƒVƒFƒ‹ŒˇŠyŽld‘t’c@@@@šŇVMS
 ƒIƒXƒ}ƒ“‚Ě“`““Ií“Ź‚̉́@@ƒgƒ‹ƒRŒRŠy@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yAsia Productionj
žƒMƒ…ƒ‰ƒC^ƒ_ƒ€ƒ‰ƒ‰ƒ‹‚Q@ׁ@@@˛˝i“yKalan Muzik Yapimj
 ƒƒŠƒP^Macar@@@@@•§Long Distance
žƒnƒŒƒ€‚S@ƒŠƒYƒ€EƒtƒH[ƒGƒ”ƒ@[@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yMega Muzikj@
yƒNƒ‹ƒh‰šŠyz
žƒuƒYƒN‚ĚŒ|p@@ƒCƒbƒT@@@@@@@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi•§Arionj@
ĄƒCƒbƒT^Gulinar@@ƒNƒ‹ƒfƒBƒXƒ^ƒ“‚̉šŠyVol.2@@•§Club du Disque Arabe

i10/4j
yŽO–Ąü‰šŠyz
ž——Ź‹`‘ž•v‚Ě–Ł—́@(4CD)@iŕjË޸Ŕ°@
žV“ŕ@”ä—ƒ‚̏‰—ˇ|‰ą•š‚š‚Ě’i-^–źŽc‚ĚŽpŒŠ@@ň—Ú—žF˜Z˘•xŽmź˜D—V@@ŽO–ĄüFV“ŕ’‡ŽO˜Y@‚Ů‚Š@iŕjË޸Ŕ°@
ž•xŽmź‹eŽO˜Y^V“ŕŽO–Ąü@@•xŽmź‹eŽO˜Y‚̐˘ŠEEV“ŕ—Ź‚ľ@@şŰÝËŢą@
ž’ßŕV´ŽĄ^‹`‘ž•vŽO–Ąü@@’ßŕV´ŽĄ‚̐˘ŠEE“šs@@şŰÝËŢą@
ž–ö‰ĆŽ‡’Š^ˆ‹Č@@@@@@ŘĂ×Řľ@
žŽO‹Tź@“sXˆíW(2CD)@@şŰÝËŢą@
ž‹n‰Ž’ź‹gi’ˇ‰Sj@@‘ć1‰ńƒrƒNƒ^[“`“•ś‰ťU‹ťŕ’cÜu§—ăÜv@@iŕjË޸Ŕ°@
ž´Œł”üŽĄ˜Yi´Œłj@‘ć3‰ńƒrƒNƒ^[“`“•ś‰ťU‹ťŕ’cÜu§—ăÜv@@iŕjË޸Ŕ°@
ž’ßŕV’ÉęŽői——Ź‹`‘ž•vŽO–Ąüj@‘ć4‰ńƒrƒNƒ^[“`“•ś‰ťU‹ťŕ’cÜu§—ăÜv@iŕjË޸Ŕ°@
 “ú–{‰šŠy(2CD)@CD1=ŽÚ”Ş‚Ě‰šŠy`ŽRŒűŒÜ˜Y‘źA@CD2=‰Ě•‘Šę‚Ć’n‰S•‘@@@@@•§Naive@

i9/11j
y’†‰›ƒAƒWƒAz
 ƒVƒ‹ƒNƒ[ƒh‚̉šŠy(2CD)@the Musical Silk Road@@ˆÉAccords Croises@
 ƒVƒ‹ƒNƒ[ƒh‚̉šŠy@@@@‰pARC@
y’†“ě•Äz
 ƒEƒFƒ~ƒŒƒŒ^ƒTƒ“ƒeƒŠƒA@@@•§Long Distance@
 ƒNƒ“ƒoƒ“ƒ`ƒƒI@`“ŒƒLƒ…[ƒo‚Ě“`“‰šŠy@De Guantanamo a Baracoa@@@•§Buda@
—A“üDVD@ƒRƒ“ƒpƒCEƒZƒOƒ“ƒh@@ˇ­°ĘŢEfor Films
˘i—A“üDVDjƒJƒ‹ƒƒXEƒKƒ‹ƒfƒ‹ on DVD@@Doble F


i9/1j
y“ú–{•§‹ł‰šŠyz
Ÿ‘T@‘üŠÇ‘ōż@(2CD)@`‘‚“´@‘ĺ–{ŽR‰i•˝Ž›‚ɂĘ^‰š(1970”N)
Ÿ‘T@‹r‰şĆŒÚ@(2CD)@`—ՍϏ@‚ĚŠeŽ›‚Ĺ‚Ě˜^‰š(1971”N)
Ÿ–§‹ł@ˆ˘ŽšŠĎáґz@(2CD)@`‚–ěŽR‘ź‚Ĺ‚Ě˜^‰š(1975`77”N)@@@ˆČă‚R“_@ŐĆĘŢ°ťŮ
yƒoƒ‹ƒJƒ“`ƒAƒ‹ƒoƒjƒAz
ŸƒAƒ‹ƒoƒjƒA@ƒVƒFƒ}ƒŠEƒuƒŠƒVƒƒ•ƒXƒJƒƒXŠy’c@@@•§Arioni”z‹‹ľĚ¨˝ťÝËŢ°ĆŹj
yźƒXƒ‰ƒuz
 ƒXƒƒ”ƒ@ƒLƒA@ƒ|ƒ‰ƒi’n•ű‚̉šŠy@@@@@@@@@@•§Inedit@


i8/21j
yƒCƒXƒ‰[ƒ€‰šŠy`ƒJƒbƒ[ƒŠz
Łƒ[ƒ‹EƒAƒŠ•ƒVƒFƒwƒ‹EƒAƒŠ^Qawwali, the Essence of Desire@@@@@@•§Buda@
—A“üVCD@ƒ[ƒ‹EƒAƒŠ•ƒVƒFƒwƒ‹EƒAƒŠ^Live Mehfil
—A“üVCD ƒ[ƒ‹EƒAƒŠ•ƒVƒFƒwƒ‹EƒAƒŠ^Qawal@@@@@@@@@@Ęߡ˝ŔÝShalimar
ŹƒCƒ“ƒ_ƒXěŒk’J‚ĚƒX[ƒtƒB[‰šŠy`Troubadours of Allah@(2CD)
Bahauddin Qutbuddin Qawwal & Party, Mobarak & Molabakhsh Nuri, Lakhano Jogi Taj Mastani, Qurban Fakir & Ensemble, Allan Fakir, Allah Bachayo Khoso & Ensemble, Pathane Khan, Ghulam Ali Qawwal & Party, Hamid Ali Bela, Nasiruddhin Khan Saami & Ensemble, Allah Rakha Khan, Maj Sabhagi & Ensemble, Arbab Ali Khoso & Ensemble, Mai Hanju & Ensemble, Muhammad Fakir, Husain Sohrab Fakir & Ensemble, Faqira Bhagat, Fakirs at the shrine of Bullhe Shah, Pappu & Joora Sain
@@“ĆWergo@

i8/12j
yƒCƒ‰ƒ“z
žƒPƒVƒ…ƒ€EƒAƒCƒ‰ƒ“ƒh@@“V‘‚ĚƒTƒEƒ“ƒh
žƒ}ƒXƒhEƒVƒƒƒAƒŠ•ƒNƒŠƒXƒgƒtƒFEƒŒƒUƒC^ƒWƒƒ[ƒj[
žƒ‚ƒnƒ}ƒhƒŒƒUEƒAƒŠƒSƒŠ^ƒWƒvƒV[Eƒ€[ƒ“@@@@@@@@@ˆČă‚R“_@ľĚ¨˝ťÝËŢ°ĆŹ@
yƒAƒ‰ƒuz
 ƒOƒiƒEƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹@Essaouira 2003 Live@@@@@@•§Nocturne
—A“üDVD@ƒiƒfƒBƒAEƒKƒ}ƒ‹@The Legend
—A“üDVD @On Fire! ƒzƒbƒeƒXƒgEƒxƒŠ[ƒ_ƒ“ƒX
—A“üDVD@ƒXƒwƒ‹EƒUƒL "Sweet Star of Cairo"iƒxƒŠ[ƒ_ƒ“ƒXEƒA[ƒJƒCƒ”j
—A“üDVD@ƒAƒ‰ƒrƒAƒ“Eƒ_ƒ“ƒXEƒtƒB[ƒ”ƒ@[ feat.Nagwa Fouad Music:Samy Farag
—A“üDVD@ƒAƒ‰ƒrƒAƒ“EƒƒƒfƒB[ƒY@feat.Suhaila Salimpour Music:Samy Farag

i8/7j
yƒgƒ‹ƒRz
 ƒNƒhƒDƒVEƒGƒ‹ƒOƒlƒ‹^ƒCƒXƒ^ƒ“ƒu[ƒ‹‚ĚƒpƒbƒVƒ‡ƒ“@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yImaj Muzik)@
ĄƒE[ƒfƒBEƒqƒ…ƒ‰ƒ“ƒgEƒPƒ“ƒNƒŠƒAƒ“(1901-1978)@@@@@•ÄTraditional Crossroads@
ĄƒE[ƒfƒBEƒqƒ…ƒ‰ƒ“ƒg^Early Recordings Vol.1@@@@@@@@@•ÄTraditional Crossroads@
ĄƒTƒY‚Ć‚ť‚Ě’‡ŠÔ@`ƒAƒWƒA‚Š‚çƒoƒ‹ƒJƒ“‚Ü‚Ĺ‚đ’H‚é@@@@@@@@“yKalan Muzik Yapim@
 ƒNƒhƒDƒVEƒGƒ‹ƒOƒlƒ‹^ƒIƒXƒ}ƒ“Eƒhƒ‰ƒ€ƒX@ @@@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yImaj Muzik)@
 ƒƒtƒeƒ‹`ƒIƒXƒ}ƒ“Eƒgƒ‹ƒR‚ĚŒRŠy‘ŕ@@@@@@@@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yAsia Production)@

i8/2j
yƒAƒ‰ƒuz
 ƒk[ƒŒƒbƒfƒBƒ“Eƒtƒ‹ƒVƒh‚Ćƒ_ƒ}ƒXƒJƒX‚̐ů‰ń•‘“Ľ@
 ƒo[ƒŒ[ƒ“‚ĚƒTƒEƒgƒD@ƒAƒ“ƒTƒ“ƒuƒ‹Eƒ€ƒnƒ“ƒ}ƒhEƒrƒ“Eƒtƒ@[ƒŠƒX
 ƒNƒEƒF[ƒg‚ĚƒTƒEƒgƒD@ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒ‹EƒEƒ}ƒCƒŠ
 ƒ‚ƒƒbƒR@ƒ}ƒ‰ƒPƒVƒ…‚Ěƒ}ƒ‹ƒt[ƒ“@@ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒƒ“ƒY
 ƒ‚ƒƒbƒR@gƒIƒAƒVƒX‚Š‚ç‚ĚŒÄ‚Ńşh@@ƒ^ƒtƒBƒ‰ƒŒƒbƒg‚̉šŠy‰Ć
 ƒ`ƒ…ƒjƒWƒA@ƒE[ƒh‚Ě‚˝‚ß‚Ěƒ‰ƒvƒ\ƒfƒB[@@ƒ†[ƒXƒ‰Eƒ_[ƒriYousra Dhabij@@@ˆČă‚U“_@•§Institut du monde arabe@
V•ˆƒR[ƒi[
 Al Nubatiyya / ƒX[ƒ_ƒ“‚Ě‰Ě‚ĆƒkƒrƒA‚Ě‘ĹŠyŠí@@@@@•§Institut du monde arabe@ƒkƒrƒAEƒR[ƒi[

i7/29j
yƒ†ƒ_ƒ„‰šŠyz
 ƒCƒXƒ‰ƒGƒŠEƒ\ƒ“ƒO@@ƒV[ƒ‹@@@ @@‰pARC@
yƒLƒŠƒXƒg‹łEŒĂŠyz
Ąƒ}ƒŠ[EƒPƒCƒ‹[ƒYC“š—^ƒƒ‹ƒL[ƒg‹ł“k‚̐š‰Ě@@@@@•§Harmonia Mundi@
ĄJ.S.ƒoƒbƒn^–ł”ş‘tƒAƒ‹ƒyƒW[ƒi‚É‚ć‚é‘g‹Č@BWV1007`1009@@ƒWƒƒƒ“ƒ|[ƒ‹Eƒ~ƒiƒŠƒxƒ‰(ąŮÍߟްĹ)@@@@•§Long Distance@
y–kƒCƒ“ƒhŒĂ“T‰šŠyz@@‰pSense World Music

i7/24j
yƒVƒxƒŠƒAz
ƒŐ‚wžƒnƒCƒWƒ‰ƒ‹@`@ƒnƒJƒX‚Ěƒ`ƒƒƒgƒnƒ“‚ĆƒnƒC@@@@@@“ú–{Œű‹Ő‹Ś‰ď@
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
ĄƒVƒ…ƒWƒƒ[ƒgEƒtƒZƒCƒ“EƒJ[ƒ“i‰Ě‚ĆźŔ°Ůj^Hawa Hawa@@•§World Village@
ĄƒKƒUƒ‹@The Rain@ƒJƒCƒnƒ“EƒJƒ‹ƒz[ƒ‹(ˇŹĎÝÁŞ)AƒVƒ…ƒWƒƒ[ƒgEƒtƒZƒCƒ“EƒJ[ƒ“(źŔ°Ů‚ƉĚ)AƒTƒ“ƒf[ƒvEƒ_[ƒX(ŔĚŢ×)@@“ĆECM@
yƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
 ƒ‹[ƒ}ƒjƒA‚Ě“`“‹Č@ƒhƒCƒiEƒeƒBƒ~ƒVƒ…ƒ‹ƒC@@‰pARC@
Ąƒoƒ‹ƒg[ƒN^ƒNƒ‰ƒ”ƒTƒ“‚É‚ć‚éƒ~ƒNƒƒRƒXƒ‚ƒX@ƒ†ƒQƒbƒgEƒhƒŒƒtƒ…ƒX(Cem)@@@•§Harmonia Mundi
y–k‰˘z
ĄSjugurd og Trollbrura@@@@@ÉŮłŞ°Finnskogen Kulturverksted
yƒAƒtƒŠƒJz
 ƒAƒtƒŠƒJ‚ĚŠíŠy : Klassik International@@“ĆEmarcy Classic
ž‘h‚Á‚˝ƒ‚ƒUƒ“ƒr[ƒNEƒ|ƒ‹ƒgƒKƒ‹ŒęŒ—“ŒƒAƒtƒŠƒJ‚ĚƒMƒ^ƒŠƒXƒg’B
ž“`ŕ‚ĚƒWƒ‡[ƒWEƒVƒoƒ“ƒ_-ƒWƒ“ƒoƒuƒGiƒ[ƒfƒVƒAj“ě•”@@@@@ˆČă‚Q“_@Ëްݽށ@
 ƒtƒ@ƒCƒeƒBƒ“ƒK^Numey@@@@@@•§Cobalt
 ƒtƒ@ƒCƒeƒBƒ“ƒK^Eritrea@@@@@@•§Cobalt
žƒ‰ƒtEƒKƒCƒhEƒgƒDEƒGƒ`ƒIƒsƒA‰šŠy@@ľĚ¨˝ťÝËŢ°ĆŹ@
žƒ}ƒ_ƒKƒXƒJƒ‹‚ĚƒMƒ^[Eƒ~ƒ…[ƒWƒbƒN@@@@@@@ײ˝@
 ƒP[ƒvEƒ”ƒFƒ‹ƒf@@ƒTƒ“ƒeƒBƒAƒS“‡‚ĚƒoƒgƒDƒR@@@•§Inedit@
 ƒnƒWƒƒEƒNƒ„ƒe•Guineens^Yilimalo@@@@@@@@•§Nocturne
‘“ŕ‘Đ@uƒXƒgƒŠ[ƒg‚̉́vŒť‘ăƒAƒtƒŠƒJ‚ĚŽáŽŇ•ś‰ť@@—é–Ř—T”VE’˜@@˘ŠEŽv‘zŽĐƒXƒgƒŠ[ƒg‚̉Ě

i7/17j
yƒAƒ‰ƒuz
‘“ŕ‘Đu‰šŠy‚ĚƒAƒ‰ƒxƒXƒNv@…–ěM’jE’˜@@˘ŠEŽv‘zŽĐ@@¨@ƒAƒ‰ƒu‰Ě—wƒR[ƒi[
 ƒxƒ‹ƒ€[^ƒ‰ƒC‚Ě•ƒ@@@@@•§Long Distance@
ĄƒWƒ…ƒWƒ…ƒJ‚̉šŠy‰Ć@@•‚˘“ľ@@@@@”’Sub Rosa@
 ƒAƒ‹ƒWƒFƒŠƒA‰šŠy‚Ě•ó(2CD)@@@@@@•§Institut du monde arabe@
 ƒlƒXƒ‹EƒNƒWƒƒ[ƒ“^Lars Buka@@@@@“ĆUnited One
 ƒTƒCƒF[ƒhEƒoƒ‰ƒn^Oriental Grooves Vol.1
 ƒTƒCƒF[ƒhEƒoƒ‰ƒn^Oriental Grooves Vol.2@@@@“ĆUnited One
 uçˆę–镨Œęvƒtƒ‰ƒ“ƒXŒę–|–ó”Ĺ˜N“ǁ@Vol.2@`ƒTƒbƒtƒH[@(3CD)@@@@•§Fremeaux & Associes@
ž‚¨‚ľ‚á‚ęƒWƒvƒVƒC^Terrapin 2@@@@˛“ĄŒ\ˆę(ł°ÄޤĚ޽ްˇ¤ˇŢŔ°)AŠě‘˝’ź‹B(Vn)‘ź@@ ARSVITA

i7/7j
y”\Šyz
ž”\Šyš’Žq@‹TˆäL’‰@@@@@ iŕjË޸Ŕ°
y“쉢`ƒMƒŠƒVƒAz
 ƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.12@`Learning about your country
 ƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.11@`•Ę‚ę‚̉Ě
 ƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.10@`•xŽŇ‚Ć•n–Ż
 ƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.9@`ƒŒƒxƒeƒBƒJ‚ĚŠç
 ƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.8@`ˆ¤‚ĆƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO
 ƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.7@`‰ßŒƒ”h‚̉Ě
ŁƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.6@`ƒŒƒxƒeƒBƒJ‚ĆƒAƒEƒgƒ[‚˝‚ż
ŁƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.5@`ƒJƒtƒFEƒAƒ}ƒ“‚̉Ě
ŁƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.4@`—Ç‚ŤŽž‘ă‚Ć‹C‚‚Ť¸_
ŁƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.3@`—Ť‚˝‚ż‚ĆƒŒƒxƒeƒBƒJ
ŁƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.2@`“ď–Ż‚ĆƒŒƒxƒeƒBƒJ
ŁƒŒƒxƒeƒBƒJEƒ\ƒ“ƒO‚Ěƒpƒmƒ‰ƒ}(3CD)@Vol.1@`ƒAƒƒŠƒJ‚ĚƒŒƒxƒeƒBƒJ @@ˆČă12“_@Šó‚e‚l

i7/3j
yăߖžz
ž‚–ěŽR‚̐ş–ž@@íŠy‰ď@‚–ěŽRş–ž‚̉ď@ iŕjË޸Ŕ°
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
ŹƒYƒBƒ„Eƒ‚ƒqƒEƒbƒfƒBƒ“Eƒ_ƒKƒ‹^ƒ‹[ƒhƒ‰Eƒ”ƒB[ƒi (2CD)@@Raga Yaman, Raga Shuddha Todi@@@ ‰pNimbus
yƒnƒ“ƒKƒŠ[z
 ƒ[ƒ‹ƒNƒ‰•ƒVƒSƒjEƒ[ƒlƒJƒ‹@@@@@@@@@ @@@@@@@@ĘÝśŢŘ°FolkEuropa
 ƒeƒ…ƒNƒŒ[ƒVƒ…Eƒ[ƒlƒJƒ‹^20˘‹I‚Ěƒnƒ“ƒKƒŠ[”_‘ş‰šŠy@@ ĘÝśŢŘ°FolkEuropa
 Uj Patria Vol.17@@u—rŽ”‚˘‚Ş—r‚đŽ¸‚¤Žžv@@@ ĘÝśŢŘ°Fono@

i6/25j
yƒNƒŒƒYƒ}[‰šŠyz
 ƒOƒŒƒSƒŠ[EƒVƒFƒqƒ^[‚Ć•ú˜QŽŇ’B^Klezmer @@@@@@@‰pARC@
 ƒˆƒ€ƒM[•ƒLƒ…ƒjƒI^ƒS[ƒŒƒ€EƒIƒ“EƒUEƒ€[ƒ“@@Yomguih(cl) & Denis Cuniot(pf)@@@•§Buda@
 ƒ}ƒYƒ‹ƒg[ƒ”^Tsores & Cheyn @@@@@@@—–Frea Records

i6/21j
y–Ż—w`’ĂŒyŽO–Ąüz
ž—xł‘ž˜Y^‚ľ‚á‚Š‚č‚Ť@@@ ƒRƒlƒNƒgƒWƒƒƒpƒ“
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒCƒ“ƒh‚ĚŒĂ“TşŠy@ƒhƒDƒ‹ƒpƒbƒh@@@ƒCƒ”ƒ@ƒ“EƒgƒŠƒ…ƒ“ƒYƒŒƒ‹@@ •§Sound of World
 ƒVƒƒƒqƒbƒhEƒpƒ‹ƒ”ƒF[ƒY(Sitar)•ƒNƒ}[ƒ‹Eƒ{[ƒX^Sitar@@@@ ‰pSense World Music
 ƒWƒƒƒ‹ƒ^ƒ‰ƒ“ƒO‚ĆƒTƒ“ƒgƒD[ƒ‹@@ƒfƒ…ƒ‰ƒ‹EƒƒC(źŢŹŮŔ×ݸށAťÝÄŠ°Ů)@ —–MW Records
 ƒ^ƒ‹ƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒAAƒƒkEƒ}ƒWƒ…ƒ€ƒ_ƒ‹AƒAƒrƒWƒbƒgEƒoƒlƒ‹ƒW[^Raga Jog@ —–MW Records

i6/18j
y“ŒƒAƒWƒA`‘ä˜pz
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Pj@`•z”_iƒuƒkƒ“j‘°‚̉Ě
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Qj@`ˆ˘”üiƒAƒ~j‘°‚Ěƒ|ƒŠƒtƒHƒj[
Ź‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Rj@`‰ë”üiƒ„ƒ~j‘°‚̉Ě
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Sj@`”Ú“ěiƒvƒ†ƒ}j‘°‚̉Ě
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Tj@`‘׉ëiƒAƒ„ƒ^ƒ‹j‘°‚̉Ě
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Uj@`瞁iƒcƒHj‘°‚̉Ě
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Vj@`”r˜piƒpƒCƒƒ“j‘°‚̉šŠy
ŁŹ‘ä˜p­”–Ż‘°‰šŠyƒVƒŠ[ƒYi‚Wj@`˜DŠMiƒ‹ƒJƒCj‘°‚̉šŠy @@@ˆČă‚W“_@‘ä˜pWind Records
yƒAƒ‰ƒu`ƒ}ƒOƒŒƒu‰Ě—wz
ĄƒVƒFƒCƒnEƒŠƒ~ƒeƒB`ƒ‰ƒC‚ĚŒš—Ź@@@•§Institut du monde arabe@

i6/12j
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒ‰[ƒWƒFƒVƒ…ƒƒŠ[Eƒpƒhƒ}ƒiƒ”ƒ@ƒ“^Sambho Mahadeva (2CD)@@@ “ĆWergo
“ěƒCƒ“ƒhŒť’n”ŐŒŔ’č“ü‰×
şŠyi’jŤj
Ąƒ`ƒFƒ“ƒoƒCEƒ”ƒ@ƒCƒhƒ„ƒiƒ^EƒoƒKƒ”ƒ@ƒ^ƒ‹^An All India Radio Release 1971@@ RPG (CDNF 147759) 2,400
Ąƒ`ƒFƒ“ƒoƒCEƒ”ƒ@ƒCƒhƒ„ƒiƒ^EƒoƒKƒ”ƒ@ƒ^ƒ‹^Chembai The Greatest@@RPG (CDNF 147785) 2,400
 ƒZƒ}ƒ“ƒOƒfƒBEƒVƒ…ƒŠ[ƒjƒ”ƒ@[ƒTEƒAƒCƒGƒ‹@@@RPG (CDNF 147758) 2,400
 ƒZƒ}ƒ“ƒOƒfƒBEƒVƒ…ƒŠ[ƒjƒ”ƒ@[ƒTEƒAƒCƒGƒ‹@@@RPG (CDNF 147752) 2,400
ĄG.N.ƒo[ƒ‰ƒXƒuƒ‰ƒ}ƒjƒAƒ€^Sangeetha Kalanidhi @@ˆóVani (V-917) 2,400
ĄG.N.ƒo[ƒ‰ƒXƒuƒ‰ƒ}ƒjƒAƒ€^Sangeetha Kalanidhi @@ˆóVani (V-918) 2,400
ĄG.N.ƒo[ƒ‰ƒXƒuƒ‰ƒ}ƒjƒAƒ€^Sangeetha Kalanidhi @@ˆóVani (V-919) 2,400
 ƒ}ƒnƒ‰ƒWƒƒƒvƒ‰ƒ€EƒTƒ“ƒ^ƒiƒ€^Mysore Vasudevacharya Krithis@@ˆóLahari Recording 2,400
Ąƒ}ƒnƒ‰ƒWƒƒƒvƒ‰ƒ€EƒTƒ“ƒ^ƒiƒ€^Vocal @@ˆóMagnasound 2,400
 ƒWƒ‡ƒ“B.ƒqƒbƒMƒ“ƒY^Vocal –ź—ml‚Ě“ěˆó“xşŠy‰Ć@@RPG 2,400
 ƒWƒ‡ƒ“B.ƒqƒbƒMƒ“ƒY^Entharo Mahanubhavulu –ź—ml‚Ě“ěˆó“xşŠy‰Ć@@RPG 2,400
şŠyi—Ťj
ĄM.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Suswara Manjari@Vol.1@@RPG (CDNF 147878)@2,400
ĄM.S.ƒXƒuƒ‰ƒNƒVƒ…ƒ~^Meera - Sakunthalai @@–Žá‚Ť“ú‚Ě”Ţ—‚̉f‰ćŽĺ‘č‰Ě‘ă•\ě@@@RPG (CDF 149947) 2,400
Ąƒ”ƒ@ƒTƒ“ƒ^ƒNƒ}ƒŠ^Vocal @@@RPG (CDNF 147770) 2,400
ĄM.L.ƒ”ƒ@ƒTƒ“ƒ^ƒNƒ}ƒŠ^Queen of Carnatic Music @@@RPG (CDNF 147733) 2,400
Ąƒ{ƒ“ƒxƒCEƒWƒƒƒ„ƒVƒ…ƒŠ^Sogasujuda Tharama@@@RPG (CDNF 147730) 2,400
 ƒjƒeƒBƒAƒVƒ…ƒŠ[Eƒ}ƒn[ƒf[ƒ”ƒ@ƒ“^Myriad Hues of...@@@ˆóCharsur Digital Workstation 2,400
 ƒjƒeƒBƒAƒVƒ…ƒŠ[^Janakipathey @@@RPG (CDNF 147792) 2,400
 ƒ‰ƒ“ƒWƒƒƒj•ƒKƒ„ƒgƒŠ^Awakening @@@ˆóCarnatica 2,400
ƒ”ƒ@ƒCƒIƒŠƒ“
 ƒ‰ƒ‹ƒOƒfƒBEƒWƒƒƒ„ƒ‰ƒ}ƒ“^Violin @@@RPG (CDNF 147786) 2,400
Ąƒ}ƒCƒ\[ƒ‹EƒiƒKƒ‰[ƒW^Violin @@@RPG (CDNF 147784) 2,400
ƒ”ƒB[ƒi
 ƒKƒ„ƒgƒŠ^EppoVaruvaro @@@ˆóSuper Audio@2,400
 ƒM[ƒ^Eƒ‰ƒ}ƒi[ƒ^ƒ“Eƒxƒlƒbƒg^Veena Virtuosa @@@@•ÄOriental Records 2,400
 ƒ”ƒB[ƒiƒCR.ƒWƒƒƒ„ƒ“ƒeƒB^Morning Melodies @@@RPG (CDW 010)@2,400
ƒqƒ“ƒhƒD[‹łŐ—çŠyiƒPƒ‰ƒ‰Bj
 ƒ^ƒ„ƒ€ƒoƒJ@@`ƒ`ƒ^ƒŠEƒ‰[ƒ}ƒ}ƒ‰ƒ‹‚ĚƒOƒ‹[ƒv@@@@@@ˆóSony Music 2,400
ƒqƒ“ƒhƒD[@‹ł‰ĚiƒoƒWƒƒƒ““™j
 S.ƒ‰[ƒWƒFƒVƒ…ƒƒŠ[^Slokas for Children Part3 (3CD)@@@ˆóKosmic Music 4,800
 ƒNƒŠƒVƒ…ƒiEƒKƒiƒ€@@‰šŠyFK.ƒ”ƒF[ƒ‰ƒ}ƒj•ƒ\ƒ€@ŽFƒJƒ‹ƒpƒiƒ_[ƒTƒ“@‰ĚŽčFK.ƒ”ƒF[ƒ‰ƒ}ƒjAS.P.ƒo[ƒ‰ƒXƒuƒ‰ƒ}ƒjƒAƒ€A
@T.M.ƒTƒEƒ“ƒ_ƒ‰[ƒWƒƒƒ“AS.ƒWƒƒƒiƒLAP.ƒXƒV[ƒ‰‘ź@@@@ˆóSony Music 2,400
y“ěƒAƒWƒAz
 ƒ‰ƒWƒƒƒXƒ^ƒ“‚ĚƒWƒvƒV[@Desert Charm@@ ‰pSense World Music
yƒCƒ‰ƒ“z
 ƒCƒ‰ƒ““Œ•”ƒzƒ‰ƒT[ƒ“’n•ű‚Ěƒ^[ƒwƒ‹‚Ćƒ][ƒŒ‚Ě•¨Œę(2CD)@@ƒƒEƒVƒƒƒ“EƒSƒ‰ƒtƒ‹ƒYiƒhƒ^[ƒ‹’e‚ŤŒę‚čj@@•§Inedit

i6/1)
yŽÚ”ށz
ŸŠC“ś“š‘ci–@’|j^ŠC“ś“š@@@@@@ ÎßظŢ×Ń
ŸŠC“ś“š‘ci–@’|j^_”é‚Ě’|‚Ě“J ¸×łÝ
yƒNƒ‹ƒh‰šŠyz
Ą ƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^Cascade
ĄƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^Oraison mystique
ĄƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^“Vă‚Ěƒn[ƒ‚ƒj[
ŹƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒqi1895-1974j^“Vă‚Ěƒ^ƒ“ƒu[ƒ‹
ĄƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^_‚Ěˆ¤‚Ě“š
ĄƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^Ĺˆ¤‚Č‚é_‚Ć‚Ě‘Î˜b@@ˆČă‚U“_@•§Chant du mondeiƒ~ƒbƒhƒvƒ‰ƒCƒX‚ĹÄ”­j
 ƒVƒ”ƒ@ƒ“Eƒyƒ‹ƒEƒFƒ‹^Min beriya te kiriye @@@•§daqui
 ƒVƒ”ƒ@ƒ“Eƒyƒ‹ƒEƒFƒ‹^Sivan Perwer@@@@@@ “TCaprice@
yƒWƒvƒV[‰šŠyEƒoƒ‹ƒJƒ“z
 ƒWƒvƒV[‚̐˘ŠEVol.3@@@@@‰pARC
 ƒ‰Eƒoƒ“ƒ_EƒCƒ“ƒvƒƒ”ƒBƒbƒT^Pratomagno social club@@ ˆÉmateriali sonori@
 ƒMƒ…ƒŠƒ…ƒ‹ƒeƒ…•ƒyƒgƒDƒREƒXƒeƒtƒ@ƒmƒt^Sofia-Bourges-Istanbul@@@@@ •§Buda
 ƒXƒƒmƒtƒXƒLEƒoƒ‹^Balkan Merak •§l'Autre
 ƒAƒŒƒNƒTƒ“ƒhƒ‹EƒTƒVƒƒEƒyƒgƒƒ”ƒBƒ`ŠÄ“‰f‰ćƒTƒ“ƒgƒ‰W@@@ ˝ŰłŢŞĆąNika
 ƒ}ƒPƒhƒjƒA‰šŠyƒxƒXƒg@@@@@@@@@@‰pARC@
žƒ‚ƒXƒ^ƒ‹EƒZƒ”ƒ_EƒŠƒ†ƒjƒIƒ“^”é–§‚Ě”ŕ@@@@@ Ëްݽށ@
 ƒuƒ‹ƒKƒŠƒA@ƒƒhƒs’n•ű‚Ě“`“`@ƒlƒfƒŠƒm‚̉́@@ •§Inedit

(5/26)
y’†‰›ƒAƒWƒAEƒR[ƒJƒTƒXz
 ƒAƒtƒKƒjƒXƒ^ƒ“‚̉́@@ƒAƒtƒKƒ“EƒAƒ“ƒTƒ“ƒuƒ‹@ ‰pARC
 ƒ_ƒEƒhEƒJ[ƒ“/ Tribute to Afghanistan@ ˆÉFelmay
  ƒ‰ƒEƒVƒƒƒ“EƒIƒ‰ƒYƒoƒGƒ”ƒ@/ Akku @@@@ ˆÉFelmay
˘ƒJƒUƒtƒXƒ^ƒ“@ƒVƒƒ[ƒ}ƒ“‚ĚŒĂ‚˘ŽCŒˇŠyŠí@Kobyz@ •§Inedit
žƒ`ƒFƒ`ƒFƒ“‚̉šŠy@ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒYƒiƒV@@@@ľĚ¨˝ťÝËŢ°ĆŹ@•§ArionŒ´”Ő
ĄƒOƒ‹ƒWƒA‰šŠy‚ĚŒťÝ@@Soinari - Folk Music from Georgia Today@@@“ĆWergo
 ƒfƒ”ƒBƒbƒhEƒ}ƒ‰ƒ]ƒjƒA^First Swallow@@@ “ĆIntuition
 ƒAƒ‹ƒƒjƒA‚ĚŽqŽç‰S@ƒnƒXƒ~ƒNEƒnƒ‹ƒeƒ…ƒjƒAƒ“@@ •ÄTraditional Crossroads
 ƒAƒ‹ƒƒjƒA‚Ě“`“•‘—x@ƒVƒ‡ƒKƒPƒ“EƒAƒ“ƒTƒ“ƒuƒ‹ •ÄTraditional Crossroads
 ƒWƒ”ƒ@ƒ“EƒKƒXƒpƒŠƒAƒ“^From the Soil
 ƒWƒ”ƒ@ƒ“EƒKƒXƒpƒŠƒAƒ“^Doudouk
 ƒWƒ”ƒ@ƒ“EƒKƒXƒpƒŠƒAƒ“^Salute@@@ˆČă‚R“_ •ÄHollywood Music Center
ĄƒAƒ‹ƒƒjƒA‚Ě”_‘ş‚Ć“sŽs•”‚Ě“`“‰šŠy@@Kalaschjan Rural and Urban Traditional Music from Armenia@“ĆWergo
y“ěƒˆ[ƒƒbƒpz
 ƒ€ƒXƒK[ƒjƒƒ^Temas Profanos@@@@@źKaronte
 ƒAƒOƒw[ƒ^^el rey del cante gitano@@@źBoa Recording
 Fragua Futurai–˘—ˆ‚Ě˜Fj`V˘‘ă‚Ěƒtƒ‰ƒƒ“ƒREƒRƒ“ƒsƒŒ[ƒVƒ‡ƒ“@@@źNuevos Medios@
 “쐟ƒtƒ‰ƒ“ƒX@ƒxƒAƒ‹ƒ“’n•ű‚Ěƒ|ƒŠƒtƒHƒj[@@`ƒ‰Eƒmƒ”ƒFƒ€@Vol.2@@•§Buda@
 ƒRƒ‹[EƒfEƒxƒbƒ‰ (Corou de Berra)^Miedjouiƒj[ƒX‘g‹Čj@@@@@•§Buda@
˘ƒGƒsƒ‹ƒX’n•ű‚Ě“`“‰šŠy‰Ć@Koumpania Xalkias@@@@@@@@@@@@•§Inedit
yƒIƒ€ƒjƒoƒXz@
ž˘ŠE‚ĚŠyŠí@@@@@@ľĚ¨˝ťÝËŢ°ĆŹi•§ArionŒ´”Ձj
‘“ŕ‘ĐuˆŽđŒ‰šv@˘ŠE‚̉šŠy‚ĆŽđ‚Ö‚Ě—ˇ@@Żě‹žŽ™’˜@@@@@@@‰šŠy”V—FŽĐ

i5/7j
y“ŒƒAƒWƒA`’†‘Aƒ`ƒxƒbƒgz
 gĂ–éŽvh@“‚Ž“ěŠÇ‹áĽ^‰¤SS@(2CD)@@@@@‘ä˜pWind Records 2,700™™™
 ’†‘‚̍Š‹Č@Opera Classique Chinois Kunqu -Le Pavillon aux Pivoines (2CD)@@•§Inedit@
 u’†‘”NvL'Annee de la Chine `ƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒA˜^‰š‚Ě’†‘‰šŠy@@@@@@•§Milan@
 Žéš—s Zhu Changyaoi“ńŒÓj^u“ńň‰fŒŽv@@`’†‘ŒÓ‹Ő–ź‹ČW@@@@]‘h•ś‰ť‰š‘œo”ŎЁ@
˘EŽq‚Ö‚Ěčń‰Ě@Žň‹ł‚Ě“T—ç‰Ě@@@@@@•§Buda@
 ƒiƒ€ƒMƒƒƒ‹Eƒ‰ƒ‚^ƒ`ƒxƒbƒg‚̉Ě
 ƒKƒ“Eƒ`ƒFƒ“ƒp^ƒ`ƒxƒbƒg‚̐ş@@@@@ˆČă‚Q“_@—–MW Records
 ƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒAEƒRƒŒƒNƒVƒ‡ƒ“`ƒ`ƒxƒbƒg‚̉šŠy@@@@@@@•§Fremeaux & Associes@
 ˘ŠE‚ĚŽq‹Ÿ‚̉́`ƒ`ƒxƒbƒg•Ň@@@@@@•§ARB
y“Œ“ěƒAƒWƒAz
žƒgƒDƒ“ƒoƒ“EƒXƒ“ƒ_@‘ć‚QW@`L.S.ƒ‰ƒ“ƒOƒ“EƒAƒV@
žƒgƒDƒ“ƒoƒ“EƒXƒ“ƒ_@‘ć‚PW@`ƒ`ƒAƒ“ƒWƒ…ƒ‰ƒ“EƒfƒEƒBEƒAƒ“ƒ‹ƒ“Œ|pŠy’c@@@ˆČă‚Q“_@ľĚ¨˝ťÝËŢ°ĆŹ(˛ÝÄŢČźąGema Nada Pertiwi)
 ƒ^ƒ‰EƒƒiEƒXƒBƒiTala Mena Siwaj^Sae Ena@@@@@@@@@—–MW Records@
 ƒ”ƒFƒgƒiƒ€‚̉šŠy‚T@`’†•”‚̍‚’n‚ĆŠCŠÝ‚̏­”–Ż‘°‚̉šŠy@@@@@@“TCaprice@
Ąƒ”ƒFƒgƒiƒ€‚̉šŠy‚R@`Ethnic Minorities@(1995”N)
Ąƒ”ƒFƒgƒiƒ€‚̉šŠy‚Q@`ŒĂ“sƒtƒG‚̉šŠy (1995”N)
Ąƒ”ƒFƒgƒiƒ€‚̉šŠy‚P@@@@@@@@@@@@@ˆČă‚S“_@“TCaprice@2,400™™™

i4/25j
from latest catalog

i4/1j
y“Œ•ű‹ł‰ďz
ĄC“š—ƒ}ƒŠ[EƒPƒCƒ‹[ƒY^Hymns to Hope@@@@@@@@•§Nocturne@
Ąƒ}ƒŠ[EƒPƒCƒ‹[ƒY^ƒIƒŠƒGƒ“ƒg‚ĚƒLƒŠƒXƒg‹łš‰Ě@@@@@•§Harmonia Mundi@
Ąƒ}ƒŠ[EƒPƒCƒ‹[ƒY^ƒ}ƒƒ“”h‚Ě“`“š‰Ě@@@@@@@@@•§Harmonia Mundi
Źƒ}ƒŠ[EƒPƒCƒ‹[ƒY^ƒrƒUƒ“ƒeƒBƒ“‚̐š‰Ě@@Žó“ď‚Ć•œŠˆ@@@•§Harmonia Mundi@

i3/25j
y‰ëŠyz
ž‹`Œo‚Ě—´“J`’ˇ’JěŒiŒőiHasegawa Kagemitsuj@ƒvƒƒfƒ…[ƒXFOno Seigen @@@@@ť˛ĂŢ×Úş°˝Ţ@
yƒ–MŠy`‚ť‚Ě‘źz
ŸŹ‘ňşˆę‘SW@@ušX‚éŒę‚é‰Ě‚¤@Ź‘ňşˆę“I‚ą‚ą‚ëv(6CD)@@@@@@@şŰÝËŢą@
y“ěƒAƒWƒAz
˘—A“üVCD@M.L.ƒ”ƒ@ƒTƒ“ƒ^ƒNƒ}ƒŠ^Sangeeta Kokila @(Vol. 2)
˘—A“üVCD@M.S.ƒXƒbƒuƒ‰ƒNƒVƒ…ƒ~@(Vol. 1)@
˘—A“üVCD@M.S.ƒXƒbƒuƒ‰ƒNƒVƒ…ƒ~@(Vol. 2)
˘—A“üVCD@ƒrƒXƒ~ƒbƒ‰[EƒJ[ƒ“@(Vol. 1)
˘—A“üVCD@ƒrƒXƒ~ƒbƒ‰[EƒJ[ƒ“@(Vol. 2) @@ˆČă‚T“_@ˆóDoordarshan Archives
yƒgƒ‹ƒRz
Łƒ^ƒ“ƒu[ƒŠEƒWƒFƒ~ƒ‹EƒxƒC^Tanburi Cemil Bey Vol.2-3
Łƒ^ƒ“ƒu[ƒŠEƒWƒFƒ~ƒ‹EƒxƒC^Tanburi Cemil Bey Vol.1
Źƒgƒ‹ƒR‰šŠy‚Ě‹L˜^i‚r‚o•œjVol.1
Źƒgƒ‹ƒR‰šŠy‚Ě‹L˜^i‚r‚o•œjVol.2@@@@@@@@@@@@ˆČă‚Q“_@•§Ocora@
ĄƒE[ƒfƒBEƒ}ƒ‹ƒREƒƒ‹ƒRƒ“@@@@@@@@@@@@•ÄTraditional Crossroads@

i3/13j
y“Œ“ěƒAƒWƒAz
—A“üDVD@ƒ”ƒFƒgƒiƒ€`ƒ‚ƒ“‘°@–Ł˜f‚ĚŒ|p@@@@@•§PLAYA SOUND@
y“ě–kƒAƒƒŠƒJz
Ąƒuƒ‰ƒWƒ‹@ƒmƒ‹ƒfƒXƒ`‚ĚƒJƒ“ƒ^ƒh[ƒ‹EƒfƒBEƒ”ƒBƒIƒ‰@Oliveira de Panelas & Daudeth Bandeira@@@@•§Buda@
Ą“ěƒuƒ‰ƒWƒ‹‚̉šŠy@@ƒAƒ‹ƒfƒBƒAEƒhƒXEƒAƒ“ƒWƒ‡ƒX@@@@@‰pARC
ĄƒxƒlƒYƒGƒ‰‚Ě“`“‰Ě—w@@ƒfEƒmƒ‹ƒeEƒAEƒX[ƒ‹@@@@@@‰pARC
yƒIƒ€ƒjƒoƒXEƒVƒŠ[ƒYz
žƒ‰ƒtEƒKƒCƒhEƒgƒDEƒGƒWƒvƒg‰šŠy
žƒ‰ƒtEƒKƒCƒhEƒgƒDEƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[EƒAƒ‰ƒrƒAƒ“EƒTƒEƒ“ƒY@@@@ˆČă‚Q“_@ľĚ¨˝ťÝËŢ°ĆŹ@

i3/5j
LINk@Yuighur.com@ƒVƒ‹ƒNƒ[ƒhEƒEƒCƒOƒ‹ę–ĺƒTƒCƒg

i3/1j
yƒAƒ‰ƒuz
 ƒTƒ‹ƒoƒ“ƒh^Pilgrims of the Soul @@@@ @ “ĆJaro@
ŹƒWƒƒƒŠƒ‰‚Ěƒ‰ƒNƒXEƒVƒƒƒ‹ƒLiľŘ´ÝŔŮĽŔŢÝ˝j‚R@@@“ĆPiranha@
ĄƒTƒuƒ‰Eƒgƒ‚Q@`ƒzƒbƒTƒ€Eƒ‰ƒ€ƒW[@@@@@@@‰pARC@

i2/28j
y“ěƒAƒWƒAz
ƒCƒ“ƒhŠÖŒW‚u‚b‚c sDoordarshan Archivest100 Years of Recorded Music in IndiaƒVƒŠ[ƒY
˘—A“üVCD@ƒ}ƒŠƒJƒ‹ƒWƒ…ƒ“Eƒ}ƒ“ƒX[ƒ‹^ƒWƒƒƒCƒv[ƒ‹EƒAƒgƒ‰ƒEƒŠEƒKƒ‰ƒi‚Ě“`ŕ
˘—A“üVCD@M.L.ƒ”ƒ@ƒTƒ“ƒ^ƒNƒ}ƒŠ^Sangeeta Kokila
˘—A“üVCD@ƒi[ƒ_ƒXƒƒ‰ƒ€@@@
˘—A“üVCD@ƒJƒ^ƒbƒN@
˘—A“üVCD@ƒIƒŠƒbƒV[@
˘—A“üVCD@ƒJƒ^ƒJƒŠiKathakalij@
˘—A“üVCD@ƒ‚ƒqƒjƒAƒbƒ^ƒ€iMohiniattamj@
˘—A“üVCD@ƒ}ƒjƒvƒŠiManipurij@
˘—A“üVCD@ƒNƒ`ƒvƒfƒBiKuchipudij@ @@@ˆČă‚X“_@ˆóDoordarshan Archives
ĄƒeƒBƒGƒŠ[EƒeƒBƒeƒBEƒƒoƒ“•ƒOƒ‰ƒrEƒTƒyƒ‰^Rakhi@@@@•§Naive@ÝŒÉŒŔ’č“Á‰ż

i2/21j
y“ŒƒAƒWƒA`’†‘A‘ä˜pz
Ą“V’Ă‚Ě•§‹ł‰šŠy{‰_“ěČ‚ĚƒiƒV‘°‚̉šŠy(2CD) @@@@@‰pNimbus@
Ź‘ä˜p‚̐ćZ–Ż‚Ěƒ|ƒŠƒtƒHƒj[@`ƒAƒ~Aƒuƒkƒ“AƒpƒCƒƒ“Aƒ‹ƒJƒCŠe‘°@@@@•§Inedit@
y“Œ“ěƒAƒWƒAz
 ƒ”ƒFƒgƒiƒ€‚̉šŠy‚S@`ƒLƒ€EƒVƒ“(Kim Sinh)@@@@@“TCaprice@
˘žƒCƒ“ƒhƒlƒVƒA@ƒƒeƒB“‡‚̉šŠy
˘žƒCƒ“ƒhƒlƒVƒA@ƒƒ“ƒ{ƒN“‡‚̉šŠy@@@@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹ@

i2/13j
y“ěƒˆ[ƒƒbƒpz
žƒj[ƒjƒƒEƒfEƒƒXEƒyƒCƒlƒX^ƒJƒ“ƒeEƒtƒ‰ƒƒ“ƒR‚̏—‰¤@@@@@@ײ˝@
 ƒAƒOƒw[ƒ^ƒX^Cantaor@@@@@@@@•§Naive@
Ąƒ}ƒŠ[ƒiEƒƒZƒCƒ†^Cap Al Cel@@@@•§World Village@
 ƒsƒbƒcƒBƒJEƒ^ƒ‰ƒ“ƒ^@`“ěƒCƒ^ƒŠƒA@ƒv[ƒŠƒA‚Ě“`“‰šŠyVol.3@@@ˆÉGala
 ƒGƒŒ[ƒiEƒŒƒbƒ_^Incanti@@@@@@ˆÉFelmay@

i2/9j
yŽÚ”ށz
 •Ÿ“c‹P‹v^ŽÚ”ށ@@@@@@@@@•§Ocora@
yƒAƒ‰ƒuz
Ąˆ¤‚ĆŽ‚Ě•¨Œę@@ƒƒ‰ƒ_ƒCƒuƒ“EƒUƒCƒhƒD[ƒ“‚ĚŽ‚É‚ć‚鈤‚Ě‰ĚW@@ƒGƒhƒDƒAƒ‹ƒhEƒpƒjƒAƒOƒA‘ź@@źPneuma@
Ą‚Q‚‚̐S@`ƒAƒ‹ƒWƒFƒŠƒA‚ĚƒAƒ“ƒ_ƒ‹ƒVƒA‰šŠy@@@@ƒTƒŠƒ€EƒtƒFƒ‹ƒKƒj‘ź@@@@@@@@@@@@źPneuma@
 –kƒAƒtƒŠƒJ‚Ěƒ[ƒ‹ƒhEƒ~ƒ…[ƒWƒbƒN@sCollection VoyageƒVƒŠ[ƒYt@@@@@@@@@@@@@@•§Naive@
 ƒEƒ€EƒJƒ‹ƒX[ƒ€^Oulida El Houda
 ƒEƒ€EƒJƒ‹ƒX[ƒ€^Ifrah Ya Qalbi@@@@@@@@ˆČă‚Q“_@•§Fifty Five Records
 ƒEƒ€EƒJƒ‹ƒX[ƒ€^La Diva@@@@@@@@@@@@@@@@EMI Arabia
yƒƒVƒAz
Ąƒ^ƒŠƒXƒ}ƒ“^ƒƒVƒAƒ“EƒWƒvƒV[Eƒtƒ@ƒCƒA@@@@@@@@@‰pARC@
yƒIƒ€ƒjƒoƒXz
 ƒƒo[ƒgEƒNƒ‰ƒ€‚Ş‘I‚ń‚ž˘ŠE‚̏—Ť‚̉́@Hot Women@@@“ĆKein & Aber

i1/31j
y‰ëŠyz
žm–ž“Vc‚̉ëŠy@Œš”Ž‰ë‚Ě“J•ˆ@@@@@ƒtƒHƒ“ƒeƒbƒN@
žŒš”Ž‰ë‚Ě—´“J@@@@@@@@@@@@@ƒtƒHƒ“ƒeƒbƒN@
y‰‚”ü–Ż—wz
ž’z’nr‘˘^‚Ɓ`‚Ć‚Ş‚Č‚ľ@@@@@@@@M&IśÝĘßĆ°iÎßĆ°ˇŹĆľÝj@
y–Ż—wz
Ÿ˛Œ´š’Žq@@ç—tŒ§–łŒ`•ś‰ťŕ@@@˛Œ´š’Žq•Ű‘ś‰ď@@@@ˇÝ¸Ţ@
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
ĄƒAƒTƒhEƒAƒŠEƒJ[ƒ“(Rudra Vina)^Ragas Purvi & Joyiga @@@@‰pNimbus@
ĄƒAƒTƒhEƒAƒŠEƒJ[ƒ“(Rudra Vina)^Raga Jaijaivanti@@@@@@@‰pNimbus@
y“ŒƒAƒWƒAz
 ƒ`ƒxƒbƒg‚ĚŽq‹Ÿ‚˝‚ż@@@@@@@@•§PLAYA SOUND@
˘˘ŠE‚ĚŽq‹Ÿ‚̉́`ƒ`ƒxƒbƒg•Ň@@@@•§ARB
˘ƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒAEƒRƒŒƒNƒVƒ‡ƒ“`ƒ`ƒxƒbƒg‚̉šŠy@@@•§Fremeaux & Associes@
y“ě–kƒAƒƒŠƒJz
 ƒuƒ‹[ƒXEƒ\ƒ“ƒOƒuƒbƒN@`ƒAƒ‰ƒ“Eƒ[ƒ}ƒbƒNƒXEƒRƒŒƒNƒVƒ‡ƒ“(2CD)@@@@•ÄRounder@
 ƒ~ƒVƒVƒbƒs‚Ě–é‚Ěƒuƒ‹[ƒX@`ƒAƒ‰ƒ“Eƒ[ƒ}ƒbƒNƒXEƒRƒŒƒNƒVƒ‡ƒ“@@@@@@•ÄRounder@
 ƒƒXEƒJƒ‹ƒ`ƒƒƒLƒX^danse avec le condor@@@@@@@@•§Rym Musique

i1/29j
y“ěƒCƒ“ƒhŒĂ“Tz
ƒŐ ƒNƒ“ƒiƒbƒNƒfƒBEƒ”ƒ@ƒCƒhƒ„ƒiƒ^ƒ“(Violin)^Vaulting with the Strings @@ˆÉFelmay@
y–k‰˘Eź‰˘z
 ƒXƒEƒF[ƒfƒ“‚ĚƒjƒbƒPƒ‹ƒnƒ‹ƒp@@@@@@@@@@@•§Ocora@
 ƒmƒ‹ƒEƒF[‚Ěƒƒ}–Ż—w@`•ú˜Q‚̉́@Vol.1@@@@@ÉŮłŞ°Etnisk Musikklubb
ƒŐ ƒEƒgƒ‰^‰Ě@@@@@@@@@@@@@@@@@@ÉŮłŞ°NORCD
 ƒGƒCƒ“ƒ‰ƒ_ƒ‹ƒ“EƒCEƒ\ƒEƒIƒNEƒTƒ€ƒXƒyƒ‹@@@ÉŮłŞ°Buskerud 2,400™™
 ƒhƒŠƒ“@Days of Yore `ƒT[ƒ~‚ĚŒĂ“T“Iƒˆ[ƒCƒN@ÉŮłŞ°DAT
 ƒuƒ‹ƒ^[ƒjƒ…‚Ěƒ{ƒ“ƒoƒ‹ƒh‚Ćƒrƒjƒ…[@`ƒWƒƒƒ“Eƒoƒƒ“•ƒNƒŠƒXƒ`ƒƒƒ“EƒAƒlƒbƒNƒX@@@@•§Keltia Musique
yƒ†ƒ_ƒ„‰šŠy`ƒCƒfƒBƒbƒVƒ…z
 ƒ†ƒ_ƒ„l‚Ě—ˇ(2CD)@ƒ‹ƒbƒcEƒGƒŠƒAƒX•ƒ}ƒbƒZƒ‹EƒNƒŒƒYƒ‚ƒŠ[ƒ€@@@@‰pARC@
yƒIƒ€ƒjƒoƒXz
 ˘ŠE‚ĚƒVƒƒ[ƒ}ƒ“‚ĆŽôp‚̉šŠy@@@@@@@@@@@@@•§Buda@
 ˘ŠE‚Ě“J‚̉šŠy@@ƒtƒ‹[ƒgEƒRƒŒƒNƒVƒ‡ƒ“(2CD)@@@@‰pARC@
yŒĂŠyz
 JOY@’n’†ŠCŽü•Ó‚̐şŠy‚ĆŠíŠy@@@@ƒ‹EƒRƒ“ƒZ[ƒ‹Eƒ_ƒ“Eƒ‹ƒt@@@@•§Collection Romane
 ƒOƒ‰ƒiƒ_‚Ě–ĺ@@@@ƒ€ƒfƒnƒ‹FƒxƒSƒjƒAEƒIƒ‰ƒrƒfi‰ĚAĚßťŮĂسсjAƒJƒ‹ƒƒXEƒpƒjƒAƒOƒAi‘ĹŠyŠíj‘ź@@źJubal

i1/24j
’č”ÔƒŒ[ƒxƒ‹@‚P‚O‚O‚OƒZ[ƒ‹
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 Ustad Abdul Karim Khan Sahib^Golden Milestones
 Ustad Bade Ghulam Ali Khan^Golden Milestones
 Dr. Gangubai(Gandhari) Hangal^Golden Milestones @@ˆóGramophone(RPG)
y“ěƒCƒ“ƒhŒĂ“TşŠyz
 Madurai Mani Iyer^Vocal@@@@@@@ˆóGramophone(RPG)
yƒCƒXƒ‰[ƒ€‰šŠyz
 ƒX[ƒtƒB[‰šŠy@`‰pARC‰šŒšƒRƒ“ƒsƒŒ[ƒVƒ‡ƒ“ @@@@@‰pARC@
 ƒX[ƒtƒB[ƒAƒ“ƒ_ƒ‹[ƒV‚ĚŐ—ç‰šŠy@@ƒAƒ‹EƒVƒ…[ƒVƒ^ƒŠ[(1212-1269)‚ĚŽ‚É‚ć‚é@@@źPneuma@

i1/22j
yŽÚ”ށz
žÎ´…-“sŽR—Ź–{‹Č‘IW-^ÎŠ_ ŞŽR@@@@@@@@iŕjË޸Ŕ°
ž ÎŠ_ŞŽRě•iWi2–‡‘gj@@@@@@@@@@@@@iŕjË޸Ŕ°
yŽO–Ąü‰šŠyE‰Ě•‘Šęz
žuŽO˘‘Š‹ŃJ•śÍv/í”Ö’Ăˆę”b‘ž•v@(6CD)@@@@@iŕjË޸Ŕ°@
ž•œ@‰ź–źŽč–{’‰b‘ (4CD)@@@@@@@@@@@@@iŕjË޸Ŕ°@
yƒAƒtƒŠƒJz
 ƒ^ƒ“ƒUƒjƒA‚ĚƒnƒU‚ĆƒuƒbƒVƒ…ƒ}ƒ“‚̉šŠy(2CD)@@@@@@•§Buda@
 ƒUƒ“ƒWƒoƒ‹@Soul & Rhythm - de l'ame a la danse (2CD)@@@@EU Jahazl
 ƒWƒMƒ„^ƒTƒLƒfƒB@@@@@@@•§daqui@
 ƒ}ƒŠ`ƒƒXƒ‹ƒ“‚Ě‘ĹŠyŠí@@ƒZƒKEƒVƒfƒBƒx@@@@@@@•§Buda@
 ƒJƒ‰ƒnƒŠť”™‚ĚƒuƒbƒVƒ…ƒ}ƒ“@Namibie Bushmen Ju'hoansi@@@@•§Ocora@

i1/21j
y”ú”iz
ž’†‘ş’ߏé^ƒRƒ“ƒT[ƒgEƒ‰ƒCƒ” 2003@@‹óŠC@‘S“ń’i@@@@’†‘ş’ߏéi”ú”i’e‚ŤŒę‚čj@@@@ËßĘßŮ˝H–[@
yƒCƒ‰ƒ“z
 ƒVƒƒƒWƒƒƒŠƒAƒ“AƒAƒŠƒU[ƒfAƒLƒƒƒ‹ƒz[ƒ‹^faryadi‹Š‚сj2CD@@@@@•§World Village@
 ƒvƒ„ƒ“EƒAƒuƒhƒŠ•ƒWƒƒƒCEƒVƒƒƒ“ƒJƒ‹^Sufi in Dance@`Persia meets India@@@ÉŮłŞ°Etnisk Musikklubb
yƒgƒ‹ƒRz
žƒUƒ‰^ƒ~ƒTƒtƒB[ƒ‹@`ƒgƒ‹ƒR“`“‰Ě—w‚đ‰Ě‚¤@@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹ@
 ƒuƒ‹ƒnƒ“EƒGƒ`ƒƒƒ‹•ƒgƒ‰ƒLƒAEƒI[ƒ‹ƒXƒ^[ƒY^‘‹Ť‚Ě’ŹƒNƒ‹ƒNƒ‰ƒŒƒŠ‚ɂā@@@@ľĚ¨˝ťÝËŢ°ĆŹ@
yƒ‹[ƒ}ƒjƒAz
 ƒtƒ‹ƒ‰ƒNiHurlakj^ƒuƒJƒŒƒXƒgEƒuƒ‹[ƒX@@@@@@@•§Iris Musique@
yƒ†ƒ_ƒ„‰šŠyz
 18¤19˘‹Iƒtƒ‰ƒ“ƒX‚Ěƒ†ƒ_ƒ„l‚̉šŠy@@ƒAƒhƒ‹ƒtEƒAƒbƒeƒBƒA(śÝÄ°Ů)Aƒ}ƒOEƒ^ƒ„ƒ‹(¸×łŢťÝ•ľŮśŢÝ)@@•§Buda@
 ‰i‰“‚Ě•ę@`ƒCƒfƒBƒbƒVƒ…Œ€ę‚̏—Ť‰ĚŽč‚Ć‘ĺO‰Ě‹Č@1905-1929”N@y—đŽj“I˜^‰šz@@@@“ĆWergo@
 ƒCƒfƒBƒbƒVƒ…‰Ě‹Č‚Ě”N@@`ƒS[ƒ‹ƒfƒBƒlEƒPƒCƒgEƒVƒ“ƒK[ƒY@@@@•ÄCentaur@
yƒNƒŒƒYƒ}[‰šŠyz
 ƒNƒŒƒYƒ}[EƒRƒ“ƒT[ƒ”ƒ@ƒgƒŠ[Eƒoƒ“ƒh^A Taste of Paradise@@@@•ÄRounder@
 ƒ}[ƒSƒbƒgEƒŒƒ”ƒFƒŒƒbƒg•ƒNƒŒƒYƒ}[Eƒ}ƒEƒ“ƒeƒ“Eƒ{[ƒCƒY^S.T.@@@@•ÄTraditional Crossroads@
 ƒ\ƒƒ‚ƒ“•ƒ\ƒR[ƒ‹ƒh^Hiphopkhasene@@@@“ĆPiranha@
Ÿ‚ą‚Ü‚Á‚ż‚áƒNƒŒƒYƒ}^‚ą‚Ü‚Á‚ż‚á‚­‚ę@@@@Gok Sound
 ƒNƒŒƒYƒƒCƒ€^Sconfini@@@@@@@@@@ˆÉCNI

(1/17j
yƒAƒCƒk‰šŠyz
žˆŔ“ŒƒEƒŽq^ƒEƒ|ƒ|EƒTƒ“ƒP@@@@@@ÁśŮ˝ŔźŢľ@
y’†‰›ƒAƒWƒAEƒR[ƒJƒTƒXz
 ƒ}ƒtƒƒVƒ…^ƒ‰ƒWƒIEƒJƒu[ƒ‹@@@@@@•§Accords Croises
žƒAƒ“ƒTƒ“ƒuƒ‹EƒJƒu[ƒ‹^ƒiƒXƒ^ƒ‰ƒ“@`ƒAƒtƒKƒjƒXƒ^ƒ“‚Ě“`“‰šŠy@@@@ľĚ¨˝ťÝËŢ°ĆŹiŒ´”ՁF•§Arionj@
 ƒnƒŒƒhEƒAƒ‹ƒ}ƒ“^ƒ‹ƒo[ƒuEƒ‰[ƒK@@@•§Arion@
 ƒiƒVƒoEƒAƒuƒ_ƒ‰ƒG[ƒ”ƒ@^ƒTƒ}ƒ‹ƒJƒ“ƒh@@@@“ĆBlue Flame
 ƒAƒNƒiƒU[ƒ‹^ƒ‹[ƒ~[@@@@@@@@@•§Buda@
 ƒnƒCƒŒƒ“@`@ƒRƒ~ƒ^ƒX‚ĆƒeƒBƒOƒ‰ƒ“Eƒ}ƒ“ƒXƒŠƒAƒ“‚̉šŠy@@@ƒLƒ€EƒJƒVƒ…ƒJƒVƒAƒ“(Va)‘ź@@“ĆECM@
 ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“‚ĚƒTƒY‚ĚŒ|p`ƒGƒ_ƒ‰ƒgEƒiƒXƒB[ƒ{ƒt@@@@@•§Ocora@

i1/15j
y“Œ‰˘`ƒWƒvƒV[Aƒoƒ‹ƒJƒ“z
 ƒuƒ‰ƒbƒ`^Nomades En Vol (2CD) @@@@“ĆNetwork Medien@
 ƒnƒ‹ƒ‚ƒjƒA^Music of Eastern Europe@@•ÄTraditional Crossroads
 ƒ‰EƒNƒ€ƒpƒjƒAEƒ[ƒ‹ƒ[^Daissa@@ Tziganes Imaginaires@@@@•§Chant du monde@
ĄZelwer / La Tribu Lota@@@@@@@@@@•§l'empreinte digitale@
ĄZelwer / La Fiancee aux Yeux de bois
ĄZelwer / Les Dieux sont Faches@@@@@@ˆČă‚Q“_@”’Made to Measure@
 ƒA[ƒXEƒzƒC[ƒ‹EƒXƒJƒCEƒoƒ“ƒh^Waltz Rromano@@@@@“ĆPiranha@
 ƒ{ƒŠƒXEƒRƒ”ƒ@[ƒ`•ƒ‰ƒ_ƒAƒoEƒIƒ‹ƒPƒXƒg^Ballads at the End of Time@@@@“ĆPiranha@
 ƒVƒƒƒoƒ“EƒoƒCƒ‰ƒ‚ƒ”ƒBƒ`^Gypsy King & Drunkard@@@ ˝ŰłŢŞĆąBalkanika@
 ƒ{ƒ”ƒ@ƒ“Eƒ}ƒ‹ƒRƒ”ƒBƒ`EƒIƒ‹ƒPƒXƒ^ƒ‹^Live in Belgrade@@@“ĆPiranha@
 ƒ{ƒoƒ“Eƒ}ƒ‹ƒRƒ”ƒBƒ`EƒIƒ‹ƒPƒXƒ^ƒ‹^Boban I Marko - Balkan Brass Fes@@@“ĆPiranha@
 Vranisht ^ kenge polifonike labe@@@@•§daqui@
 ƒuƒ‹ƒKƒŠƒAƒ“Eƒ”ƒHƒCƒXEƒAƒ“ƒWƒFƒŠ[ƒg^Angel's Christmas@@@@@@@@“ĆJaro@
 ƒWƒ‡ƒj[EƒCƒŠƒGƒt•ƒoƒ“ƒh^Ma Maren Ma@@@@@@“ĆAsphalt Tango Records

i1/10j
y“ěƒAƒWƒAz
ƒCƒ“ƒhŠÖŒW‚u‚b‚c sDoordarshan Archivest100 Years of Recorded Music in IndiaƒVƒŠ[ƒY
—A“üVCD@ƒxƒOƒ€EƒAƒtƒ^ƒ‹@iŽi‰ďFJasrajj
—A“üVCD@ƒX[ƒtƒBƒAƒiEƒJƒbƒ[ƒŠ@iŽi‰ďFNaushadj
˘—A“üVCD@ƒoƒ‰ƒ^ƒi[ƒeƒBƒAƒ€@iŽi‰ďFShobhanaj@@@@@ˆČă‚R“_@ˆóDoordarshan Archives
y“쉢z
‘“ŕDVD@ƒAƒ}ƒŠƒAEƒƒhƒŠƒQƒX^ƒ‰ƒCƒ”EƒCƒ“EƒWƒƒƒpƒ“@@@@“Œ‹ž´ŃĚß×˝@
žƒ}ƒŠƒAEƒfƒ‹Eƒ}[ƒ‹Eƒ{ƒlƒbƒg^Žž‚̐S(2CD)@@@@@@@@@Ëްݽށ@
Ÿƒ}ƒŠƒAEƒfƒ‹Eƒ}[ƒ‹Eƒ{ƒlƒbƒg^‰Š‚Ě”n@@@@@@@@@@@@Ëްݽށ@
 ƒvƒƒ”ƒ@ƒ“ƒX’n•ű‚Ěƒ^ƒ“ƒuƒŠƒl[ƒ‹@@ƒ‚ƒ“ƒ^ƒi[ƒ@@@@@@@•§Buda@
 ƒRƒ‹ƒVƒJ‚̉šŠy@@@@@@@@‰pARC@
ŹƒRƒ‹ƒVƒJ‚Ěƒ|ƒŠƒtƒHƒj[@@E Voce di u Cumune@@@@@@@@•§Harmonia Mundi@
 Tempus FugitiŽž‚͉߂Ź‚ä‚­j`ƒRƒ‹ƒVƒJ‚Ěƒ|ƒŠƒtƒHƒj[@@@@•§Chant du monde@
 ƒ‰ƒbƒZ[ƒjƒƒ^’n’†ŠC‚̉́@@@@@@•§PLAYA SOUND@
 ƒAƒ“ƒWƒFƒŠƒNEƒCƒIƒiƒgƒX^Alas Pa' volar@@@@@@@@@@@•§Naive@

i1/5j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
˘Ustad Abdul Karim Khan Sahib^Golden Milestones
˘Ustad Bade Ghulam Ali Khan^Golden Milestones
˘Surshri Kesarbai Kerkar^Golden Milestones
˘Dr. Gangubai(Gandhari) Hangal^Golden Milestones
˘Pt. Ravi Shankar^Golden Milestones
˘Ustad Vilayat Khan^Golden Milestones @@@@@ˆČă‚U“_@ˆóGramophone(RPG)
Ąƒ‰[ƒKEƒKƒCƒh(4CD+‘Đ)@@Joep Bor@@@@@@‰pNimbus@
 ƒƒXƒBƒtƒbƒfƒBƒ“Eƒ_ƒKƒ‹^ƒhƒDƒ‹ƒpƒbƒhĽ–@@@@@•§Unesco@
 ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^India's Maestro of Melody Vol.1
 ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^India's Maestro of Melody Vol.2@@@ˆČă‚Q“_@“ĆChhanda Dhara@
 ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^India's Maestro of Melody Vol.1 & 2@@@@@@“ĆChhanda Dhara@
 ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^India's Maestro of Melody - Live Concert Vol.6 “ĆChhanda Dhara@
y“ěƒCƒ“ƒhŒĂ“TşŠyz
˘Ariyakkudi Ramanuja Iyengar^Sri Andal Thiruppavai - Vol 1
˘Ariyakkudi Ramanuja Iyengar^Sri Andal Thiruppavai - Vol 2
˘G N Balasubramaniam^Pratidhwani Vol.2
˘G N Balasubramaniam - Pratidhwani Vol.1
˘Palghat K V Narayanaswamy^Sri Andal Thiruppavai Vol 2 @@@@ˆČă‚T“_@ˆóMusic Today
˘Madurai Mani Iyer^Ganakaladhara
˘Madurai Mani Iyer^Madurai Mani Iyer@@@@@@@@@@@@@@@ˆČă‚Q“_@ˆóGramophone(RPG)
ĄT.R.ƒ}ƒnƒŠƒ“ƒKƒ€(Flute)^Le Concert de Rennes 1978 (2CD)
ĄT.R.ƒ}ƒnƒŠƒ“ƒKƒ€(Flute)^Le Concert de Paris 1978 (2CD) @@ˆČă‚Q“_@•§StiliÄ“ü‰×j
yƒgƒ‹ƒRz
 ƒTƒtƒBƒCƒFEƒAƒCƒ‰^Cile BulBulum Cile@@@@ÄŮşCoskun
 ƒTƒtƒBƒCƒFEƒAƒCƒ‰^Yanik Omer@@@@@@@@“yCoskun@
yƒAƒ‰ƒu‰šŠyz
 ƒ€ƒj[ƒ‹EƒoƒV[ƒ‹(ł°ÄŢ)^ƒƒ\ƒ|ƒ^ƒ~ƒA(2CD)@@•§Chant du monde@
˘ƒtƒ@ƒŠƒ_•ƒCƒ‰ƒLEƒ}ƒJ[ƒ€EƒAƒ“ƒTƒ“ƒuƒ‹^ƒƒ\ƒ|ƒ^ƒ~ƒA‚̐ş@@@•§Chant du monde@
 C“š—ƒ}ƒŠ[EƒPƒCƒ‹[ƒY^Hymns to Hope@@@•§Nocturne@
 ƒt[ƒŠƒAEƒAƒCƒV^Khalwa@@`@ƒAƒ‹ƒWƒFƒŠƒA‚̐š‚Č‚é‰Ě@@@@@•§Accords Croises
 ƒ}ƒAƒŒƒ€Eƒ}ƒtƒWƒ…ƒu•ƒ}ƒ‰ƒPƒVƒ…‚ĚƒOƒiƒ@`Lila@@@@@@@ Sound of the Worldi•§Harmonia Mundij@
 ƒAƒ“ƒTƒ“ƒuƒ‹EƒCƒuƒ“EƒAƒ‰ƒr[^ƒAƒ‰ƒuEƒAƒ“ƒ_ƒ‹ƒVƒA‚ĚƒX[ƒtƒB[‰Ě—w@@@•§Long Distance@
˘ƒtƒ‰ƒ“ƒ\ƒ[ƒYEƒAƒgƒ‰ƒ“•ƒ‚ƒlƒCƒ€EƒE[ƒhƒƒ“^ƒiƒƒE@@@@@@•§Buda@2,150
 ƒWƒƒƒŠƒ‰‚Ěƒ‰ƒNƒXEƒVƒƒƒ‹ƒLiľŘ´ÝŔŮĽŔŢÝ˝j‚U@@@@@@@@@@@“ĆPiranha@

i12/17j
y–Ż—wz
žŒÜ–Ř‚ĚŽqŽç‰S‚Ě“ä@@‰i‹v•Ű‘ś”Ձ@‘S52•Ĺ‹‰Ř‰đŕ•t@@ˇÝ¸Ţ
@
i12/6j
y“Œ“ěƒAƒWƒAz
žƒJƒ`ƒƒƒsEƒ‹ƒoƒu‚̐˘ŠE@`Kuwung Kuwungi“řj @@@@@@Bulan Records(ľĚ¨˝ĽŃ°Ý)@
Ąƒxƒgƒiƒ€“ě•”‚Ě“`“‰šŠy@@@@@@@@@@@@@@@@@@@@•§Unesco@

i12/5j
y–kƒCƒ“ƒhŒĂ“Tz
—A“üDVD&CD@ƒ‰ƒ”ƒBEƒVƒƒƒ“ƒJƒ‹^A man and his music@@@@@@@@@Immortal
ĄƒNƒVƒƒƒ‹Eƒ_[ƒX(Sitar)^Inde du nord@@@@@@@@•§Ocora@
ĄƒjƒLƒ‹Eƒoƒlƒ‹ƒW[(źŔ°Ů)^ƒ‰ƒCƒ”EƒRƒ“ƒT[ƒgƒVƒŠ[ƒYVol.‚Ri˛ÝÄނ̐ů—Ľ‚Ě‹ j@@@“ĆChhanda Dhara@
ĄƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^Lyrical Sitar@@@@@@@@“ĆChhanda Dhara@
y–kźƒˆ[ƒƒbƒpz@
Žl‚˝‚ż‚ĆƒVƒƒƒ“ƒ\ƒ“EƒVƒŠ[ƒY¨‚ą‚ż‚ç

i11/22j
yƒIƒ€ƒjƒoƒXEƒVƒŠ[ƒYz
•§cinq planetes@˘ŠE‚ĚŠyŠí‚Ě–źŽčƒVƒŠ[ƒY@¨‚ą‚ż‚ç
y–kźƒˆ[ƒƒbƒpz
 ƒVƒjƒbƒJEƒ‰ƒ“ƒQƒ‰ƒ“ƒh^Runojaiƒ‹[ƒl‚̉́j@@@ÉŮłŞ°Heilo
 ƒWƒƒƒbƒNEƒhƒDƒAƒC^ƒtƒ‰ƒ“ƒXŽ‚đ‰Ě‚¤@@@@@@@@•§EPM@
 ƒpƒŠ‚̉šŠy`ƒ~ƒ…ƒ[ƒbƒg@@@@@@@@•§Air Mail Music (PLAYA SOUND)
An Naer Produksion@iƒuƒ‹ƒ^[ƒjƒ…Eƒgƒ‰ƒbƒhj
ŁBugel Koar / Ar Solier
ŁLoened Fall / An Deiziou Zo Berr
ĄJean-Michel Veillon(Fl) + Yvon Riou(G) / Beo - Live in Belfast
ĄSpontus / Ha Kannerion Pleuigner @@@@@ˆČă‚S“_@•§An Naer Produksion@
 ƒAƒ}ƒ“EƒŠƒNiAmann Rikj^petites confidences au creux de l'oreille@@@•§PLAYA SOUND@
 ƒPƒ‹ƒeƒBƒbƒNEƒn[ƒv`’Š‚Ě˜I@@Aryeh Frankfurter@@@@@@‰pARC@

i11/17j
y“ěƒˆ[ƒƒbƒpz
ŹƒJƒ}ƒƒ“EƒfEƒ‰EƒCƒXƒ‰^ƒtƒ‰ƒƒ“ƒR‚Ě“`ŕ@‰pARC
y“ě–kƒAƒƒŠƒJz
 ƒ‚ƒ‹ƒ‚ƒ“‹ł“k‚̉̂Ɛź•”‚̉́@@@@@@@@@•ÄRounder@
 ƒ}ƒ‹ƒeƒBƒj[ƒN‚̉šŠy@@ƒƒpEƒTƒLƒ^ƒk@@@‰pARC@
 ƒLƒ…[ƒoŠv–˝‚ĚƒAƒ‹ƒoƒ€@@@@@@@@@@@Cuba Soul
 ƒuƒ‰ƒWƒ‹‚ĚƒJƒ|ƒGƒCƒ‰@@@@@@@@@@@@•§PLAYA SOUND@
Ąƒuƒ‰ƒWƒ‹@@ƒAƒ“ƒSƒ‰‚ĚƒJƒ“ƒhƒ“ƒuƒŒ@@@@@•§Inedit@

i11/14j
ƒIƒRƒ‰ŠúŠÔŒŔ’čƒZ[ƒ‹@¨‚ą‚ż‚ç

i11/13j
yăߖžz
‘“ŕDVD@ç‘m‰š™Ö’ƒ—… @@@@@@łŢ§ŻĚ߁@
yŽÚ”ށz
ž“Ą—R‰zŽRi•‰ť@ŽÚ”ށj^‹•‹ó@@@@´ËŢ˝@
Ą‰ĄŽRŸ–çiŽÚ”ށj^Zen@(2CD)@@@@“ĆWergo@

i11/04j
yƒAƒtƒŠƒJz
 ƒX[ƒ_ƒ“`ÂƒiƒCƒ‹—Źˆć‚Ěƒxƒ‹ƒ^’n•ű‚Ě“`“‰šŠy@`Museum Collection BerlinƒVƒŠ[ƒY @@@“ĆWergo@
 “ěƒGƒ`ƒIƒsƒA@ƒnƒ}ƒ‹’n•ű‚Ěƒjƒƒƒ{ƒŒ@`Museum Collection BerlinƒVƒŠ[ƒY@@@@@@@@“ĆWergo@
ĄƒGƒ`ƒIƒsƒA@ƒAƒŠ‘°‚Ěƒ|ƒŠƒtƒHƒj[@@@@•§Ocora
ĄƒGƒ`ƒIƒsƒA‚̉šŠyWŹ@Vol.12@`ƒRƒ“ƒ\‚̉šŠy‚ƉĚ
 ƒGƒ`ƒIƒsƒA‚̉šŠyWŹ@Vol.13@`‰Š‹ŕ‚Ě70”N‘ă^ƒGƒ`ƒIƒsƒAƒ“EƒOƒ‹[ƒ”
 ƒGƒ`ƒIƒsƒA‚̉šŠyWŹ@Vol.14@`ƒGƒ`ƒIƒsƒAƒ“EƒTƒbƒNƒX
 ƒGƒ`ƒIƒsƒA‚̉šŠyWŹ@Vol.15@`ƒWƒƒƒ“ƒvEƒgƒDEƒAƒfƒBƒX@@@@ˆČă‚S“_@•§Buda@
ŸƒQƒ^ƒ`ƒ…ƒEEƒƒNƒŠƒ„^ƒGƒ`ƒIƒsƒAƒ“EƒTƒbƒNƒX‚̒鉤@@@ľŮŔ°Î߯Ěß
 ƒpƒpEƒXƒbƒ\^Sotuma-Sere@@@@@@@@@@@@@•ÄTraditional Crossroads@
 ƒZƒlƒKƒ‹‚ĚƒOƒŠƒI@@ƒpƒyEƒJƒkƒe@@@@@@@@@@@‰pARC@

i10/18j
yƒIƒ€ƒjƒoƒXz
 —Ť‚̐š‚Č‚é‰Ě@`˘ŠE‚Ě‹F‚č‚ĆŽ^‰Ě@@@@@ˆÉMANA
 ƒ`ƒ‹ƒhƒŒƒ“EƒhƒŠ[ƒ€ƒX@`˘ŠE‚ĚŽqŽç‰S@@@ˆÉMANA
 “ě‚ĚƒGƒXƒvƒŠ@esprit du sud `l'empreinte digitaleƒRƒ“ƒsƒŒ[ƒVƒ‡ƒ“@@@@•§l'empreinte digitale@
Ą‚s‚uƒhƒLƒ…ƒƒ“ƒ^ƒŠ[uƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒA‚É‚ć‚鉚ŠyvƒTƒEƒ“ƒhƒgƒ‰ƒbƒN@@@•§Fremeaux & Associes@
Ąƒn[ƒv‚Ě–źŽč‚˝‚ż@@@@@‰pARC@

i10/14j
yŽO–Ąü‰šŠyz
žV“ŕ‚ƐV“ŕŽO–Ąü Œˆ’č”Ĺ(2CD) @ƒRƒƒ€ƒrƒA
yƒLƒŠƒXƒg‹ł‰šŠyEŒĂŠyz
ŁƒVƒŠƒAł‹ł‰ď‚Ě“`“‰šŠy`ƒƒ\ƒ|ƒ^ƒ~ƒA‚ĚTur Abdin‚Ě“`“ @@@@•§Unesco@
ŁƒVƒŠƒAł‹ł‰ď`ƒAƒ“ƒeƒBƒIƒLƒA(ąÝĂľš)‚Ě“T—ç@@@@@@@@@@@•§Unesco@
 ƒAƒ‰ƒSƒ“’n•ű‚ĚƒOƒŒƒSƒŠƒIš‰Ě‚ĆƒIƒ‹ƒKƒ“@`17˘‹I‚ĚLa Seo Zaragozana‚Ě“`“@@@źTecnosaga@
žJ.S.ƒoƒbƒn^–ł”ş‘tƒ`ƒFƒ‘g‹Č@‘S‹Č(2CD)@@ƒpƒuƒEƒJƒUƒ‹ƒX(Vc)@@˜^‰šF1936`39”N@HMVŒ´”Ձ@@@ľ°Ęß˝‘ @

i10/6j
y“ěƒAƒWƒAz
Ąƒ‰ƒWƒƒƒXƒ^ƒ“‚Ěƒ‰ƒ“ƒK`ƒRƒqƒm[ƒ‹Eƒ‰ƒ“ƒKEƒOƒ‹[ƒv@@@@@“ĆWorld Network@
y“ěƒˆ[ƒƒbƒpz
 ƒhƒiEƒ[ƒT^Segredos@@@@@“ĆJaro
 ƒtƒFƒ‹ƒiƒ“ƒ_EƒfEƒEƒgƒŒ[ƒ‰^Cante Grande de Mujer@@@@źEMI
 ƒGƒ‹EƒŒƒuƒŠƒn[ƒm^Casablanca@@@@@@@@@@@@@@@źEMI
‚w ƒGƒ‹EƒŒƒuƒŠƒn[ƒm^lagrimas de cera@@@@@@@@@@@źEMI
 ƒJƒjƒU[ƒŒƒX^Punto de Encuentro@@@@@@@@@@@@@@źEMI
 ŒĂ‚Ť—Ç‚ŤŽž‘ă‚ĚƒXƒyƒCƒ“‰Ě—w@`ƒTƒ‹ƒXƒGƒ‰Aƒ~ƒ…[ƒWƒJƒ‹EƒŒƒrƒ…[‚Š‚ç@@@źSonifolk
 L'ham de Fociƒ‰ƒ€EƒfEƒtƒHƒNj/ U@@@@@@@@@@@@źSonifolk@
 ƒKƒCEƒTƒxƒ‹^Electroch'oc@iƒGƒŒƒNƒgƒƒbƒNEƒIƒbƒNj@@@ˆÉFelmay@
 ƒoƒŒƒ“ƒeƒX@@@@@@@@ˆÉVM2000@
 ƒGƒŒ[ƒiEƒŒƒbƒ_^Mare Mannu@@@@@@@ˆÉFelmay@
 ƒNƒcƒBEƒGƒ‹ƒOƒlƒ‹EƒAƒ“ƒTƒ“ƒuƒ‹^ƒCƒXƒ^ƒ“ƒu[ƒ‹‚ĚƒŒƒxƒeƒBƒJ@@@ľĚ¨˝ťÝËŢ°ĆŹi“yImaj Muzik”Ձj@
y’†“ě•Äz
Ąƒ`ƒFEƒQƒoƒ‰@iƒ|[ƒgƒŒ[ƒg•t‚ŤƒVƒ“ƒOƒ‹‚b‚cj
Ąƒ`ƒFEƒQƒoƒ‰@iƒ|[ƒgƒŒ[ƒg•t‚ŤƒVƒ“ƒOƒ‹‚b‚cj
ĄƒJƒ‹ƒƒXEƒvƒGƒuƒ‰@iƒ|[ƒgƒŒ[ƒg•t‚ŤƒVƒ“ƒOƒ‹‚b‚cj
ĄƒRƒ“ƒpƒCEƒZƒOƒ“ƒh@iƒ|[ƒgƒŒ[ƒg•t‚ŤƒVƒ“ƒOƒ‹‚b‚cj
ĄƒCƒuƒ‰ƒqƒ€EƒtƒFƒŒ[ƒ‹@iƒ|[ƒgƒŒ[ƒg•t‚ŤƒVƒ“ƒOƒ‹‚b‚cj@@@@ˇ­°ĘŢEgrem
ĄƒŒƒ”ƒBƒXƒ^EƒhEƒTƒ“ƒo@@@@@@@@@@@“ĆTraumton

i10/4j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒuƒŠƒWEƒiƒ‰ƒ„ƒ“^Raga Bhatiyar & Raga Shankara@@@@@@@@•§Zig-Zag Territoires
 ƒ‰ƒ€Eƒiƒ‰ƒ„ƒ“(ť°×ݡŢ)^Raga Jaumpuri & Raga Kafi Malhar@@@@•§Zig-Zag Territoires@
 ƒAƒ‹ƒiEƒiƒ‰ƒ„ƒ“(ť°×ݡŢ)^Raga Gujari Todi, Barwa, Bhairavi@@@•§Zig-Zag Territoires@
 ƒ}ƒŠƒJƒ‹ƒWƒ…ƒ“Eƒ}ƒ“ƒX[ƒ‹^Khayals@@@@@@ˆÉFelmay
yƒR[ƒJƒTƒXz
 ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“‚Ěƒ€ƒK[ƒ€EƒAƒ“ƒ\ƒƒW[Vol.9@`ƒƒŒƒNEƒnƒmƒ€EƒGƒ†ƒ{[ƒ”ƒ@i‰Ě‚ĆŔŢ́jA
@ƒ‚ƒtƒŒƒhEƒ€ƒXƒŠƒ‚ƒt(Ŕ°Ů)Aƒtƒ@ƒtƒŒƒbƒfƒBƒ“Eƒ_ƒ_ƒ`ƒFƒt(šĎÝÁŞ)@@@@@•§Inedit(99)@

i10/2j
y–Ż—wz
ž•œ@‰z’†‚¨‚í‚çß@–źl‹Ł‰‰W@@iŕjË޸Ŕ°
y‰Ť“ę–Ż—wz
Ÿ‰Ť“ę‚Ě–Ż—w@`–źŒě—Lję
Ÿ‰Ť“ę‚Ě–Ż—w@`‹ďŽuŒ˜‹žŽq
Ÿ‰Ť“ę‚Ě–Ż—w@`’Ă”gᩉl
Ÿ‰Ť“ę‚Ě–Ż—w@`‘‹g^”Ž
Ÿ‰Ť“ę‚Ě–Ż—w@`‹{éŽ”N
Ÿ‰Ť“ę‚Ě–Ż—w@`‹{é•×
Ÿ‰Ť“ę‚Ě–Ż—w@—Ž‹…ŒĂ“T‰šŠy@`‘ĺ˜p´”V
Ÿ‰Ť“ę‚Ě–Ż—w@”ޏdŽRŒĂ“T–Ż—w(1)@`’ĘŽ–ˆŔ‹ž
Ÿ‰Ť“ę‚Ě–Ż—w@”ޏdŽRŒĂ“T–Ż—w(2)@`‹{—ǍNł
Ÿ‰Ť“ę‚Ě–Ż—w@‹{ŒĂ–Ż—w@`ťěŒ÷@@@@@@@@ˆČă10“_@ˇÝ¸Ţ@
yƒNƒŒƒYƒ}[`ƒCƒfƒBƒbƒVƒ…z
Źƒ€ƒWƒJ[ƒVƒ…^ƒgƒ‰ƒ“ƒVƒ‹ƒ”ƒ@ƒjƒA‚ĚŽ¸‚í‚ę‚˝ƒ†ƒ_ƒ„‰šŠy@@@@@•ÄHannibal
yƒoƒ‹ƒJƒ“z
 ƒvƒ‰ƒ”ƒH^Tuzon Jaro Hangok@@@@@@@ĘÝśŢŘ°Folk Europa
 ƒoƒ‹ƒJƒ“EƒvƒŒƒCƒ{[ƒCƒY^Balkaninis@@@ˆÉFelmay
yƒ|[ƒ‰ƒ“ƒhAƒEƒNƒ‰ƒCƒiz
ƒŐ ƒƒ‹ƒVƒƒƒEƒ”ƒBƒŒƒbƒWEƒoƒ“ƒh^People's Spring@@@@@@@“ĆJaro@
 ƒVƒ}ƒmƒtƒXƒL(1882-1937)^ƒ}ƒYƒ‹ƒJ‘S‹Č@@y¸×źŻ¸z@@ƒ}ƒ‹ƒNƒAƒ“ƒhƒŒEƒAƒ€ƒ‰ƒ“(Pf)@@‰pHyperion@
 ƒAƒŒƒNƒTƒ“ƒ_[EƒtƒFƒhƒŠƒEƒN^ƒcƒBƒ“ƒoƒƒ€‚ĚŒ|p@@@@@@@@@@@@@@•ÄTraditional Crossroads@

i9/27j
yƒ–MŠy@“ü–ĺ”Ձz
ž“ú–{‰šŠy‚Ü‚é‚Š‚ś‚č(2CD)@@iŕjË޸Ŕ°
yƒVƒxƒŠƒAz
Ąƒ`ƒ…ƒNƒ`‘°‚Ě–Ż‘°‰šŠy@mźÍŢŘąĹ–k“Œ’[n@@•§PLAYA SOUND@

i9/24j
yƒoƒ‹ƒJƒ“”‘z
Ąƒoƒ‹ƒJƒ“‚̉šŠy@‘ć‚PŠŞm1920-1940”N‚Ě˜^‰šn
Ąƒoƒ‹ƒJƒ“‚̉šŠy@‘ć‚QŠŞm1920-1940”N‚Ě˜^‰šn
Ąƒoƒ‹ƒJƒ“‚̉šŠy@‘ć‚RŠŞm1920-1940”N‚Ě˜^‰šn@@@ŠóFM Records
 ƒiƒAƒgEƒ”ƒFƒŠƒIƒt•ƒIƒŠƒWƒiƒ‹EƒRƒ`ƒƒƒjEƒIƒ‹ƒPƒXƒ^ƒ‹^Gypsy Folies@@@ˆÉFelmay
 ƒ”ƒBƒ`ƒbƒ`EƒAƒ“ƒTƒ“ƒuƒ‹^“ěƒXƒ‰ƒ”‚Ě–Ż‘°‰šŠy@@@@ĘÝśŢŘ°Hungaroton@
 ƒSƒ‰ƒ“EƒuƒŒƒSƒ”ƒBƒ`^Balkanica@@@@@@@@@@Šó‚e‚l
ĄƒAƒ‹ƒoƒjƒA‚Ěƒƒ}‰šŠy@@Rromano Dives / Chaj Zibede@@@@•§Al Sur@
Ą‚P‚Vƒqƒbƒs[ƒY^Sirba@@@@@@@@•§Buda@
ĄƒTƒ“ƒfƒBEƒƒsƒ`ƒbƒ`EƒIƒ‹ƒPƒXƒ^ƒ‹^Border Confusion@@@@“ĆNetwork Medien@
yƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
žƒQƒIƒ‹ƒQEƒUƒ“ƒtƒBƒ‹^ƒ‹[ƒ}ƒjƒA‚Ěƒpƒ“ƒpƒCƒv@@@@@@@@@ײ˝Úş°ÄށiŒ´”ՁF•§Arionj@
 ƒJ[ƒƒVƒ…Eƒ]ƒ‹ƒ^ƒ“‚ĚƒA[ƒJƒCƒ”@`@Mezokeszu@@@@@@@ĘÝśŢŘ°Fono
 ƒJƒCEƒ„ƒO^O Suno (The Dream)@@ƒnƒ“ƒKƒŠ[‚ĚƒWƒvƒV[–Ż—w@@ĘÝśŢŘ°Hungaroton@
 ƒoƒƒOEƒJ[ƒ‹ƒ}ƒ“•ƒUEƒWƒvƒV[EƒcƒBƒ“ƒoƒƒ€Eƒoƒ“ƒh@@@@@ĘÝśŢŘ°Fono@
žƒoƒƒOEƒJ[ƒ‹ƒ}ƒ“•ƒUEƒWƒvƒV[EƒcƒBƒ“ƒoƒƒ€Eƒoƒ“ƒh^ƒAƒƒ}@Ëްݽށ@
 ƒtƒFƒŒƒ“ƒcEƒLƒX^Outlaws of the City@@@@@@@@@@@@@ĘÝśŢŘ°Etnofon
 ƒgƒ‰ƒ“ƒVƒ‹ƒ”ƒ@ƒjƒA‚Ěƒnƒ“ƒKƒŠ[‰šŠy@Traditions of Gyimes and the Great Plain@@@•§Inedit@
 ƒuƒŠƒMƒbƒ^Eƒv[ƒC^ƒnƒ“ƒKƒŠ[‚̉́@@@@@ĘÝśŢŘ°Hungaroton@

i9/22j
yŽO–Ąü‰šŠy`‰Ě•‘Šęz
ž’m‚ç‚´‚ŸŒž‚Á‚Ä•ˇ‚Š‚š‚â‚ľ‚傤@@‰Ě•‘Šę–ź‘䎌W@@@@@iŕjË޸Ŕ°
˘ž‚¤‚ß‹g^‘ o‚ľ–ź‹ČW@@@ƒIƒJƒƒtƒHƒ“
y’†‰›ƒAƒWƒAEƒJƒtƒJƒXz
ĄƒAƒtƒKƒjƒXƒ^ƒ“‚̉šŠy@@@@“ĆMusicaphon‰šŒš@@@@•ÄRounder
ĄƒEƒYƒxƒLƒXƒ^ƒ“‚̉̂̓`“@@•§PLAYA SOUND@
ĄƒOƒ‹ƒWƒA`ƒXƒ”ƒ@ƒlƒeƒB’n•ű‚Ěƒ|ƒŠƒtƒHƒj[@@@@@@@•§Inedit@
yƒ†ƒ_ƒ„‰šŠyz
 The Hidden Gatei‰B‚ł‚ę‚˝–ĺj@`@˘ŠE’†‚Ěƒ†ƒ_ƒ„‰šŠy@(2CD)@@@@•ÄRounder@
 ƒ{ƒ‹ƒh[‚ĚƒVƒiƒS[ƒO‚̉šŠy@Rite Portugais@@@@@•§Fremeaux & Associes@
 ƒƒ“ƒhƒ“Eƒ†ƒ_ƒ„’jş‡Ľ’c^S'u Sh'orim @@@@@@‰pARC@
ĄˆŮ‘‚Ě’n‚ɂā@Ž¸‚í‚ę‚˝ŒĚ‹˝‚̉šŠy‚Ć•¨Œę@@@–ƒZƒtƒ@ƒ‹ƒfƒB[‚̉̓™@@@‰pZenobia
 ƒo[ƒjƒ“ƒOEƒuƒbƒVƒ…^Music of the Old Jewish World@@@@@@@@@@‰pARC@
 ƒVƒƒƒK[ƒ‹‚đ‚ß‚Ž‚鉚Šy(2CD)@@@@@•§Naive@

i9/17j
–źl‚É‚ć‚é“ú–{‚Ě“`“Œ|
Ÿˆę’†ß
Ÿ‹{‰’ß
Ÿ‰Í“ŒßA‰Ź]ß@
Ÿ‹`‘ž•v@@
Ÿ’ˇ‰S@
Ÿáڏ—‰S@@
Ÿ’ĂŒyŒűŕ@@
Ÿ’ĂŒy–Ż—w@@Ź“c‰_’|i‰SjA‚‹´’|ŽRiŽO–Ąüj‘ź@@
Ÿ’ĂŒy–Ż—w@@`ó—˜‚Ý‚Ťi‰SjA–Ř“c—яź‰hA‚‹´—SŽŸ˜YA•Đ‘q‹žŽq‘źiŽO–Ąüj‘ź
ŸH“cŽO–Ąü@@ó–ě”~ŽáiH“cŽO–ĄüjA‰Á“Ą¸•—iŽÚ”ށj@@@@@@@@@ƒLƒ“ƒO
yƒAƒtƒŠƒJz
ƒqƒ…[EƒgƒŒƒCƒV[EƒŒƒR[ƒfƒBƒ“ƒOEƒVƒŠ[ƒY@‘ć‚SŠú
žƒ“ƒOƒj‚̉šŠy@`“ěƒAƒtƒŠƒJ•ƒXƒƒWƒ‰ƒ“ƒh@'55,'57,'58
ž“ěƒ‚ƒUƒ“ƒr[ƒN@`ƒ|ƒ‹ƒgƒKƒ‹ŒęŒ—@“ŒƒAƒtƒŠƒJ'43,'49,'54,'55,'57,'63
žƒ^ƒ“ƒUƒjƒA`ƒ^ƒ“ƒKƒj[ƒJ@ƒCƒ“ƒXƒgƒDƒ‹ƒƒ“ƒcEƒ~ƒ…[ƒWƒbƒN 1950
žƒ^ƒ“ƒUƒjƒA`ƒ^ƒ“ƒKƒj[ƒJ@ƒ”ƒH[ƒJƒ‹Eƒ~ƒ…[ƒWƒbƒN 1950
žƒEƒKƒ“ƒ_‚Ě–ŻO‰šŠy 1950 & 1952@@@@@@@@@@ˆČă‚T“_@ËŢ°Ý˝Ţ
žƒUƒ“ƒrƒAEƒ[ƒhƒTƒCƒh@`ƒUƒ“ƒrƒA“ě•”B‚̉šŠy '96 & '02@@@@Ëްݽށ@2,625

i9/16j
y’n‰Ěz
ž’†‰ŘŒź—sAěŒűŒd—s^wź‚Ě—txŠŽűŽO–Ąü‘g‰Ě”é‹Č‚ĆŒáČň—Ú—ž‘IW @ S-Two

i9/15j
yƒNƒŒƒYƒ}[‰šŠyz@
 ƒNƒŒƒYƒ}ƒeƒBƒNƒX^Rise Up!@@“ĆPiranha

i9/13j
yƒAƒ‰ƒuz
 ƒiƒW•ƒnƒŠƒ‹@@ƒAƒfƒ“‚̉Ě
 ƒTƒCƒF[ƒhEƒAƒ‹EƒhƒbƒEƒB@ƒqƒ‰ƒŠ•¨Œę(2CD)
 ƒAƒfƒBƒuEƒAƒ‹Eƒ_[ƒC[ƒt^‹{’ě‚Ěˆ¤@@@@ˆČă‚R“_@•§Institut du monde arabe@
Źƒ€ƒj[ƒ‹EƒoƒV[ƒ‹^Meditations@@@@@@•§Inedit@
 ƒTƒ~ƒ‹EƒWƒ…ƒuƒ‰ƒ“^Tamaas@@@@@@@@•§Daqui
 ƒCƒGƒƒ“@ƒTƒiƒA‚̉́@@ƒnƒTƒ“EƒAƒ‹EƒAƒWƒƒƒ~@@@•§Ocora@
 ƒiƒCƒ‹‚̉šŠy@Original African Sanctus Journey@@@‰pARC@
˘ƒAƒtƒŠƒJ‚ރIƒŠƒGƒ“ƒg‚Əo‰ď‚¤Š@`@ƒk[ƒ‹EƒVƒ}[ƒ‹@@‰pARC@
žƒ}ƒ‹[ƒ}^ƒhƒDƒjƒAi˘ŠEj@@@@ײ˝@
 źƒTƒnƒ‰‚̐Ż‚ĚŞ@@@@@@@•ÄRounder@
 ƒiƒC[ƒ€EƒAƒ‰ƒ‹^Nar@@@@źNubenegra
 ƒxƒC[ƒWƒƒEƒ‰ƒnƒ‹^ƒk[ƒoEƒ‰ƒ€ƒ‹EƒGƒ‹Eƒ}ƒ„@@@@•§PLAYA SOUND@
žƒTƒCƒF[ƒhEƒ_ƒ‹ƒ”ƒB[ƒVƒ…^_˜bŽž‘ă‚ĚƒAƒ‰ƒu‰Ě—w@@@ײ˝@
žƒ‚ƒnƒƒhEƒAƒuƒfƒ‹ƒƒnƒu^ƒAƒ‰ƒu‰Ě—w‚̉¤—l@@@@@@ײ˝@

i9/12j
yƒCƒ‰ƒ“z
 ƒ_ƒXƒ^ƒ“EƒgƒŠƒI^ƒyƒ‹ƒVƒA‚Ö‚Ě—ˇ @@@@@@‰pARC@
 ƒyƒ‹ƒVƒA‚̐_”éŽĺ‹`‚̉šŠy@@ƒ][ƒŒ[EƒWƒ‡[ƒ„‘ź@@‰pARC@
 ƒrƒWƒƒƒ“EƒVƒFƒ~ƒ‰[ƒj^Eos@@@@@•§l'empreinte digitale@
 ƒAƒ‰ƒ“Eƒzƒ”ƒ@ƒlƒX^ƒIƒ}ƒ‹EƒnƒCƒ„[ƒ€‚Ěƒ‹ƒoƒCƒ„[ƒg@@@@•ÄDelos
yƒƒVƒAEƒEƒNƒ‰ƒCƒiz
ĄƒvƒgƒjƒN`ƒƒVƒA„—ç(CDBook)@@@ƒVƒŠƒlEƒAƒ“ƒTƒ“ƒuƒ‹@@@@•§OPUS111@
ĄƒEƒNƒ‰ƒCƒi‚ĚƒhƒDƒ€ƒL[@`ƒEƒNƒ‰ƒCƒi‚Ě—L–ź‚ȉ́@(2CD)@@@@@•§OPUS111@

i9/11j
y“ěƒAƒWƒAz
Ąƒoƒ“ƒOƒ‰ƒfƒVƒ…`ƒ€ƒ‹ƒ“‘°‚Ě‹V—牚Šy @@@@@•§Auvidis Inedit@
ĄƒTƒ“ƒ^ƒ‹‘°‚Ě‘ş‚̉š@HoneyWind@@@@@@@“ĆWergo@
 “ěƒCƒ“ƒh@@ƒ`ƒ_ƒ“ƒoƒ‰ƒ€@ƒiƒ^ƒ‰[ƒWƒƒŽ›‰@‚ĚƒyƒŠƒ„Eƒ[ƒ‰ƒ€@@@@@•§Ocora@
y’†‰›ƒAƒWƒAz
 ƒEƒCƒOƒ‹‚̉šŠy@ƒCƒŠ‚ĆƒJƒVƒ…ƒKƒ‹‚Ě“`“@@@@•§Inedit@
 ‰”N‚ĚƒAƒtƒKƒjƒXƒ^ƒ“@iAfghanistan Untouchedj2CD@@@@@•ÄTraditional Crossroads@

i9/2j
yƒgƒ‹ƒRz
 ƒ^ƒ“ƒu[ƒŠEƒWƒFƒ~ƒ‹EƒxƒC^Tanburi Cemil Bey Vol.4-5@@•ÄTraditional Crossroads@
 ƒgƒ‹ƒR‰šŠy‚Ě‹ ‚˝‚ż@Haydar Haydar @@@@•ÄRounder@
 ƒ~ƒ…ƒj[ƒ‹Eƒk[ƒŒƒbƒeƒBƒ“EƒZƒ‹ƒ`ƒ…ƒNě•iW^Buyuk Bestekarlar Serisi 2@@@ײ˝i“yBegeni”Ձj@
Ąƒgƒ‹ƒRŒĂ“T‰šŠy‚Ěƒtƒ@ƒXƒ‹i‘g‹Čj Vol.5`ƒfƒfEƒGƒtƒFƒ“ƒfƒB@@@ÄŮşCoskun
Ąƒgƒ‹ƒRŒĂ“T‰šŠy@‚T`ƒfƒfEƒGƒtƒFƒ“ƒfƒB@@@ÄŮşKent(EMI)
 ƒNƒcƒBEƒGƒ‹ƒOƒlƒ‹^ƒlƒC‚Ě‘Ś‹ť@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yTopkapi Muzik”Ձj
˘žƒUƒ‰^ƒgƒ‹ƒR–Ż—w‚đ‰Ě‚¤@@@@@@@ľĚ¨˝ťÝËŢ°ĆŹ@
žƒUƒ‰^‚˘‚É‚ľ‚Ś‚Ěƒgƒ‹ƒR‰Ě—w‚đ‘z‚Á‚Ä(2CD) @@ľĚ¨˝ťÝËŢ°ĆŹ@
˘žƒIƒXƒ}ƒ“‚ĚŒRŠy@in 78rpm@@@@@ľĚ¨˝ťÝËŢ°ĆŹi“yKalan Muzik Yapim”Ձj@
 ƒNƒcƒBEƒGƒ‹ƒOƒlƒ‹EƒAƒ“ƒTƒ“ƒuƒ‹^ƒ‰Eƒoƒ“ƒ_EƒAƒ‰EƒgƒDƒ‹ƒJ@@ľĚ¨˝ťÝËŢ°ĆŹi“yImaj Muzik”Ձj

i8/1j
y”ú”iz
ž“c’†”V—Y^”ú”i
@“֐ˇi“c’†ŸˇŠOFěŽŒA’ß“c‹ŃŽ…Fě‹Čj^–ś°‚é‚鼼ĽŠÖƒ–Œ´‡í‹Li‘ĺŠŃş•FFěŽŒA“c’†”V—YFě‹Čj@@´ËŢ˝işźŢϘ^‰šj
Ÿ“c’†”V—Y^’Á°‰ëšF@@@@´ËŢ˝işźŢϘ^‰šj@
yƒƒVƒAz
ĄƒeƒŒƒ€EƒJƒ‹ƒeƒbƒg^No, Russia Cannot Be Perceived By Wit@@@@@•ÄIntuition@

i7/11j
y“ě–kƒCƒ“ƒhŒĂ“T‰šŠyz
ƒŐŹƒCƒ“ƒhŒĂ“T‰šŠyƒAƒ“ƒ\ƒƒW[(3CD)`ƒAƒ‰ƒ“Eƒ_ƒjƒGƒ‹Ž]@@@•§Unesco
yƒCƒ‰ƒ“z
 ƒtƒ@[ƒeƒEƒpƒŠƒT[•ƒAƒ“ƒTƒ“ƒuƒ‹Eƒ_ƒXƒ^ƒ“^Shoorideh@(2CD)@@@“ĆNetwork Medien
y–k‰˘z
ŹƒtƒBƒ“ƒ‰ƒ“ƒh‚Ě“`“‰šŠy@@@•§Ocora
yƒNƒŒƒYƒ}[‰šŠyz
žƒtƒŒƒCƒŒƒtEƒWƒƒƒ“ƒ{ƒŠ[^ƒNƒŒƒYƒ}‚̉Ԃ͊­ç‚­@@@ šh™Ú¤‰ď

i7/3j
y“ú–{‚ĚŒĂ‘ăz
Ÿ“ę•śŒŰ@ƒXƒsƒŠƒbƒgEƒ_ƒ“ƒX@@`“yŽć—˜si“ę•śŒŰA“y“JAÎ“JAœ“JAŠy‹|@‘źj @@—§ŒőŠwŽÉ@
y“Œ“ěƒAƒWƒAz
 ƒJƒ“ƒ{ƒWƒA‚Ě‹á—VŽl@@ƒRƒ“EƒiƒC(Kong Nay)@@@@@@@•§Inedit@
y’†‰›ƒAƒWƒAz
 ƒEƒYƒxƒLƒXƒ^ƒ“‚Ěƒ}ƒJ[ƒ€EƒhƒDƒK[@@ƒEƒYƒxƒN-ƒ^ƒWƒN‚ĚƒVƒƒƒVƒ…Eƒ}ƒJ[ƒ€@@@@•§Inedit@
yƒNƒ‹ƒfƒBƒXƒ^ƒ“z
˘ƒIƒXƒ^ƒbƒhEƒGƒ‰[ƒq^Cascade@@@@@@@@•§Chant du monde
 ƒ„ƒ‹ƒTƒ“‚Ěƒ}ƒJ[ƒ€‹V—ç@`@ƒCƒ‰ƒ“‚ĚƒNƒ‹ƒfƒBƒXƒ^ƒ“(4CD)@@ƒAƒŠEƒAƒNƒoƒ‹Eƒ‚ƒ‰ƒfƒBi‰Ě‚ĆŔÝĚްفj‘ź@@•§Inedit@
 ƒCƒ‰ƒ“‚ĚƒNƒ‹ƒh‰šŠy@@_”éŽĺ‹`‚Ěčń‰Ě‚ĆƒNƒ‹ƒh‚̐˘‘­‰šŠy@@@ƒAƒŠEƒAƒNƒoƒ‹Eƒ‚ƒ‰ƒfƒBi‰Ě‚ĆŔÝĚްفj‘ź@@•§Inedit@
yƒAƒ‰ƒu˘ŠEz
ŹƒCƒ‰ƒN‚Ěƒ}ƒJ[ƒ€@ƒoƒOƒ_ƒbƒh‚Ě“`“@ƒ†[ƒXƒtEƒIƒ}ƒ‹Ž](2CD)@@@@•§Inedit@
 ƒ€ƒnƒ“ƒ}ƒhEƒJƒhƒŠEƒ_ƒ‰ƒ‹(oud)^Unwonted Maqamat@@@@@@@•§Inedit@
 ƒCƒGƒƒ“@ƒTƒiƒA‚̉́@Yahya Al-Nunu@@@@@@@@@@@@@@•§Inedit@
yƒ†ƒ_ƒ„‰šŠyz
Ą‚s‚ˆ‚‚Ž‚‹@‚f‚‚„@‚h‚”'‚“@‚e‚’‚‰‚„‚‚™@sƒVƒƒƒoƒg‚̉šŠyt@@@•ÄVox Classic
Ź“Œ’n’†ŠC‚ĚƒXƒyƒCƒ“Œnƒ†ƒ_ƒ„l‚̉́@@@BienvenidasBertatAguado, LorettasDoratGerassi@@@•§Inedit

i6/24j
yŽO–Ąü‰šŠyz
Ÿ‹`‘ž•v‚ł‚í‚čW @@@ƒRƒƒ“ƒrƒA
žThe ‹gŒ´@@‰hŽĹ~‹ß“Ą“™‘ĽiźŢŹ˝ŢÄ×ÝÍ߯āAĚßŰĂŢ­°˝j@ƒrƒNƒ^[
y‰‚”ü–Ż—wz
Ÿ’†–ě—Ľ‹I^‚Ţ‚ż‚á‰Á“߁@@BMG
yƒ`ƒFƒRAƒƒVƒAz
žƒ”ƒBƒGƒ‰Eƒrƒ‰•ƒJƒŠ^‹ƒ‚Ť‚˝‚˘‹CŽ‚ż@@@ľŮŔ°Î߯Ěß
ŹŁƒƒVƒA@ƒRƒTƒbƒN‚̉́@@@ƒƒXƒgƒt‚Ěƒ”ƒHƒ‹ƒjƒcƒ@EƒAƒ“ƒTƒ“ƒuƒ‹@@ •§Inedit
ĄƒƒVƒA‚̉šŠy@`ƒJƒ‹[ƒZƒ‹@@@‰pARC
ĄƒZƒ‹ƒQƒCEƒXƒ^ƒƒXƒeƒBƒ“'s Vocal Family^Journey@@“ĆJaro
yƒAƒtƒŠƒJz
Ąƒ^ƒ“ƒUƒjƒA‚ĆƒUƒ“ƒWƒoƒ‹‚̉šŠy‚P
Ąƒ^ƒ“ƒUƒjƒA‚ĆƒUƒ“ƒWƒoƒ‹‚̉šŠy‚Q
Ąƒ^ƒ“ƒUƒjƒA‚ĆƒUƒ“ƒWƒoƒ‹‚̉šŠy‚R@@ˆČă‚R“_@“TCaprice

i6/18j
y“ú–{‚Ě–Ż—wz
Ą_Šy@“ú–{‚̐_“š‚̉šŠy@@@ ĘÝśŢŘ°Hungaroton
y–kƒCƒ“ƒhŒĂ“Tz
žHIROS' Bansuri / january 17, 1995@@@’†ě”ŽŽuiĘŢݽ؁jAƒNƒ‹Eƒu[ƒVƒƒƒ“Eƒo[ƒ‹ƒKƒ”ƒ@iŔĚŢׁj@“VŠyŠé‰ć
y“ěƒAƒWƒAz
‘“ŕ‘Đ@ƒCƒ“ƒh‰šŠy˜ŕ @@B.C.ƒf[ƒ”ƒ@’˜A’†ě”ŽŽu@–ó@@ “Œ•űo”Ĺ
y“ěƒAƒWƒAzEyƒqƒ“ƒhƒD[‹ł‰šŠyz
žSilent Waves@Vol.1@@ƒT[ƒ}Eƒ”ƒF[ƒ_˜NĽ@@@@@@@ Office Todo
yƒR[ƒJƒTƒXz
 ƒAƒ[ƒ‹ƒoƒCƒWƒƒƒ“‚̉šŠyiAnthology of World MusicƒVƒŠ[ƒY@“ĆMusicaphon‰šŒšj@@•ÄRounder

i6/4j
yƒeƒNƒmƒTƒKz@ƒ†ƒ_ƒ„‰šŠyƒR[ƒi[’†
Ą“Œ•űiƒoƒ‹ƒJƒ““™j‚ĚƒZƒtƒ@ƒ‹ƒfƒB[‚Ě“`“‰Ě‚Ćƒƒ}ƒ“ƒZ Ä“ü‰×
Ąƒ‚ƒƒbƒR‚ĚƒZƒtƒ@ƒ‹ƒfƒB[‚Ě“`“‰Ě‚Ćƒƒ}ƒ“ƒZ@
ĄGERINELDO i2CDj
ĄƒzƒAƒLƒ“EƒfƒBƒAƒX^ƒXƒyƒCƒ“Œnƒ†ƒ_ƒ„l‚Ě‰Ě JOAQUIN DIAZ / KANTES DJUDEO-ESPANYOLES (2CD)Ä“ü‰×@ˆČă‚S“_@źTecnosaga
yƒoƒ‹ƒJƒ“z
 ƒ}ƒPƒhƒjƒA‚Ě“`“‰šŠy@ƒXƒgƒ‹ƒl@@‰pARC

i5/30j
y’†‰›ƒAƒWƒAEƒR[ƒJƒTƒXz
 ƒAƒNƒiƒU[ƒ‹^Raqs@@@@@•§Buda@
 ƒAƒ‹ƒƒjƒA@@ƒ^ƒ”[ƒVƒ…‚Ě“`“‰šŠy‰Ć@@ƒxƒjƒNEƒAƒ{ƒ”ƒBƒAƒ“•ƒUƒ”ƒFƒ“EƒAƒYƒBƒ”ƒFƒLƒAƒ“‘ź@@@@@•§Inedit@

i5/21j
yƒAƒ‰ƒuz
 ƒAƒCƒVƒƒEƒŒƒhƒDƒAƒk^’†“Œ‚Ěƒiƒtƒ_@@ •§Chant du monde
 ƒƒgƒtƒBEƒuƒVƒ…ƒiƒN^Live in Berlin@@@ “ĆWergo
 ƒTƒ~ƒ‹Eƒ^ƒnƒ‹^Dreams@@@@@@@@ •§Next
 ƒCƒ}ƒWƒQƒ“@ƒAƒgƒ‰ƒXŽR’†‚Ě“`“‰Ě@@@ •§Institut du monde arabe
 ƒGƒbƒTƒEƒCƒ‰‚ĚƒOƒiƒ‰šŠy‚ĚˆâŽY@@@@ •§Next(Sono)
 ƒ‚ƒƒbƒR‚ĚƒWƒvƒV[‰šŠy@@@ƒVƒfƒBEƒ~ƒ€[ƒ“Aƒxƒ“EƒX[ƒ_@ ‰pARC
 ƒAƒ‹EƒnƒCƒ}^Shuka@@@@@@@@@ źSeveral
 ƒAƒ‹EƒnƒCƒ}^Yamna@@@@@@@@@ źSeveral
 ƒXƒBƒJ[ů–@‚ĚƒiƒEƒo@@ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒ‹ƒoƒCƒVƒ“@@ •§Al Sur
 ƒiƒbƒVƒ}^ƒAƒ‹ƒWƒF‚ĚƒAƒ“ƒ_ƒ‹ƒVƒA‰šŠy@@ •§Institut du monde arabe
 ‚r‚‚ˆ‚‚’‚‚•‚‰‚“i3CDCCDRomCBookletj źNubenegra
ĄPolisario Vencera@@@@@@@@@@ źNubenegra
 ƒoƒOƒ_ƒbƒh‚ĚƒŠƒYƒ€@@ƒA[ƒƒhEƒ€ƒtƒ^ƒ‹•ƒTƒbƒ^ƒ‹EƒAƒ‹EƒTƒAƒfƒB@@@ ‰pARC

i5/2j
yƒCƒ‰ƒ“z
ŹƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^Gol-e SadBarg @@@@˛×ÝShahram
 ƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^Bighaar@@@@@@@˛×ÝHam Avaz-e-Ahang
 ƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^Yadgar-e-Dost@@@˛×ÝShahram
 ƒVƒƒƒWƒƒƒŠƒAƒ“AƒAƒŠƒU[ƒfAƒLƒƒƒ‹ƒz[ƒ‹^Masters of Persian Music - Without You@@@@•§World Village@
ĄƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^Nava@@@@@˛×ÝMahoor Institute of Culture and Art@
y“ěƒˆ[ƒƒbƒpz
ƒXƒyƒCƒ“
 ƒoƒ‰ƒEƒ“ƒ_^A Sol de la Hierba@@@@@źSonifolk
 ƒAƒgEƒfEƒtƒHƒZƒX^Errekeerre@@@@@źSonifolk@
ƒCƒ^ƒŠƒA
 ƒCƒ^ƒŠƒA‚Ě•ó@@ƒv[ƒŠƒAFƒTƒŒƒ“ƒg‚̉šŠy@@yą×ÝĽŰ°ĎŻ¸˝ĽşÚ¸źŽÝz@@@@•ÄRounder@
 ƒAƒ‰ƒNƒlEƒƒfƒBƒ^ƒ‰ƒlƒA^Apulia@@@@@ˆÉCNI@
ƒŐĄSenhal / La Cavalio@@@@@@@@@@ˆÉFelmay
 ƒoƒ‰ƒoƒ“^Terre Di Passo@@@@@@@@ˆÉACB
ƒMƒŠƒVƒA
 ƒTƒ”ƒBƒiEƒ„ƒ“ƒiƒgƒD•ƒTƒƒjƒJ‚̏t^Terra Nostrai‰äX‚Ě’n‹…j@@@@@“ĆECM@
 ƒMƒŠƒVƒA‚ĚŠC‚̉́@`ƒhƒ€ƒiEƒTƒ~ƒEŠÄC(2CD)@@@@@Šó‚e‚l
yƒ†ƒ_ƒ„‰šŠyz
 ƒVƒiƒS[ƒO‚ĚƒJƒ“ƒg[ƒ‹–ź‹ČW@@@@@@“ĆArs Production
 ƒtƒ‰ƒ“ƒ\ƒ[ƒYEƒAƒgƒ‰ƒ“^Andalussyat@@@@@@•§Buda@
 ƒZƒtƒ@ƒ‹ƒfƒB[ƒ€‚Ě‰Ě @@ƒ„ƒiEƒŒƒ”ƒBƒgƒ”ƒ@[iMsjAƒ‹ƒhƒ‹ƒtEƒ~ƒFƒWƒ“ƒXƒL[iƒŠƒ…[ƒgj‘ź@@@ÁŞşAlta
ƒŐ ƒZƒtƒ@ƒ‹ƒfƒBƒbƒNEƒCƒ“ƒXƒsƒŒƒCƒVƒ‡ƒ“@@ƒZƒtƒ@ƒ‹ƒfƒB[‚Ě–é‚ĆŒÇ“Ć‚Ě‰Ě
@ƒ„ƒiEƒŒƒ”ƒBƒgƒ”ƒ@[i‰ĚA‘ĹŠyŠíjAƒ”ƒ‰ƒfƒBƒ~[ƒ‹Eƒƒ‹ƒ^i‰ĚAƒMƒ^[AƒŠƒ…[ƒgA“JA‘ĹŠyŠíj‘ź@@@ÁŞşAlta
 LA ROSA ENFLORENCE`ƒZƒtƒ@ƒ‹ƒfƒBƒ€‚Ěƒƒ}ƒ“ƒX‚ĆƒAƒVƒ…ƒPƒi[ƒW‚Ě‹F‚č @@ƒNƒ”ƒBƒ“ƒeƒ‹ƒi@@@@@@@ÁŞşAlta
 ƒAƒEƒƒ‰Eƒ‚ƒŒ[ƒm^Aynadamar @@@@@źSeveral
 ƒZƒtƒ@ƒ‰[ƒh‚̉ĚVol.2@@ƒGƒŒƒIƒm[ƒ‰EƒmƒKEƒAƒ‹ƒxƒ‹ƒeƒB @@@@@źSeveral
 ‚R‚Â‚ĚƒXƒyƒCƒ“•ś‰ť‚̉šŠy@@@ƒ‰EƒoƒTƒ“ƒJAƒAƒEƒƒ‰Eƒ‚ƒŒ[ƒmAƒAƒ“ƒwƒ‹EƒJƒŠƒ‹AƒƒtƒBƒ‹•ƒ‰ƒVƒƒ@@@źSeveral
 ƒ‰ƒCƒZƒX^ƒZƒtƒ@ƒ‹ƒfƒB[‚Ě‰ĚƒAƒ“ƒ\ƒƒW[@@@@@@źSeveral
yƒNƒŒƒYƒ}[‰šŠy•Tzadikz
 ƒNƒŒƒYƒtƒFƒXƒg@@@@@‰pARC
 ƒUƒnƒ”ƒ@EƒYƒB[ƒ”ƒ@ƒ‹ƒg•ƒTƒ~[ƒ€^Koved@@@@@•ÄTzadik@@
 ƒƒuEƒo[ƒK[^Lost Photograph@@@@@@@@@@•ÄTzadik@

i5/1j
yăߖžz
ž‰ˇŒĚ’mV@`“V‘äăߖž‚ƏŹ”nč’B–灕PANGAEA@@@@Ęßݚ޹ĽĐ­°źŢŻ¸ĽĚ§°Ń
yƒVƒxƒŠƒAAƒgƒDƒ”ƒ@z
 ƒ^ƒCƒK‚Ě—V–q–Ż‚Ě‹V—ç‰Ě@`ƒGƒ”ƒFƒ“ƒL‘°@yźÍŢŘą‰šŠyźŘ°˝ŢVol.8z@@@@•§Buda@
ƒŐ‚w ƒt[ƒ“Eƒt[ƒ‹EƒgƒD^More Live@@@@@@“ĆJaro
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
ĄƒAƒTƒhEƒAƒŠEƒJ[ƒ“(Ů°ÄŢ׳ި°Ĺ)^Maestro's Choice 1@ @@@ˆóMusic Today(91)@
ĄƒAƒTƒhEƒAƒŠEƒJ[ƒ“(Ů°ÄŢ׳ި°Ĺ)^Rarely Heard Ragas@@@@ˆóMusic Today(97)@
 ƒ‚ƒnƒ“ƒ}ƒhEƒVƒƒƒŠƒtEƒJ[ƒ“(Sitar)@`ƒpƒLƒXƒ^ƒ“‚̉šŠy@@@•ÄRounder@
 ƒOƒ‰ƒ€EƒnƒbƒTƒ“EƒVƒƒƒKƒ“(Vocal)^Noor Jahan@@@@@@@•§World Village
yƒCƒXƒ‰[ƒ€‰šŠyz
 ƒŒƒoƒmƒ“‚ĚƒCƒXƒ‰[ƒ€‰šŠy@@@@•ÄRounder@
ŹŁƒAƒWƒA‚ĚƒCƒXƒ‰[ƒ€‰šŠy@@@@ •§Inedit
Ąš‚Č‚éƒNƒ‹ƒA[ƒ“@ƒ‰ƒAƒ†ƒ“EƒGƒ‹EƒN[ƒV@@‘ć‚RÍuƒCƒ€ƒ‰[ƒ“ˆę‰Ćv160ß`175ß
Ąš‚Č‚éƒNƒ‹ƒA[ƒ“@ƒ‰ƒAƒ†ƒ“EƒGƒ‹EƒN[ƒV@@‘ć‚P‚QÍuƒ†[ƒXƒtiƒˆƒZƒtjv1`44ß
Ąš‚Č‚éƒNƒ‹ƒA[ƒ“@ƒ‰ƒAƒ†ƒ“EƒGƒ‹EƒN[ƒV@@‘ć‚P‚UÍu–¨–Iv79ß`‘ć‚P‚XÍuƒ}ƒ‹ƒ„ƒ€iš•ęƒ}ƒŠƒAjv65ß
Ąš‚Č‚éƒNƒ‹ƒA[ƒ“@ƒ‰ƒAƒ†ƒ“EƒGƒ‹EƒN[ƒV@@‘ć‚QÍu–Ä‹v1`234ß
@ˆČă‚S“_@Creon Music@
˘ƒVƒŠƒA‚ĚƒX[ƒtƒB[‚̉́@@ƒAƒŒƒbƒ|‚ĚƒWƒNƒ‹EƒJ[ƒfƒBƒŠ[Eƒn[ƒ‹ƒƒeƒB[@Zawiya Hilaliya@•§Inedit@
˘ƒzƒbƒTƒ€Eƒ‰ƒ€ƒW[presentsƒVƒFƒCƒtEƒ‚ƒnƒƒhEƒAƒŠEƒwƒ‹ƒoƒEƒB@@@@@‰pARC@
 ƒJƒbƒ[ƒ‹‚Ě–é@@ƒtƒ@ƒC[ƒYEƒAƒŠEƒtƒ@ƒC[ƒY•ƒŒƒwƒ}ƒgEƒAƒŠAƒƒwƒ‹EƒAƒŠ•ƒVƒFƒwƒ‹EƒAƒŠ@@@•§Inedit@

i4/24j
yƒgƒ‹ƒRŒĂ“T‰šŠyz
ĄƒIƒXƒ}ƒ“‚Ěƒ‚ƒUƒCƒN@`ƒ†ƒ_ƒ„Œně‹Č‰Ćě•i @@Tanburi Izak, Avram Karakas, Isak Varon etc.
ĄƒIƒXƒ}ƒ“‚Ěƒ‚ƒUƒCƒN@`ƒAƒ‹ƒƒjƒAŒně‹Č‰Ćě•i‚P @Artin Aga, Nubar Efendi, Tatyos Efendi, Bogos Hamamciyan etc.
ŁƒIƒXƒ}ƒ“‚Ěƒ‚ƒUƒCƒN@`ƒAƒ‹ƒƒjƒAŒně‹Č‰Ćě•i‚Q@Udi Hrant Kenklian, Serkis Efendi, Nubar Tekyay etc.
ĄƒIƒXƒ}ƒ“‚Ěƒ‚ƒUƒCƒN@`ƒMƒŠƒVƒAŒně‹Č‰Ćě•i @Yorgo Bacanos, Lavtaci Andon, Zaharya, Istavri Efendi, Tiryaki@etc.
ŁƒIƒXƒ}ƒ“‚Ěƒ‚ƒUƒCƒN@`—Ťě‹Č‰Ćě•iW‚P@Safiye Ayla, Reftar Kalfa, Murat Aydemir, Fulya Akaydin etc.
ŁƒIƒXƒ}ƒ“‚Ěƒ‚ƒUƒCƒN@`—Ťě‹Č‰Ćě•iW‚Q @Esma Sultan, Adile Sultan, Leyla Saz, Melahat Pars, Mehves Hanim etc.
@@ˆČă‚U“_@“ySony Music
ĄƒfƒfEƒGƒtƒFƒ“ƒfƒB–vŒă‚P‚T‚OŽü”N‹L”O(2CD)@mŇłŢڳި°•ŒĂ“T‰šŠyn@@@“yKalan Muzik Yapim
ĄƒIƒXƒ}ƒ“’Š—đ‘ăƒXƒ‹ƒ^ƒ“ě‹Č‚Ěƒgƒ‹ƒR‹{’쉚Šy(2CD)@@@“yKalan Muzik Yapim
žƒ[ƒLEƒ~ƒ…ƒŒƒ“^ƒgƒ‹ƒR‰Ě—w‚ĚˆâŽY(2CD)@@1955`63 Radio Recordings@@ ײ˝ĽÚş°ÄŢ
yƒAƒ‰ƒuz
ĄƒVƒŠƒA‚̏@‹ł‰šŠy‚Ć–Ż‘°‰šŠy@i‚Q‚b‚c{‚P‚S‚S•Ĺ‘Đj@@@“yKalan Muzik Yapim
yƒnƒ“ƒKƒŠ[Aƒ‹[ƒ}ƒjƒAz
ƒ‹[ƒ}ƒjƒA`ƒ`ƒƒƒ“ƒS[
Ąƒ‹[ƒ}ƒjƒA“ě“Œ•”ƒ€ƒ“ƒeƒjƒA’n•ű‚ĚƒWƒvƒV[‰šŠy@mŮ°ĎĆą‚̉šŠy ‚Rn •§Buda
 ƒ‹[ƒ}ƒjƒA‚ĚƒiƒC@`ƒ_ƒ~ƒAƒ“Eƒ‹ƒJAƒ‰ƒhƒDEƒVƒ~ƒIƒ“AƒjƒRƒ‰ƒGEƒsƒ‹ƒ”@@‰pARC
Ąƒ‚ƒ‹ƒhƒ”ƒ@‚Ěƒ_ƒ“ƒXEƒnƒEƒX‚ĚƒzƒCƒbƒXƒ‹‰šŠy ĘÝśŢŘ°Etnofon Records
Ąƒgƒ‰ƒ“ƒVƒ‹ƒ”ƒ@ƒjƒA‚Ćƒ‚ƒ‹ƒhƒ”ƒ@‚Ěƒnƒ“ƒKƒŠ[Œn‰šŠy ĘÝśŢŘ°Etnofon Records
Łƒ‚ƒ‹ƒhƒ”ƒ@’n•ű‚Ěƒ`ƒƒƒ“ƒS[‚ĚƒoƒOƒpƒCƒv@ ĘÝśŢŘ°Etnofon Records
ĄƒsƒR[EƒG[ƒVƒ…Eƒoƒ“ƒ_[ƒ„^Ordongosfuzesi zene@ ĘÝśŢŘ°Fono
‚w ƒtƒHƒ‹ƒPƒXƒgƒ‰gMamikamh ĘÝśŢŘ°Orpheia (distr.•§l'Autre)
ƒnƒ“ƒKƒŠ[
 ƒRƒ_[ƒC‚ŞĚW‚ľ‚˝ƒnƒ“ƒKƒŠ[–Ż—w(2CD)@@ ĘÝśŢŘ°Hungaroton
˘ƒnƒ“ƒKƒŠ[‚Ě–Ż‘°‰šŠy(10CD) @ ĘÝśŢŘ°Fono
 Agnes Herczku^Arany Es Kek Szavakkal ĘÝśŢŘ°Fono
˘ƒAƒ“ƒhƒ‰[ƒVƒ…EƒxƒŒƒc^Ordongosfuzesi Zene@@ ĘÝśŢŘ°Fono@
 ƒ`[ƒNEƒ[ƒlƒJƒ‹^A Kor Falara@@ ĘÝśŢŘ°Fono
Ąƒ`[ƒNEƒ[ƒlƒJƒ‹^Boldog szomoru dal@ ĘÝśŢŘ°Fono
 ƒtƒHƒm[Eƒ[ƒlƒJƒ‹^Mixtvra Cvltivalis@ ĘÝśŢŘ°Fono
˘ƒeƒ…ƒNƒŒ[ƒVƒ…EƒAƒ“ƒTƒ“ƒuƒ‹@^Tukros Tabor@@ ĘÝśŢŘ°Folk Europa
˘ƒ}ƒJ[ƒ€^Sindbad@@@@@ ĘÝśŢŘ°Fono
 ƒ[ƒ^^ƒnƒ“ƒKƒŠ[‚Ě“`“@@@@@ ‰pARC
˘ƒJƒCƒ„ƒO^ƒWƒvƒV[‚Ěˆ¤@@@ ĘÝśŢŘ°Hungaroton
 ƒAƒ“ƒhƒ‰[ƒVƒ…Eƒtƒ@ƒ‹ƒJƒVƒ…Jr.‚Ćƒuƒ_ƒyƒXƒgEƒAƒ“ƒTƒ“ƒuƒ‹^ƒnƒ“ƒKƒŠ[‚ĚƒWƒvƒV[‰šŠy@ ‰pARC

i4/12j
from latest catalog@Ĺ‹ß‚ĚƒJƒ^ƒƒO‚ć‚č@i‘SƒWƒƒƒ“ƒ‹j

i3/12j
’č”ÔƒŒ[ƒxƒ‹ŠúŠÔŒŔ’č“Á•ĘƒZ[ƒ‹’ljÁ ‚W“_

i3/8j
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
ĄT.R.ƒ}ƒnƒŠƒ“ƒKƒ€(Flute)^Le Concert de Rennes 1978 (2CD)
ĄT.R.ƒ}ƒnƒŠƒ“ƒKƒ€(Flute)^Le Concert de Paris 1978 (2CD)@@@ˆČă‚Q“_@@•§Stil
yƒCƒ‰ƒ“z
s‰”N‚Ěƒyƒ‹ƒVƒA‰šŠy‚Ě‹ t
 ƒAƒ{ƒ‹ƒnƒTƒ“EƒTƒo[(1902-1957)^ƒZƒ^[ƒ‹“Ć‘t
 ƒAƒŠEƒAƒNƒoƒ‹EƒVƒƒ[ƒi[ƒYƒB(1897-1984)^ƒ^[ƒ‹“Ć‘t
 ƒAƒŠEƒiƒMEƒ”ƒ@ƒYƒB[ƒŠ[(1887-1979)^ƒ^[ƒ‹“Ć‘t‚ĆƒI[ƒPƒXƒgƒ‰ě•iW
ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf@
 ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^ƒ`ƒƒƒn[ƒ‹ƒK[‚Ćƒoƒ„[ƒeEƒgƒ‹ƒN
 ƒzƒZƒCƒ“EƒAƒŠƒU[ƒfiSetarj^Paykoubii“`““I—x‚čj
ƒCƒ‰ƒ“‚Ě–Ż—wE’n•ű‰šŠy@`@ƒzƒ‰ƒT[ƒ“’n•ű‚Ěƒhƒ^[ƒ‹‰‰‘t@@
 ƒAƒuƒhƒbƒ‰[EƒTƒ‹ƒ”ƒ@ƒ‹EƒAƒtƒ}ƒfƒB^Music of Torbat-e Jam@
@@@@@@@@@@@@@@@@@@@@@@@@@ˆČă‚U“_@@˛×ÝMahoor Institute of Culture and Art
ƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ
 ƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^ƒ‰ƒCƒ‰‚Ćƒ}ƒWƒ…ƒk[ƒ“iF.Ę߲łŢ§°Ůě‹Čj@@@˛×ÝSoroush @

i3/5j
yŽO–Ąü‰šŠyz
Ÿ‰Ě•‘Šę@@`21˘‹I‚Ö‚ĚˆâŽY@@@@@@şŰÝËŢą@
Ÿ_“c•ŸŠŰ^’[‰S‚Ě–Ł—́@@@@@@@@@şŰÝËŢą@
Ÿ’[‰S@]ŒËŽş“ŕ‰Ě‹Čiˆęj@`–{žŠG‘ž˜Yi‰SEŽO–Ąüj@@@żĆ°@
Ÿ–{žŠG‘ž˜Y@•‘—xŹ•iW@@@@@@@@şŰÝËŢą@

i2/28j
y“ě–kƒAƒƒŠƒJz
 ƒJƒiƒ_‚ĚƒAƒJƒfƒBƒAƒ“Eƒ”ƒ@ƒCƒIƒŠƒ“@@ƒWƒ‡[EƒRƒ‹ƒ~ƒG[ƒ‹@@@@•§l'Autre(Modal)
 Le Diable dans la Fourche / Que de peine et d'amour!@@@@•§l'Autre
ĄĚ‚ĚƒJƒEƒ{[ƒC‚̉šŠy‚Ćƒoƒ‰[ƒh@@y—đŽj“I˜^‰šz@@@•§EPM@
 ƒAƒƒŠƒJ“쐟•”‚ĚƒlƒCƒeƒBƒ”EƒAƒƒŠƒJƒ“‚̉̂Ɨx‚č@@@•’Sounds of the World@
ĄƒlƒCƒeƒBƒ”EƒAƒƒŠƒJEƒCƒ“ƒfƒBƒAƒ“‚̍°@@–ƒLƒIƒAƒRƒ}ƒ“ƒ`ƒFAƒiƒoƒzAƒTƒ“Eƒtƒ@ƒ“EƒvƒGƒuƒAƒYƒjŠe•”‘°@@‰pARC@
 ƒLƒ…[ƒo‚ĚƒTƒ“ƒeƒŠƒA@1957”N@Rhythms and Songs for the Orishas@@@@•ÄSmithsonian Folkways@
Ąƒhƒ~ƒjƒJ‚ĚƒŠƒYƒ€@@ƒ{Eƒ‰ƒ|ƒ\‚Ćƒ‰21ƒfƒBƒ”ƒBƒWƒIƒ“@@@‰pARC@
yƒCƒXƒ‰[ƒ€‰šŠyz
 ƒtƒ@ƒC[ƒYEƒAƒŠEƒtƒ@ƒC[ƒY^The New Qawwali Voice@@@@•§World Village@
yƒLƒŠƒXƒg‹ł‰šŠyEŒĂŠyz
 J.S.ƒoƒbƒn^ƒMƒ^[•Ň‹Č‚É‚ć‚éuƒt[ƒK‚Ě‹Z–@v(2CD)@@ƒˆ[ƒWƒFƒtEƒGƒgƒ”ƒFƒVƒ…(G)@@@@Jozsef Eotvos
ĄJ.S.ƒoƒbƒn^ƒ}ƒ^ƒCŽó“ď‹Č@@@ƒGƒŠƒbƒNEƒGƒŠƒNƒ\ƒ“ŽwŠöƒGƒŠƒbƒNEƒGƒŠƒNƒ\ƒ“Žş“ŕ‡Ľ’c@@@“TProprius

i2/24j
y“ěƒAƒWƒA–Ż‘°‰šŠyz
Ąƒlƒp[ƒ‹@ƒqƒƒƒ“ƒMƒƒ‚ĚƒKƒCƒl @@@@@•§Buda@
yƒAƒ‰ƒuz
 ‚Q‚Â‚ĚƒAƒ“ƒ_ƒ‹ƒVƒA@@ƒ}ƒ‹ƒNEƒ‹[ƒvƒCƒg‘ź@@@@@•§Buda@
y“ěƒˆ[ƒƒbƒpz
 ƒWƒvƒV[Eƒtƒ‰ƒƒ“ƒR‚Ě“`ŕ@‘ć‚QW@@@@@‰pARC@
 L'ham de Foc / Canco de Dona I Home@@@–ƒoƒŒƒ“ƒVƒA‚Ěƒgƒ‰ƒbƒhEƒOƒ‹[ƒv‚Ě2nd@@@@@źSonifolk
 ƒCƒ^ƒŠƒA‚Ěƒ^ƒ‰ƒ“ƒeƒbƒ‰“`ŕ@`ƒAƒ‰ƒNƒlEƒƒfƒBƒeƒbƒ‰ƒlƒA@@@@@‰pARC@
 Cap-Negre / Passat Deman iƒIƒNƒVƒ^ƒ“‚̉šŠyj@@@@@•§l'Autre(Modal)
yƒoƒ‹ƒJƒ“z
 ƒAƒ‹ƒoƒjƒA‚̐_”é@@ƒ}ƒ‹ƒZƒ‹EƒZƒŠƒG‚É‚ć‚éŒť’n˜^‰š@@@@@@@‰pARC@
 –Ł˜f“I‚Čƒuƒ‹ƒKƒŠƒA‚̐ş@`@ƒKƒŠ[ƒiEƒhƒDƒ‹ƒ€ƒVƒ…ƒŠ[ƒXƒJ@@@‰pARC@
yź‰˘`ƒtƒ‰ƒ“ƒXz
 ƒmƒ‹ƒ}ƒ“ƒfƒB[’n•ű‚Ě“`“‰Ě@@ƒWƒƒƒ“Eƒtƒ‰ƒ“ƒ\ƒEƒfƒ…ƒeƒ‹ƒgƒ‹@@@•§Buda@
 ƒAƒ“ƒhƒŒEƒŠƒNƒ•ƒWƒFƒ‰[ƒ‹EƒhƒDƒ”ƒBƒYƒB^un piano dans le pre@@@•§l'Autre(Modal)@
 uƒKƒ‹ƒKƒ“ƒ`ƒ…ƒA‚Ě’aśv(2CD)@@@@@•§Buda@
’č”ÔƒŒ[ƒxƒ‹ŠúŠÔŒŔ’č“Á•ĘƒZ[ƒ‹’ljÁ
Źƒ‚ƒƒbƒRŒnƒ†ƒ_ƒ„l‚̏@‹ł‰šŠy(2CD)@ƒ|[ƒ‹Eƒ{ƒEƒ‹ƒYEƒRƒŒƒNƒVƒ‡ƒ“@@@•ÄRounder

i2/16j
’č”ÔƒŒ[ƒxƒ‹ŠúŠÔŒŔ’č“Á•ĘƒZ[ƒ‹@•§OcoraA•§Chant du mondeA“ĆWergoA•ÄRounderA•ÄTraditional Crossroads

i2/11j
yƒAƒtƒKƒjƒXƒ^ƒ“z
‘“ŕDVD@uƒJƒ“ƒ_ƒn[ƒ‹v@@@@ĚŢŰ°ÄŢłŞ˛
yƒCƒ‰ƒ“z
Ąƒyƒ‹ƒVƒA‚ĚŒĂ“T‰šŠy@@ƒtƒ@[ƒeƒEƒpƒŠƒT[ in Royal Festival Hall@@•§PLAYA SOUND
yƒWƒvƒV[‰šŠy@@“Œ‰˘Eƒoƒ‹ƒJƒ“ƒR[ƒi[z
‘“ŕDVD@uƒxƒ“ƒSv2000”NĚ×Ý˝Ľ˝Í߲Ý
‘“ŕDVD@uƒ‰ƒbƒ`ƒ‡Eƒhƒ[ƒ€v93”NĚ×Ý˝@@@@@ĚŢŰ°ÄŢłŞ˛@
‘“ŕDVD@u•”LE”’”Lv98”NŐ°şŢ˝×łŢ¨ą
‘“ŕDVD@uƒKƒbƒWƒ‡EƒfƒB[ƒv97”NĚ×Ý˝ĽŮ°ĎĆą
‘“ŕDVD@uƒAƒ“ƒ_[ƒOƒ‰ƒEƒ“ƒhv95”N˛ˇŢŘ˝ĽÄ޲¼ĘÝśŢŘ°
 ƒZƒ‹ƒrƒA‚Ěƒƒ}@Balkan Musical Archive Vol.1@@@@@@@@˝ŰłŢŞĆąEtnica

i2/5j
yƒyƒ‹ƒVƒAŒĂ“T‰šŠyz
 ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^Birds @@@@@@•§Ba Music(Next)
y“ěƒCƒ“ƒhŒĂ“T‰šŠy`Legendaryz
 T.N.ƒNƒŠƒVƒ…ƒiƒ“^Melodious Strings of the Indian Violin@@@@@ˆóOriental Records@
ĄT.N.ƒNƒŠƒVƒ…ƒiƒ“^Violin@@@@@@@@ˆóPyramid

i1/28j
yƒWƒvƒV[‰šŠyz
 ƒWƒvƒV[‚̐˘ŠE(3CD) @@@@@•§Air Mail Music (PLAYA SOUND)
yƒ‹[ƒ}ƒjƒAz@
žƒtƒ‹ƒQƒŠƒJ•ƒ}ƒnƒ‰EƒWƒvƒV[ƒY^‚ť‚̉š‚ɉ΂đ‚‚Ż‚ëI@@@Ëްݽށ@
yƒAƒtƒŠƒJEƒIƒZƒAƒjƒAz
ƒAƒtƒŠƒJ–Ż‘°‰šŠyƒVƒŠ[ƒY COLLECTION PROPHET
 ƒ`ƒƒƒh‚̉šŠy
 ƒZƒlƒKƒ‹‚̉šŠy@Bassari, Diola
 ƒpƒvƒAEƒjƒ…[ƒMƒjƒA‚̉šŠy Huli(Highlands)
 ƒjƒWƒF[ƒ‹‚̉šŠy •”‘°FHaoussa, Songhay, Zarma
 ƒ‚[ƒŠƒ^ƒjƒA‚̉šŠy Concert sous la tenteiƒeƒ“ƒg‚̉ş‚Ĺ‚ĚƒRƒ“ƒT[ƒgj
 ƒ}ƒ_ƒKƒXƒJƒ‹‚̉šŠy ’n•ű–źFAntandroy, Antanosy, Bara, Betsileo, Betsimisaraka, Mahafaly, Merina, Sakalava
 ƒRƒ“ƒS‹¤˜a‘‚̉šŠy Babembe, Bakongo, Balari
 ’†‰›ƒAƒtƒŠƒJ‚̉šŠy
 ƒuƒ‹ƒLƒiEƒtƒ@ƒ\‚̉šŠy •”‘°–źFBisa, Gan, Lobi, Mossi@iƒVƒƒtƒHƒ“‰šŠy‚Ȃǁj
 ƒxƒiƒ“‚̉šŠy Bariba
@@@@@ˆČă10“_@•§Philips (Kora Sons)
 ƒTƒnƒ‰‚ĚƒgƒDƒAƒŒƒO‚Ě’n‚Ö‚Ě—ˇ@`ƒAƒhƒ‰ƒ‹EƒfEƒCƒtƒHƒ‰ƒX@@@@@•§Chant du monde@
Ąƒ}ƒ}ƒ‹EƒJƒbƒZƒC^Alatoumi@yƒjƒWƒF[ƒ‹z@@@@@@@@@@@•§World Village@
 “ěƒAƒtƒŠƒJ@ƒP[ƒvƒ^ƒEƒ“‚Ěƒ~ƒ“ƒXƒgƒŒƒ‹@@ƒUEƒ`ƒ…[ƒŠƒbƒvƒX@@@•§Buda@
 ƒ}ƒ_ƒKƒXƒJƒ‹‚Ěƒ”ƒ@ƒŠƒn@@@@@@•§Air Mail Music (PLAYA SOUND) @
yƒIƒ€ƒjƒoƒXEƒVƒŠ[ƒYz
 uƒjƒ“ƒiEƒiƒ“ƒiv`ŽqŽç‰S‚đ‚ß‚Ž‚é—ˇ@ƒ‚ƒ“ƒZƒ‰[ƒgEƒtƒBƒQ[ƒ‰ƒX(S)@ƒWƒ‡ƒ‹ƒfƒBEƒTƒ”ƒ@[ƒ‹^ƒGƒXƒyƒŠƒIƒ“‚w‚w@Aliavox
 ƒtƒ@ƒ“ƒtƒ@[ƒŒ@`˘ŠE‚Ěƒuƒ‰ƒXƒoƒ“ƒh@@@@@•§Buda@
ĄƒŠƒ…[ƒgƒ}ƒjƒA@Periples@@@@@@@@@@@—–Music & Words
ƒUEƒ‰ƒtEƒKƒCƒhEƒgƒD@ƒVƒŠ[ƒY@‚R‚Qƒ^ƒCƒgƒ‹@@@‰pWorld Music Network
yƒ†ƒ_ƒ„‰šŠyz
 ƒWƒ‹ƒx[ƒ‹^A Esperanca - Hatikva @@@@@”ŒAbril Music
 La Rosa Enflorese / sefarad@@@@@@@@•§Pavane
 ƒ„ƒAƒRƒ”EƒVƒƒƒsƒ^traditional yiddish songs@(2CD)@@@@@‰pARC@
yƒNƒŒƒYƒ}[‰šŠyz
 ƒNƒŒƒYƒ}[‚Ě“`“@@@@@@•’Sounds of the World@
 ƒNƒŒƒYƒƒCƒ€^Yankele nel Ghetto@@@@@ ˆÉCNI
˘ƒfƒBEƒiƒCƒFEƒJƒyƒŠƒG^A Mazeldiker Yid
˘ƒVƒJƒSEƒNƒŒƒYƒ}[EƒAƒ“ƒTƒ“ƒuƒ‹^early recordings 1987-89
ŁƒNƒ[ƒP^Trio@@@@@@@@ˆČă‚R“_@“ĆOriente Muzik
 ƒIƒfƒbƒTEƒNƒŒƒYƒ}[EƒIƒ‹ƒPƒXƒ^^Meyn Shtetel Yas@@@@@•§PLAYA SOUND@

i1/25j
y‰ëŠyz
ž‰A—z”VčŠy@@ˆŔ”{°–žŽŽčp‚ƉëŠy@@@@şŰÝËŢą@
ž•–ž“O^H’ë‰Ěˆę‹ď@@—ŕŠyŽÉ@@@yŒť‘ă‰ëŠyz@@ƒ\ƒj[@
ž‰z“VŠy‚Ě‚ˇ‚ׂā@@@@@ƒLƒ“ƒO@
žŠě@@@ŽO•űŠy‰Ć‚Ě“`ł@(2CD)@@@“Œ‹VŒ“•FiâČâÁjAŽĹ—S–ői‰Ą“JjA–L‰pHi♁j@@iŕjË޸Ŕ°@
y’n‰ĚEⵋȁz
 u“ú–{`—D‰ë‚ȉ́v@@ç“c‚Ś‚‚ąi‰Ě‚ƋՁj@@@•§Buda@
yŽO–Ąü‰šŠyz
 “ú–{‚ĚŠíŠy(3CD)@•§Air Mail Music (PLAYA SOUND) @
ž‹`‘ž•vu‰ź–źŽč–{’‰b‘ v‘ĺ‘S@(7CD)@@@@@ƒLƒ“ƒO@
ž–L’|ŽRé­ ^‹`‘ž•v‘IWi12–‡‘gj@@@iŕjË޸Ŕ°@
žˆę’†ß@{–‚ĚŒŽ^“ŒŽRŠ|•¨‘ľ @@@@@@iŕjË޸Ŕ°@
ŹŸŽľ‘ă–Ú–F‘şˆÉ\˜Y@@•˜Z^ŠŠi’ @@@@şŰÝËŢą@
Ÿ’ˇ‰SŽO–Ąü‡•űW@@’ˇ‰S“Œ‰š‰ď`‹e‰Ş—TW@‘źiŽO–Ąüj@@@ƒNƒ‰ƒEƒ“@
y–MŠyE‚ť‚Ě‘źz
žuŽv‚˘o‚Ě‹Lv`ŒĂ‰ę­’j@ě•iW@@—•ě—R”ü(S)AƒEƒB[ƒ“EƒVƒ…ƒ‰ƒ“ƒƒ‹ƒ“EƒAƒ“ƒTƒ“ƒuƒ‹@@@@ƒJƒƒ‰[ƒ^@
y–kƒCƒ“ƒhŒĂ“Tz
 ƒ_[ƒKƒ‹ƒ”ƒ@[ƒj‚ĚƒhƒDƒ‹ƒpƒbƒh‚ĚŒ|p@@ƒTƒCƒF[ƒhƒDƒbƒfƒBƒ“Eƒ_ƒKƒ‹@@@@•§Buda@
ĄƒoƒnƒEƒbƒfƒBƒ“Eƒ_ƒKƒ‹(Ů°ÄŢ׼łŢ¨°Ĺ)^Dhrupad@@@@@@@@@@@@@@@@ˆóMusic Today
—A“üDVD@ƒ”ƒBƒ‰ƒ„ƒgEƒJ[ƒ“^Different Strokes@@@@@@@@@@@@@@‰pNavras
y“ěƒCƒ“ƒhŒĂ“Tz
 ƒoƒ‰ƒ^ƒi[ƒeƒBƒAƒ€‚̉šŠy@@Nrityanjali ƒVƒFƒtƒ@ƒŠEƒiƒO@@@@@@@@@@“ĆChhanda Dhara@
yƒCƒ‰ƒ“zs‰”N‚Ěƒyƒ‹ƒVƒA‰šŠy‚Ě‹ t
˘ƒAƒ{ƒ‹ƒnƒTƒ“EƒTƒo[(1902-1957)^ƒZƒ^[ƒ‹“Ć‘t
˘ƒAƒŠEƒAƒNƒoƒ‹EƒVƒƒ[ƒi[ƒYƒB(1897-1984)^ƒ^[ƒ‹“Ć‘t
˘ƒAƒŠEƒiƒMEƒ”ƒ@ƒYƒB[ƒŠ[(1887-1979)^ƒ^[ƒ‹“Ć‘t‚ĆƒI[ƒPƒXƒgƒ‰ě•iW@@@ˆČă‚R“_@˛×ÝMahoor Institute
 ƒ‚ƒnƒ“ƒ}ƒhEƒ€[ƒTƒ”ƒB[^Payam-e-Eshgh No.2
Łƒ‚ƒnƒ“ƒ}ƒhEƒ€[ƒTƒ”ƒB[^Payam-e-Eshgh No.1@@@@@@@@@@@@@@@ˆČă‚Q“_@˛×ÝHam Avaz-e-Ahang
yƒgƒ‹ƒRz
ĄƒIƒXƒ}ƒ“‚ĚŒĂ“T‰šŠy`ƒLƒƒ[ƒjEƒJƒ‰ƒWƒƒAƒAƒJƒMƒ…ƒ“ƒfƒ…ƒYEƒNƒgƒoƒCAƒNƒcƒBEƒGƒ‹ƒOƒlƒ‹@@@@•§Al Sur@
yƒAƒ‰ƒuz
 ƒAƒfƒ‹EƒTƒ‰ƒ}[^Masters of the Oud@@@@@@@•§PLAYA SOUND
ĄƒVƒŠƒA‚ĚŒĂ“T‰šŠy‚ĆƒX[ƒtƒB[‚̉́@@ƒnƒ€ƒUEƒVƒƒƒbƒN[ƒ‹•ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒ‹EƒLƒ“ƒfƒB@@“ĆNetwork Medien@
 ^ŽěŽć‚č(Pecheurs de Perles)^Madad@@@@@@@•§Label Esengo
ĄƒIƒ}[ƒ“Žń’ˇ‘‚Ě“`“‰šŠy@@@@@@@@@@@@@@•§Buda@
ĄƒIƒ}[ƒ“‚Ě“`“‰šŠy@@@@@@@@@@@@@@@@@•§Unesco@
 ƒVƒFƒCƒnEƒŠƒ~ƒeƒB^nouar@@@@@@@@@@@@@•§Sonodisc

i1/21j
Club du Disque Arabe @“Á•ĘÝŒÉŒŔ’čƒZ[ƒ‹I@iƒAƒ‰ƒu`ƒ}ƒOƒŒƒu‰šŠyj@I—š‚ľ‚Ü‚ľ‚˝

i2003 1/15j
y“ěƒCƒ“ƒh“`ŕ‚Ě‹ z
 T.R.ƒ}ƒnƒŠƒ“ƒKƒ€ / Concert under Paddhati Series @(3CD)@
˘Vintage Recordings of ƒ€ƒXƒŠEƒXƒuƒ‰ƒ}ƒjƒAEƒAƒCƒGƒ‹ ( live concert recordings)@3CD@
 K.V. ƒiƒ‰ƒ„ƒiƒXƒƒ~ / Concert under Paddhati Series @(2CD)@@@@@@@@@ˆČă‚R“_@ˆóSangeetham
y–kƒCƒ“ƒhŒĂ“Tz
ĄƒƒXƒBƒtƒbƒfƒBƒ“Eƒ_ƒKƒ‹(Vo)^dhrupad@@@@@ˆóMusic Today
y“ěƒCƒ“ƒhŒĂ“Tz
ĄƒVƒƒƒVƒƒ[ƒ“ƒN(Flute)^Moonlit Melodies@@@@@ˆóMusic Today

i12/19j
y–k‰˘Eź‰˘z
 ƒXƒEƒF[ƒfƒ“‚̉šŠy@@blekinge spelmansforbund@@@@@‰pARC@
 ƒyƒ‹EƒAƒ“ƒfƒ‹ƒXEƒuƒGƒ“EƒKƒ‹ƒmƒX^ƒIƒŒƒCƒl@@@@@@@ÉŮłŞ°Nyrenning
 ƒT[ƒ~EƒOƒ‰ƒ“EƒvƒŠ@2002@@@@@@@@@@@@@@@ÉŮłŞ°Rieban
Ąƒfƒ“ƒ}[ƒN@‰ĚŽč‚ĆƒtƒBƒhƒ‰[@@@@@@@@@@@@@@@•§Ocora@
 ƒAƒCƒ‹ƒ‰ƒ“ƒh‚ĚƒNƒŠƒXƒ}ƒX‚Ć“~‚̉́@@ƒmƒGƒ‹Eƒ}ƒNƒ‰ƒtƒŠƒ“@@‰pARC@
 ƒEƒF[ƒ‹ƒYŒę‚ĚƒGƒAW@iƒnƒCƒhƒ“•Ň‹Čj@@@@@@@@@@@šŇPreiser

i12/10j
yƒgƒ‹ƒRz
 ƒWƒƒƒ“ƒZƒ”ƒFƒ‹^Gonlumdeki Turkuler 1@@@@@@@@@“yKlip Muzik
 ƒƒfƒBƒnEƒVƒFƒ“^Turk Sanat Muzigi Ozel Arsivi 1
 ƒƒfƒBƒnEƒVƒFƒ“^Turk Sanat Muzigi Ozel Arsivi 2@@@ˆČă‚Q“_@“yAziz Jet Sedef Plak

i12/06j
y“쉢z
 ƒAƒ}ƒŠƒAEƒƒhƒŠƒQƒX^ƒtƒ@ƒh‚̐ş@@@@@@@@•’Sounds of the World@
 ƒAƒNƒAEƒhEƒCƒŠƒX^Meridianos@@@@@@@@@•’Movieplay@
 ƒXƒyƒCƒ“Še’n‚Ě–ŻO‚̉̐ş@@@@@@@@@@@@@@‰pARC
 ƒj[ƒjƒƒEƒfEƒƒXEƒyƒCƒlƒX^Grabaciones Discos Pizarra
 ƒTƒr[ƒJƒX^Concierto@@@@@@@@@@@@@ˆČă‚Q“_@źDiscmedi@
yƒ†ƒ_ƒ„‰šŠyz
 Mariejan Van Oort & Jacques Verheijen^Benkshafti“˛‚ęj @@@@—–I-C-U-B4-T
 ƒpƒgƒŠƒbƒNEƒS[ƒ‹ƒfƒ“ƒo[ƒOpresents‚v‚`‚f‚q‚`‚l@@@@@@@@@@•§Atoll
Ą‚P‚T˘‹IƒXƒyƒCƒ“Œnƒ†ƒ_ƒ„l‚̉šŠy`Diaspora Sefardi(2CD)@@ƒWƒ‡ƒ‹ƒfƒBEƒTƒ”ƒ@[ƒ‹ŽwŠöƒGƒXƒyƒŠƒIƒ“XXI@@ÍŢ١ްAlia Vox
yƒNƒŒƒYƒ}[‰šŠyz
ŹƒAƒ“ƒfƒBEƒXƒ^ƒbƒgƒ}ƒ“•ƒfƒ”ƒBƒbƒhEƒOƒŠƒXƒ}ƒ“@@‚r‚n‚m‚f‚r@‚n‚e@‚n‚t‚q@‚e‚`‚s‚g‚d‚q‚r@@•ÄAcoustic Disc@@
yƒCƒXƒ‰[ƒ€‰šŠyz
Ą—ŤĽŽŇ‚É‚ć‚éƒR[ƒ‰ƒ“˜NĽ iƒAƒNƒ_ƒXEƒAƒ‹Eƒ€ƒ[ƒN‚É‚ć‚éj@@@ •§Al Sur
Ą‚u‚h‚r‚h‚n‚m@‚Q`ƒ‹[ƒ~[‚̐¸_@@@@@@@@@@•ÄAngel

i12/04j
y’†‰›ƒAƒWƒAEƒR[ƒJƒTƒXz
ĄƒEƒYƒxƒLƒXƒ^ƒ“`‰”N‚ĚˆĚ‘ĺ‚Č‚é‰Ěşy1940`65”Nz @@@@@@@•§Ocora@
ĄƒWƒ”ƒ@ƒ“EƒKƒXƒpƒŠƒAƒ“^Heavenly Duduk@@@@@@@@“ĆWorld Network@
ĄƒTƒ„ƒgEƒmƒ”ƒ@‚̉́`ƒAƒ‹ƒƒjƒA‰šŠyƒAƒ“ƒTƒ“ƒuƒ‹EƒRƒ`ƒiƒN@@@@•§Al Sur@
ĄƒAƒ‹ƒƒjƒA‚Ě–ŻO‰Ě`ƒRƒ`ƒ…ƒiƒN@@@@@@@@@@@@@@@@@•§Al Sur
yƒAƒ‰ƒuz
 ƒ€ƒj[ƒ‹•ƒIƒ}[ƒ‹EƒoƒV[ƒ‹^ƒE[ƒh‚Ě‹ @@@@@@@ĘÝśŢŘ°Bashir Recordings
 ƒIƒ}[ƒ‹EƒoƒV[ƒ‹(oud)^ƒ‰ƒCƒ”EƒCƒ“EƒxƒCƒ‹[ƒg@@@@ĘÝśŢŘ°Bashir Recordings
ĄuŒŽ‚Ě–…v`ƒVƒŠƒA‚ĚƒAƒŒƒbƒ|‚ÉŽc‚éƒAƒ“ƒ_ƒ‹ƒVƒA‚Ěƒ€ƒƒbƒVƒƒƒn@ƒ€ƒnƒ“ƒ}ƒhEƒnƒ}ƒfƒBƒC^ƒgƒDƒ‰[ƒgEƒAƒ“ƒTƒ“ƒuƒ‹@źPneumaĄƒŠƒrƒA‚Ě“`“‰šŠy`ƒIƒAƒVƒX‚̉Ě(3CD)@@@@@@@@@@@@@@•§Al Sur@
Ąƒ`ƒ…ƒjƒWƒA‚̉̕P`ƒ\ƒjƒAEƒ€ƒoƒŒƒN@@@@@@@@@@@@@“ĆWorld Network@
žÂƒiƒCƒ‹@`ƒƒtƒB[ƒ‹@@@@@@@@@@@@@@@@@@@@@Ëްݽށ@
žƒ}ƒŠƒGƒ€EƒnƒbƒTƒ“withƒŒƒIƒA[ƒh^ƒTƒnƒ‰A—‚˝‚ż‚̉S@@@@@@Ëްݽށ@
 ƒ}ƒ‹ƒNƒ“ƒ_EƒI[ƒŒƒX^ƒI[ƒŒƒX‚̏—Ť‚̉́@@@@@@@@@@@@•§ARB
 ƒAƒkƒAƒ‹Eƒuƒ‰ƒwƒ€^Le pas du chat noir i•”L‚Ě‘ŤŐj@@@@@“ĆECM
 ƒTƒnƒ‰EƒOƒ‹[ƒ”@`ƒzƒbƒTƒ€Eƒ‰ƒ€ƒW[AƒVƒFƒCƒnEƒŠƒ~ƒeƒBAƒAƒŠEƒnƒbƒTƒ“EƒNƒo[ƒ“AƒVƒFƒuEƒ^ƒŠƒN‘ź@@@‰pARC@
 ƒiƒbƒXEƒ}ƒ‰ƒPƒVƒ…^bouderbala@@@@@@@@@@@@@@•§World Village@
 ƒxƒŠ[ƒ_ƒ“ƒX@ Sherihan@@@@@@@@@@@@@@@@ÚĘŢÉÝPerfect Production
 ƒŒƒoƒmƒ“‚ĚŒť‘ăƒxƒŠ[ƒ_ƒ“ƒX@ť”™‚Ě•óÎ@@ƒGƒ}ƒhEƒTƒbƒ„[@@@‰pARC@
 ƒTƒ~ƒBEƒGƒ‹EƒoƒuƒŠƒB‚É•ů‚°‚é`ƒzƒbƒTƒ€Eƒ‰ƒ€ƒW[@@@@@@@‰pARC@
y“Œ‰˘`ƒoƒ‹ƒJƒ“z
ĄOSTuƒAƒ“ƒ_[ƒOƒ‰ƒEƒ“ƒhv@ƒGƒ~[ƒ‹EƒNƒXƒgƒŠƒcƒ@ŠÄ“@‰šŠyFƒSƒ‰ƒ“EƒuƒŒƒSƒ”ƒBƒ`@@•§Mercury
ĄOSTuƒWƒvƒV[‚ĚŽžv @@@ƒGƒ~[ƒ‹EƒNƒXƒgƒŠƒcƒ@ŠÄ“@‰šŠyFƒSƒ‰ƒ“EƒuƒŒƒSƒ”ƒBƒ`@@ •§Mercury
y“Œ‰˘`ƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
 ƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹EƒcƒBƒ“ƒoƒƒ€EƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹@@@@—–Music & Words
ĄƒuƒJƒŒƒXƒg‚Ěƒ|ƒsƒ…ƒ‰[Eƒ\ƒ“ƒO@`ƒJƒ‹ƒpƒ`ƒA‚Š‚çƒuƒJƒŒƒXƒg‚܂Ł@@@•§EPM@
žƒUEƒxƒXƒgEƒIƒuEƒnƒ“ƒKƒŠƒAƒ“Eƒ~ƒ…[ƒWƒbƒN@@@@@@@@@@@@Ëްݽށ@
 ƒe[ƒJ^The Sun Rises@@yHungarian Folk Music Groupz@@@@@ĘÝśŢŘ°Hungaroton
 ƒ`ƒƒ[ƒ‹ƒ_ƒbƒVƒ…Eƒ‰ƒvƒ\ƒfƒB@@@@@@@@@@@@@@@@@@@@ĘÝśŢŘ°Hungaroton@
 ƒ]ƒ‹ƒ^ƒ“Eƒzƒ‹ƒ”ƒ@[ƒg^Pictures from Borsod@@@@@@@@@@@ĘÝśŢŘ°Hungaroton@
Ąƒnƒ“ƒKƒŠ[@Le Dernier Passage@@@@@@@@@@@@@@@@@@•§Ocora
y“Œ‰˘`ƒƒVƒA‘źz@
žƒYƒUƒiEƒ‰ƒvƒ`[ƒRƒ”ƒ@[^ƒ‚ƒ‰ƒ”ƒBƒAƒ“Eƒ‰ƒ”Eƒ\ƒ“ƒOƒX@@@@@@@ľĚ¨˝ĽťÝËß°ĆŹ@
Ÿƒiƒ^[ƒVƒƒEƒOƒW[^ƒZƒ‹ƒcƒFi‚ą‚ą‚ëj@@@@@@@@@@@@@@@‰šŠyžÝŔ°
 ƒhƒ“EƒRƒTƒbƒN‡Ľ’c^ƒOƒŒƒCƒeƒXƒgEƒqƒbƒc@@@ƒ‚ƒXƒNƒEƒtƒFƒXƒeƒBƒ”ƒ@ƒ‹EƒAƒ“ƒTƒ“ƒuƒ‹@@“ĆKoch Schwann@
 ƒJƒŠƒ“ƒJ`ƒƒVƒA–Ż—wW@@ƒƒŒƒŠ[EƒŠƒrƒ“ŽwŠöƒ€ƒXƒNƒEƒŠƒrƒ“‡Ľ’c@@@“ĆCapriccio
yƒLƒŠƒXƒg‹ł‰šŠyz
 ƒZƒ‹ƒrƒA‚ĚŒĂ‚˘ł‹łš‰ĚW@@ƒŠƒ…ƒ{ƒXƒeƒBƒjƒƒ‚Ě“ň‘m‚˝‚ż‘ź@@@@@@“ĆWergo@
Ąƒ}ƒ‹ƒZƒ‹Eƒfƒ…ƒvƒŒ‚ĚŒ|p@@M.ƒfƒ…ƒvƒŒ^ƒsƒG[ƒ‹EƒRƒVƒ…ƒ[‚ĚŽĺ‘č‚É‚ć‚é‘Ś‹ť‰‰‘t@‘ź@@@@Tahra

i11/29j
yƒyƒ‹ƒVƒAŒĂ“T‰šŠyz
 ƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^Journey to Beyond @@@@@ ˛×ÝSoroush
 ƒ[ƒƒXƒ^[ƒ“iIt's Winterj`2001”NƒJƒŠƒtƒHƒ‹ƒjƒAEƒRƒ“ƒT[ƒg
@ƒ‚ƒnƒ“ƒ}ƒhEƒŒƒUEƒVƒƒƒWƒƒƒŠƒAƒ“(Avaz)AƒzƒZƒCƒ“EƒAƒŠƒU[ƒf(Tar)AƒJƒCƒnƒ“EƒLƒƒƒ‹ƒz[ƒ‹(Kamancheh)Aƒzƒ}[ƒ†ƒ“EƒVƒƒƒWƒƒƒŠƒAƒ“(Tonbak)@@‰ÁRyan@
 ƒAƒtƒ}ƒbƒhEƒGƒo[ƒfƒB[‚ĚƒZƒ^[ƒ‹‘Ś‹ťVol.1
 ƒAƒtƒ}ƒbƒhEƒGƒo[ƒfƒB[‚ĚƒZƒ^[ƒ‹‘Ś‹ťVol.2@@˛×ÝMahoor Institute of Culture and Art@
 ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^Hejrani@@@@@@@@@˛×ÝMahoor Institute of Culture and Art@
ŹƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^Raze NoiV‚ľ‚˘”é–§j@@˛×ÝMahour Cultural Artistic Institue
@@‚gDƒAƒŠƒU[ƒfiŔ°Ů¤ŔÝĚްفjAƒnƒ€ƒA[ƒ”ƒ@[ƒ„[ƒ“EƒAƒ“ƒTƒ“ƒuƒ‹i‰ĚŽč‚Sl‚ĆÄÝĘ޸¤—ź–Ę‘žŒŰŔŢŃĎсj

i11/28j
yƒCƒXƒ‰[ƒ€‰šŠy`ƒgƒ‹ƒR‚ĚƒX[ƒtƒB[‰šŠyAƒpƒLƒXƒ^ƒ“‚ĚƒKƒUƒ‹z
ĄƒLƒƒ[ƒjEƒJƒ‰ƒWƒƒ^Mevlut - Dini Musiki @@@@“yKalan Muzik Yapim@
 ƒgƒ‹ƒR‚ĚƒX[ƒtƒB[‰šŠy@@@@@‰pARC@
 ƒNƒcƒBEƒGƒ‹ƒOƒlƒ‹^Mevlana@@•§Next Music@
 ƒAƒrƒ_Eƒpƒ‹ƒ”ƒB[ƒ“^Visal@@@•§World Village
ŁƒAƒrƒ_Eƒpƒ‹ƒ”ƒB[ƒ“^Live Concert Swarutsav 2000 Vol.1
ŁƒAƒrƒ_Eƒpƒ‹ƒ”ƒB[ƒ“^Live Concert Swarutsav 2000 Vol.2@@@@ˆóMusic Today
 ƒAƒrƒ_Eƒpƒ‹ƒ”ƒB[ƒ“^Raqs-e-Bismil -Sufi Ghazals-@@@@@@ˆóMusic Today
˘ƒAƒrƒ_Eƒpƒ‹ƒ”ƒB[ƒ“^Tere Ishq Nachaya@@@@@@@@@@@@@ˆóMusic Today@
yƒoƒ‹ƒJƒ“z
 ƒoƒ‹ƒJƒ“‚ĚƒNƒŠƒXƒ}ƒXiƒmƒGƒ‹j@@ƒAƒNƒTƒN•ƒGƒŠƒJEƒ^ƒXƒi[ƒfƒB(Vo)AƒrƒWƒƒƒ“EƒVƒFƒ~ƒ‰[ƒj(Tombak)@•§Buda@
ŹƒAƒ‹ƒoƒjƒA‚Ěƒ|ƒŠƒtƒHƒj[‚ĆŠíŠy@@@@•§Chant du monde

‰ď•ńƒy[ƒW`ƒVƒŠƒAŽG‹L@

i11/22j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒAƒ~[ƒ‹EƒJ[ƒ“^Pratidhwani Vol.1@@@Raga Basant Mukhari, Raga Nand
 ƒAƒ~[ƒ‹EƒJ[ƒ“^Pratidhwani Vol.2@@@Raga Todi, Raga Shahana, Raga Yaman@@ˆČă‚Q“_@ˆóMusic Today@
 ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^ů—Ľ‚Ěƒ}ƒGƒXƒgƒ`ƒ‰ƒCƒ”EƒRƒ“ƒT[ƒg‚T@@Raga Sindhura, Bhoop-Kalyan@@“ĆChhanda Dhara@
Ąƒ”ƒBƒ‰ƒ„ƒgEƒJ[ƒ“^Alap@@@Raga Bilaskhani Todi(Alap), Raga Bilaskhani Todi(Jod&Jhala)@@ˆóMusic Today@
ĄƒVƒ…ƒWƒƒ[ƒgEƒtƒZƒCƒ“EƒJ[ƒ“^Sur aur Saaz@@@@@@@ˆóMusic Today@
ŹƒAƒŠEƒAƒNƒoƒ‹EƒJ[ƒ“^Signature Series Vol.2@@@@ƒ}ƒnƒvƒ‹ƒVƒ…Eƒ~ƒVƒ…ƒ‰(ŔĚŢ×)
ŹƒAƒŠEƒAƒNƒoƒ‹EƒJ[ƒ“•ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[^Signature Series Vol.4@@ƒ}ƒnƒvƒ‹ƒVƒ…Eƒ~ƒVƒ…ƒ‰(ŔĚŢ×)
@@ˆČă‚Q“_@ˆóMusic Today
 ƒXƒ‹ƒ^ƒ“EƒJ[ƒ“^Raga Charukesi, Rajasthan Folk Melody@@ƒUƒL[ƒ‹EƒtƒZƒCƒ“(ŔĚŢ×)@@“ĆChhanda Dhara@
 A Percussion Ensemble of Magical Brilliance (LIVE)
@ƒUƒL[ƒ‹EƒtƒZƒCƒ“(ŔĚŢ×)AƒZƒ‹ƒ”ƒ@ƒKƒl[ƒVƒ…(śÝźŢ°×)Aƒ”ƒBƒiƒ„ƒNƒ‰ƒ€(śŢŔŃ)Aƒ‰[ƒ}ƒNƒŠƒVƒ…ƒiƒ“(ŃŘŔŢÝśŢŃ)@“ĆChhanda Dhara
yƒAƒtƒŠƒJz
 ť”™‚Ěƒuƒ‹[ƒX‚Q@`ƒTƒnƒ‰‚̉šŠyƒRƒ“ƒsƒŒ[ƒVƒ‡ƒ“(2CD) @@@@@@@@“ĆNetwork Medien@

i11/12j
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
Ąƒ~ƒŒƒjƒAƒ€@the Finest Collection@`@ƒJƒ‹ƒiƒeƒBƒbƒN‰šŠy•Ňi‚W–‡‘gj@@ˆó‚q‚o‚f
@
i11/09j
y•§‹ł‰šŠyz
žƒuƒbƒ_‚̂₡‚ç‚Ź‚̐ş@‹†‹É‚Ě–ü‚ľ @@ƒXƒŠƒ‰ƒ“ƒJ‚Ěƒp[ƒŠŒę•§“T˜NĽ@@@@@ƒTƒ“ƒK
y“ŒƒAƒWƒA`’†‘z
 —Ŕ–Á‰z‚ĚŒĂ‹ŐŒĂ“T‹ČW@@@@@@@@@@@@@“ĆWergo@
 ’†‘‚Ć‘ä˜p‚̉šŠy@@ƒnƒ“ƒVƒ“–Ż‘°•‘—x’c@@@@‰pARC

i11/03j
y“Œ“ěƒAƒWƒAz
 ƒ~ƒ“ƒ_ƒiƒI“‡ƒgƒ{ƒŠ’n•ű‚ĚŒˇŠyŠíƒwƒQƒ‹ƒ“ @@@@@•§Buda@
y“쉢`ƒCƒ^ƒŠƒAz
 ŒĂ‘ăƒ[ƒ}‚̉šŠy@Vol.2@@ŒˇŠyŠí•Ň @`Synauria
ĄŒĂ‘ăƒ[ƒ}‚̉šŠy@Vol.1@@ŠÇŠyŠí•Ň @`Synauria@@@ˆČă‚Q“_@ˆÉAmiata

i10/26j
yƒoƒ‹ƒJƒ“z
 ƒ{ƒ”ƒ@ƒ“Eƒ}ƒ‹ƒRƒ”ƒBƒ`EƒIƒ‹ƒPƒXƒ^ƒ‹^Srce Cigansko@@ĘÝśŢŘ°X-Produkcio
 ƒ{ƒ”ƒ@ƒ“Eƒ}ƒ‹ƒRƒ”ƒBƒ`EƒIƒ‹ƒPƒXƒ^ƒ‹^Bistra Reka @@@ĘÝśŢŘ°X-Produkcio
 ƒƒUEƒoƒ“ƒZƒ”ƒ@^Jana-Janica@@@@@@@@@@@@@@ĘÝśŢŘ°Fono@

i10/21j
yƒR[ƒJƒTƒX`ƒAƒ‹ƒƒjƒAz
 ƒAƒ‹ƒƒjƒA‚Ě“`“‰šŠy‚Ə@‹ł‰šŠy`ƒAƒ‹ƒƒjƒA‚Ěƒ}ƒXƒ^[Eƒ~ƒ…[ƒWƒVƒƒƒ“@•§World Village@
 Hayastan `ƒAƒ‹ƒƒjƒA‚Ě“`“‰šŠy @@—–Music & Words @
 ƒAƒ‹ƒƒjƒA@Les Chants du Souvenir @ƒyƒhƒƒXEƒpƒpƒYƒBƒAƒ“ŽwŠöƒ\ƒtƒBƒAEƒAƒ‹ƒƒjƒA‡Ľ’c@@@•§Jade
yƒCƒ‰ƒ“z
 ƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^ƒNƒ‹ƒhŒę‚ĚƒVƒƒ[ƒi[ƒi‰¤‘j@Avaz-e-Asatir@@@˛×ÝAvaz-e-Bistoon
ŹƒVƒƒ[ƒ‰ƒ€Eƒiƒ[ƒŠ^Heyrani@@@@@@@@˛×ÝHam Avaz-e-Ahang@
ĄƒIƒ}ƒ‹EƒnƒCƒ„[ƒ€‚Ěƒ‹ƒo[ƒCƒ„[ƒg@@ƒ‚ƒnƒ“ƒ}ƒhEƒŒƒUEƒVƒƒƒWƒƒƒŠƒAƒ“@@@˛×ÝMahour Cultural Artistic Institue
 ƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^From Eons Ago@@@˛×ÝMahoor Institute of Culture and Art@
ĄƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^Sobhgahii’Š•űj@@˛×ÝMahoor Institute of Culture and Art@
yƒIƒ€ƒjƒoƒXz¨ƒtƒƒ“ƒgEƒy[ƒWŽQĆiÚ×‚͋߁XƒAƒbƒvj
˘Źň•ś•v‚ĚˆâŽY@`–Ż‘°‰šŠy‚Ě‘biCD‚V‚O–‡EDVD‚T–‡E•Ęű“Ç–{uŹň•ś•v‚̋ƐтđĚ‚Ś‚āv@@@ˇÝ¸Ţ@

i10/17j
yƒNƒŒƒYƒ}[‰šŠyz
 ƒfƒ…ƒIEƒyƒCƒŒ-ƒLƒ…ƒjƒI Vol.3@`ƒNƒŒƒYƒ}[@For the love of Niguns@@•§Buda
yƒ†ƒ_ƒ„‰šŠyz
 ƒIƒXƒ}ƒ“’鍑‚Ě–źƒJƒ“ƒg[ƒ‹@ƒCƒT[ƒNEƒAƒ‹ƒKƒYƒB@`20˘‹I‰“Ş‚Ěƒ†ƒ_ƒ„‹łš‰Ě@@“ĆWergo

i10/10j
from latest catalog iĹV†ƒJƒ^ƒƒO‚Š‚çj

i9/19j
y‰‚”ü–Ż—wz
ƒWƒƒƒoƒ‰EƒŒ[ƒxƒ‹‚P‚Qƒ^ƒCƒgƒ‹
DVD@•‰ş˜a•˝^“‡‰S‚̐˘ŠE@@@@@@NHK´ÝŔ°Ěßײ˝Ţ21

i9/14j
y“Œ“ěƒAƒWƒAz
Ąƒ”ƒFƒgƒiƒ€@ƒAƒ“ƒTƒ“ƒuƒ‹EƒkƒGƒ“Eƒ”ƒBƒ“EƒoƒIiNguyen Vinh Bao Ensemblej @@@•§Ocora@
Ąƒ{ƒ‹ƒlƒI“‡“ě•”`ƒ_ƒ„ƒN‘°‚Ćƒvƒiƒ“‘°‚Ě–Ż‘°‰šŠy@@@•§Buda@

i9/9j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒnƒŠƒvƒ‰ƒTƒhEƒ`ƒƒƒEƒ‰ƒVƒA^Flute Duet - Live@@@@“ĆChhanda Dhara@
 ƒVƒ”ƒNƒ}[ƒ‹EƒVƒƒƒ‹ƒ}^Santoor Duet - Live@@@@@“ĆChhanda Dhara@
 ƒ^ƒ‹ƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒA^The Art of Indian Santoor@@‰pARC@
 ƒTƒ‹ƒ”ƒ@ƒ‹EƒTƒuƒŠ^master drummer of India@@@@‰pARC
yƒAƒ‰ƒuz
 ‚e‚…‚“@@˘ŠE‚̐š‚Ȃ鉚Šy‚ĚŐ“T(2CD)@@@@@@@@•§Chant du monde@
Źƒ€ƒj[ƒ‹EƒoƒV[ƒ‹^En ConcertELive a Paris@@@@•§Inedit@
 ƒiƒZƒ‹‘ĺ“—̂̉‰ŕ^The Suez Canal Speech-1
 ƒiƒZƒ‹‘ĺ“—̂̉‰ŕ^The Azzar Speech 1956@Speech-2@@@ˆČă‚Q“_@MogiphoneiŠóPress Hellasj
 ƒAƒbƒ‰i‚Ɣނ̂ł‚ˇ‚炢‚ĚƒE[ƒhj^Zahra@@@@@@@@@@@•§Lyndaris Production
 ’†“Œ‚Ě‚S‚O‚ĚƒŠƒYƒ€@`ƒAƒfƒ‹EƒVƒƒƒ€ƒXEƒbƒfƒBƒ“@@@@@@@•§Buda@
 ƒxƒŠ[ƒ_ƒ“ƒXwithƒwƒbƒTƒ€•ƒiƒWƒ@@@@@@@@@@@ÚĘŢÉÝPerfect Production
 ƒtƒ@ƒCƒ‹[ƒY^uLa Gardienne des ClesvƒnƒCƒ‰ƒCƒg@@ÚĘŢÉÝA.Chahine&Fils@
Ąƒtƒ@ƒCƒ‹[ƒY^uMais el RimvƒnƒCƒ‰ƒCƒg@@@@@@@ÚĘŢÉÝA.Chahine&Fils@
Źƒtƒ@ƒCƒ‹[ƒY^ƒpƒŠEƒIƒ‰ƒ“ƒsƒAŒ€ęƒRƒ“ƒT[ƒgEƒ‰ƒCƒ”(2CD)@@ÚĘŢÉÝA.Chahine&Fils

i9/6j
yƒoƒ‹ƒJƒ“z
Ąƒoƒ‹ƒJƒ“Eƒ”ƒHƒCƒX@@ƒoƒ‹ƒJƒ“”ź“‡‚̉šŠy’n} @@@@ŠóFM@
 ƒAƒ“ƒWƒFƒŠ[ƒg^Balkan Passions@@@@@@@@@@“ĆJaro@
 ƒ„ƒXƒREƒAƒ‹ƒMƒƒt^Hot Blood@@@@@@@@@@@@ˆÉFelmay(New Tone)
yƒ‹[ƒ}ƒjƒAAƒnƒ“ƒKƒŠ[z
 ƒƒxƒ‹ƒgEƒhEƒuƒ‰ƒVƒ‡ƒt^ƒJƒ‹ƒpƒ`ƒA‚ĚƒXƒEƒBƒ“ƒO@@@•§Buda@
ĄƒJ[ƒƒVƒ…Eƒ]ƒ‹ƒ^ƒ“‚ĚƒA[ƒJƒCƒ”@`Giving you golden-rod iƒ‚ƒ‹ƒhƒ”ƒ@’n•ű‚Ě“`““I‚Čƒoƒ‰[ƒhj
ĄƒJ[ƒƒVƒ…Eƒ]ƒ‹ƒ^ƒ“‚ĚƒA[ƒJƒCƒ”@`Visa@iƒgƒ‰ƒ“ƒVƒ‹ƒ”ƒ@ƒjƒA‚Ěƒnƒ“ƒKƒŠ[“`“‰šŠyj
ĄƒJ[ƒƒVƒ…Eƒ]ƒ‹ƒ^ƒ“‚ĚƒA[ƒJƒCƒ”@`Ordongosfuzes@iMezoseg‚Ěƒnƒ“ƒKƒŠ[“`“‰šŠyj
ĄƒJ[ƒƒVƒ…Eƒ]ƒ‹ƒ^ƒ“‚ĚƒA[ƒJƒCƒ”@`Magyarlona@iKalotaszeg‚Ěƒnƒ“ƒKƒŠ[“`“‰šŠyj@ˆČă‚S“_@ĘÝśŢŘ°Fono@
Uj Patria @V‚ľ‚˘‘c‘‚̉šŠyƒVƒŠ[ƒY@Vol.1`15@@@@ĘÝśŢŘ°Fono@
 ƒe[ƒJ^nincs szebb elet a mienknel@
 ƒe[ƒJ^Oskelet@
Ąƒe[ƒJ^Erdelyorszag sok szep vize@@@ˆČă‚R“_@ĘÝśŢŘ°Teka Foundation
Ąƒ„ƒ“ƒOEƒ€ƒWƒJ[ƒVƒ…(Ifju Muzsikas)^Egy@@@@@@ĘÝśŢŘ°Fono@
ĄƒJ[ƒ‹ƒ}ƒ“EƒoƒƒO•ƒƒ}ƒmEƒRƒJƒ^Gypsy Colours@ ĘÝśŢŘ°Fono@
ĄƒpƒlƒNEƒJƒeƒB•ƒ{ƒUƒtƒ@^ƒgƒ‰ƒ“ƒVƒ‹ƒ”ƒ@ƒjƒA‚Ěƒnƒ“ƒKƒŠ[–Ż‘­‰šŠy@@ĘÝśŢŘ°Fono@
Ąƒoƒ‹ƒg[ƒN^ƒsƒAƒmEƒ\ƒiƒ^1926A–Ż—w‚ÉŠî‚Ă‚­‚R‚Â‚Ěƒƒ“ƒhAƒAƒŒƒOƒEƒoƒ‹ƒoƒ@ƒˆ[ƒ[ƒtEƒJƒŠƒqƒVƒ…ƒ^ƒCƒ“(Pf)@•ÄVanguard
yƒƒVƒAAƒEƒNƒ‰ƒCƒiz
ĄƒƒVƒAEƒMƒ^[‚̉Š‹ŕŽž‘ăVol.1@@@•ÄDorian
 ƒEƒNƒ‰ƒCƒi‚Ě–Ż‘°‰šŠy@`ƒ‹ƒrƒXƒg[ƒN@@•§Air Mail Music (PLAYA SOUND)

i8/31j
`’†‰ŘŒź—s“Œ‹žŒö‰‰` u”é‹Č‘Š™B”VŽŸ‘ćv@@ƒ`ƒPƒbƒg‚¨Žćˆľ’†@¨’n‰ĚƒR[ƒi[‚Ö

i8/26j
yƒ†ƒ_ƒ„‰šŠyz
 ƒ‰ƒfƒBƒm‚Ě‰ĚW`ƒtƒHƒ‹ƒgƒDƒi @@@@@@‰pARCiŒŔ’č“Á‰żj
 La Yave - The Key to Sephardic Music@@—–Frea Records
 Î‚˘‚Ć—Ü - A Jewish Saga@@@ƒEƒHƒ‹ƒtƒH[ƒh•ƒ[ƒ[ƒ“ƒuƒ‹[ƒ€Eƒfƒ…ƒI@@@•ÄCentaur@
 ƒ†ƒ_ƒ„‚̍°@@ƒMƒ^[ě•iW@@@ƒŠƒAƒgEƒR[ƒGƒ“(G)‘ź@@@@@@@@@@@@•ÄCentaur@
yƒLƒŠƒXƒg‹ł‰šŠyz
 ƒMƒŠƒVƒAł‹ł‰ď‚̉šŠy@1924`1930”N@@@@ŠóFM@

i8/17j
Legendary Carnatic Musici“`ŕ‚Ě“ěƒCƒ“ƒhŒĂ“T‰šŠyj’ljÁ•Ş
ĄD.K.Pattamal@(Vocal) @@@ˆóGramophone(RPG)
 T.N.Krishnan (Violin) `Music Academy Dec' 99`@ˆóGramophone(RPG)

yƒAƒtƒŠƒJz
ĄƒGƒ`ƒIƒsƒA‰šŠyWŹVol.10@`ƒGƒ`ƒIƒsƒA‚Ěƒuƒ‹[ƒX‚Ćƒoƒ‰[ƒh
ĄƒGƒ`ƒIƒsƒA‰šŠyWŹVol.11@`ƒ_ƒ”ƒBƒf‰¤‚Ě’G‹Ő
ŹƒGƒ`ƒIƒsƒA‰šŠyWŹVol.6@ƒ}[ƒ€[ƒhEƒA[ƒƒh^ƒAƒ‹ƒ}ƒY@(1973”N)
ŹƒGƒ`ƒIƒsƒA‰šŠyWŹVol.7@ƒ}[ƒ€[ƒhEƒA[ƒƒh^ƒGƒŒEƒ[ƒ‰Eƒ[ƒ‰@(1975”N)@@@ˆČă‚S“_@•§Buda
 ƒZƒCƒVƒFƒ‹‚Ě–Ż‘°‰šŠy@@@@@@@@•§Buda@
 ƒXƒ‹ƒM^Lokanga@@@@@@@@@@•§cinq planetes
 ƒ{[ƒ}ƒXEƒIƒuEƒPƒjƒA`ƒAƒtƒŠƒJ‚Ě‰Ě‚ĚˆâŽY@@@@‰pARC@
 ƒCƒFEƒ‰ƒbƒXƒBƒ}EƒN[ƒŠƒoƒŠ[^Djembe@@@@@•§cinq planetes@
 ƒRƒ“ƒS‚Ě‘žŒŰ@ƒPƒ”ƒBƒ“Eƒ€ƒtƒBƒ“ƒJ@@@@@@@@•§PLAYA SOUND@

i8/2j
Legendary Carnatic Musici“`ŕ‚Ě“ěƒCƒ“ƒhŒĂ“T‰šŠyj14ƒAƒCƒeƒ€

i7/31j
y“Œ“ěƒAƒWƒAz
 ƒ”ƒFƒgƒiƒ€‚Ćƒ‰ƒIƒX‚ĚƒSƒ“ƒO @@@@@@•§PLAYA SOUND@

i7/30j
y“ú–{‚Ě–Ż—wz
Ÿ_Šy@–MŠyŒˆ’č”Ő2000@@@@@ƒLƒ“ƒO
y“ú–{‚Ě–Ż—w`‰‚”üz
ŸŒł‚ż‚Ć‚š^ŒĚ‹˝E”ü‚çEŽv‚˘iƒVƒ}EƒLƒ‡‚çEƒEƒ€‚˘j @@@@@ƒZƒ“ƒgƒ‰ƒ‹ŠyŠí@
˘žƒƒCƒhI@‰‚”ü“‡‰S@“ż”V“‡–Ż—wŒ†ěW@@@@@@@@@@@@ƒZƒ“ƒgƒ‰ƒ‹ŠyŠí@
y“ú–{‚Ě–Ż—w`ƒAƒCƒkz
žƒIƒL^ƒm[ƒƒ“ƒYEƒ‰ƒ“ƒh@@@ÁśŮ˝ŔźŢľ@
yŽO–Ąü‰šŠyz
Ÿ‰Í“Œß–ź‹Č‘I@@@@@@iŕjË޸Ŕ°

i7/23j
y–k`“ŒƒAƒWƒAz
‚w ƒGƒOƒVƒOƒŒƒ“^Zazal @@@@@@@@@@@ˆÉFelmay
 ƒCƒGƒYƒX‰ď‚Ć’†‘‹{’ěl‚˝‚ż‚̏o‰ď‚˘@@@@@•§Buda@
y“Œ“ěƒAƒWƒAz
Źƒ”ƒFƒgƒiƒ€`V‚ľ‚˘“`“‰šŠy@@@@@@@@@•§Ocora
y“ěƒCƒ“ƒhŒĂ“T‰šŠyz
 ƒ‰ƒ‹ƒOƒfƒBEƒWƒƒƒ„ƒ‰ƒ}ƒ“ě‹Č‚ĚƒeƒBƒbƒ‰[ƒiWi‚W‹Čj @@@@ ˆóGramophone(RPG)@
ĄM.S.ƒXƒbƒuƒ‰ƒNƒVƒ…ƒ~^Suswara Manjari Vol.1@@@@@@@@ˆóGramophone(RPG)@
yƒyƒ‹ƒVƒAŒĂ“T‰šŠyz
ĄƒzƒZƒCƒ“EƒAƒŠƒU[ƒf^The Art of Improvisation@@@@@@“ĆWergo

i7/20j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
 Morning to Midnight Ragas Vol.3 Noon&Dusk
 Morning to Midnight Ragas Vol.4 Evening Ragas
 Morning to Midnight Ragas Vol.5 Night
 Morning to Midnight Ragas Vol.6 Late Night
 The Malhar@`ƒAƒ~ƒkƒbƒfƒBƒ“Eƒ_ƒKƒ‹(ÄŢŠŮĘ߯ÄŢ)Aƒn[ƒtƒBƒYEƒAƒŠEƒJ[ƒ“(ťŰŻÄŢ)AƒAƒŠEƒAƒNƒoƒ‹EƒJ[ƒ“(ťŰŻÄŢ)AƒVƒ‡ƒoEƒOƒ‹ƒgƒD(łŢŤ°śŮ)@
ĄRaga Jaunpuri@Ë޽ЯװĽś°Ý(źŹ°Ĺ˛)AąŃźŢŹŻÄŢĽąŘĽś°Ý(ťŰŻÄŢ)AơټĘŢČٟް(źŔ°Ů)
 ƒLƒVƒ‡ƒŠEƒAƒ‚ƒ“ƒJƒ‹•ƒnƒŠƒvƒ‰ƒTƒhEƒ`ƒƒƒEƒ‰ƒVƒA^Great Jugalbandis
ĄƒxƒOƒ€EƒAƒtƒ^ƒ‹^Koyelia Gaan Thama
 ƒAƒ€ƒWƒƒƒbƒhEƒAƒŠEƒJ[ƒ“^Live in Calcutta Vol.2
 ƒnƒŠƒvƒ‰ƒTƒhEƒ`ƒƒƒEƒ‰ƒVƒA^Flute @@@Raga Gujri Todi, Bageshwari, Mishra Pilu @
 ƒnƒŠƒvƒ‰ƒTƒhEƒ`ƒƒƒEƒ‰ƒVƒA^In Concert
 Rhythm on Indian DrumsiƒUƒL[ƒ‹EƒtƒZƒCƒ“‘źj
ĄƒAƒ‰Eƒ‰ƒJ•ƒUƒL[ƒ‹EƒtƒZƒCƒ“^Tabla Tradition Rhythms from India
@@@ˆČă‚P‚R“_@ˆóGramophone(RPG)@
ĄƒUƒqƒ‹ƒbƒfƒBƒ“•ƒƒXƒBƒtƒbƒfƒBƒ“Eƒ_ƒKƒ‹^Maestro's Choice@@@@ˆóMusic Today@
 ƒTƒ“ƒM[ƒ^Eƒoƒ“ƒfƒ‡ƒpƒfƒBƒ„ƒC^Shruti@(2CD)@@@@@@@@@@@ˆÉFelmay@
yƒyƒ‹ƒVƒAŒĂ“T‰šŠyz
ŹƒCƒ‰ƒ“@ƒyƒ‹ƒVƒA‚̉šŠy@@Dastgah Mahur, Dastgah Segah@@ƒAƒuƒhƒ‹ƒƒnƒuEƒVƒƒƒq[ƒfƒB[ił°ÄށA‰Ěj‘ź@@•§Ocora
yƒNƒŒƒYƒ}[‰šŠyz@
Ą‚x‚‰‚‹‚ˆ‚…‚“i1911-1939”N‚ĚŒĂ‚˘ƒNƒŒƒYƒ}[‚Ě˜^‰šj
Ą‚c‚‚™‚’‚…‚“i1979-1994”N‚Ě“`““IƒNƒŒƒYƒ}[‚Ě˜^‰šj
Ą‚r‚ˆ‚”‚…‚™‚‡‚…‚’‚“i1991-1994”N‚̐V‚ľ‚˘ƒNƒŒƒYƒ}[‰šŠyj@@
@‚R“_‹¤@“ĆTrikont
ŹƒNƒŒƒYƒ}ƒeƒBƒNƒX^Shvaygn=Toyt i1st.ƒAƒ‹ƒoƒ€j
ŹƒNƒŒƒYƒ}ƒeƒBƒNƒX^rhythm+jews i2nd.ƒAƒ‹ƒoƒ€j
ŹƒNƒŒƒYƒ}ƒeƒBƒNƒX^Jews with Horns i3rd.ƒAƒ‹ƒoƒ€j@@@@@@@ˆČă‚R“_@“ĆPiranha
ĄƒuƒhƒEƒBƒbƒc(Mother Tongue)`19˘‹I‚ĚƒNƒŒƒYƒ}[’B‚̉šŠyi“–Žž‚ĚƒIƒŠƒWƒiƒ‹ŠyŠíŽg—pj@@“ĆKoch Schwann
yƒIƒ€ƒjƒoƒXz¨ƒtƒƒ“ƒgƒy[ƒW‚ĚƒIƒ€ƒjƒoƒX‚Ě—“‚đ‚˛——‰ş‚ł‚˘
˘ŠE–Ż‘°‰šŠy‘ĺŒn@VHS‚R‚OŠŞiË޸Ŕ°j
’n‹…‚̉šŠy‚b‚cƒuƒbƒN@‘S‚W‚OŠŞi•ÄSmithsonian Folkways‰šŒšjiË޸Ŕ°j


i7/19j
yƒ†ƒ_ƒ„‰šŠy`ƒZƒtƒ@ƒ‹ƒfƒB[z@@yTecnosagaz
źTecnosagaƒŒ[ƒxƒ‹‚ĚƒZƒtƒ@ƒ‹ƒfƒB[iƒXƒyƒCƒ“Œnƒ†ƒ_ƒ„j‰šŠyŠÖŒW@12ƒAƒCƒeƒ€

i7/13j
yƒNƒŒƒYƒ}[‰šŠyz
 ƒtƒ‰ƒ“ƒNEƒƒ“ƒhƒ“•ƒNƒŒƒYƒ}[Eƒuƒ‰ƒXEƒI[ƒ‹ƒXƒ^[ƒY^Brotherhood of Brass@@@@@“ĆPiranha@
 ƒQƒbƒg[Eƒ^ƒ“ƒS@Wartime Yiddish Theater@@ @@@•ÄTraditional Crossroads@
 ƒ~ƒNƒ”ƒF[@@@@@@@@@@@@@@@@@@@@@@@•ÄTraditional Crossroads
 ƒ}[ƒSƒbƒgEƒŒƒ”ƒFƒŒƒbƒg^ƒNƒŒƒYƒ}[EƒNƒ‰ƒŠƒlƒbƒg‚ĚŒ|p@@•ÄTraditional Crossroads@
 ‚j‚k‚d|‚y@ƒNƒŒƒYƒ}[‚Ě—Ě•Ş@@@Michel Goldberg(cl), Marc Slyper(tb), Antoine Illouz(tp) etc.@@@•§M10@

i7/12j
y“ěƒAƒWƒAz
žƒWƒvƒV[‚Ě‚¤‚˝‚đ‹‚ß‚Ä@`š”™‚ɐś‚Ť‚é•Y”‘‚ĚŒ|l‚˝‚ż@ƒCƒ“ƒhź•”ƒ‰ƒWƒƒƒXƒ^[ƒ“‚Ěƒ‰ƒ“ƒK‚Ćƒ}ƒ“ƒKƒjƒƒ[ƒ‹@Ë޸Ŕ°(JVC)@
y’†‰›ƒAƒWƒAEƒR[ƒJƒTƒXz
 ƒAƒtƒKƒjƒXƒ^ƒ“‚Ě“ŕ‘¤@`ƒfƒxƒ“Eƒoƒbƒ^ƒ`ƒƒƒŠƒA˜^‰š @@‰pARC@
 ƒAƒtƒKƒjƒXƒ^ƒ“@une musique millenaire @@@@@@@•§Milan
 ƒ}ƒ‰ƒj^Soupra - Banquet Georgien@@@@@@@@@@•§ARB
yƒyƒ‹ƒVƒAŒĂ“T‰šŠyz
 ƒ}ƒVƒ…ƒAƒCƒqEƒAƒ“ƒTƒ“ƒuƒ‹@@@@@@@@@@@ÚĘŢÉÝByblos Records@
 ƒAƒ‹ƒ_ƒ”ƒ@ƒ“EƒJƒ€ƒJƒ‹^over the wind@@@@@•ÄTraditional Crossroads@
ƒŐ ƒVƒFƒ~ƒ‰[ƒj^Qalam Kar@@@@@@@@@@@•§Iris Musique@@
yƒAƒ‰ƒuz
 ƒIƒ}[ƒ‹EƒoƒV[ƒ‹(oud)^Al Andalous@- a dialog between Oud and Guitar@@@@ÚĘŢÉÝByblos Records@
 ƒIƒ}[ƒ‹EƒoƒV[ƒ‹(oud)& Friends^Flamenco Night@@@@@@@@@@@@@@@@ÚĘŢÉÝA.Chahine&Fils
 ƒIƒŠƒGƒ“ƒg‚Ě–Ú‚Š‚猊‚˝\ŽšŒR(2CD)@ƒIƒ}ƒ‹EƒTƒ‹ƒ~ƒj•ƒAƒ“ƒTƒ“ƒuƒ‹EƒAƒ‹-ƒLƒ“ƒfƒB@@•§Chant du monde@
 ƒŒƒoƒmƒ“‚Ěƒ_ƒuƒP@`ƒCƒuƒ‰ƒqƒ€EƒAƒLƒ‹@@@@@@ÚĘŢÉÝPerfect Production
 ƒTƒEƒfƒBƒAƒ‰ƒrƒA@ƒqƒWƒƒ[ƒY‚Ě“`“@@@ƒ‚ƒnƒ“ƒ}ƒhEƒAƒ}[ƒ“i‰Ě‚Ćł°Äށj‘ź@@@@@•§Ocora@

i7/8j
yƒgƒ‹ƒR‰šŠyz
 ƒ~ƒ…ƒj[ƒ‹Eƒk[ƒŒƒbƒeƒBƒ“EƒZƒ‹ƒ`ƒ…ƒN^Turkish Classical Song Master@@@@@@•§Buda
Lalezar - Music of the Sultans, Sufis & SeraglioƒVƒŠ[ƒY
 ƒXƒ‹ƒ^ƒ“AƒX[ƒtƒB[Aƒn[ƒŒƒ€‚̉šŠy@Vol.1`ƒXƒ‹ƒ^ƒ“ě‹Č‰Ć
 ƒXƒ‹ƒ^ƒ“AƒX[ƒtƒB[Aƒn[ƒŒƒ€‚̉šŠy@Vol.2`—x‚鏭”N‚̉šŠy
 ƒXƒ‹ƒ^ƒ“AƒX[ƒtƒB[Aƒn[ƒŒƒ€‚̉šŠy@Vol.3`­”–Ż‘°‚̍ě‹Č‰Ć
 ƒXƒ‹ƒ^ƒ“AƒX[ƒtƒB[Aƒn[ƒŒƒ€‚̉šŠy@Vol.4`ƒIƒXƒ}ƒ“‘g‹Č @@ˆČă‚S“_@•ÄTraditional Crossroads@
 ƒAƒtƒƒgEƒGƒYƒfƒ“•ƒNƒ€ƒpƒjƒ„EƒCƒXƒ^ƒ“ƒu[ƒ‹^ƒgƒ‰ƒLƒA‚ĚƒWƒvƒV[Eƒtƒ@ƒ“ƒtƒ@[ƒŒ@@•§Buda@

i6/15j
yŽO–Ąü‰šŠy`‹`‘ž•vAV“ŕz
‘“ŕśžŻÄ@’|–{‰z˜H‘ĺ•v@i‚TśžŻÄ@‰đŕ‘•t‚Ťj @@@@NHKśžŻÄ
VHS@•śŠy‚Ö‚Ě—U‚˘@i‘SˆęŠŞ@34•Şj@@@o‰‰F’|–{Z‘ĺ•vA‹g“c‹Ę’jA‹g“c–ޏ•@@@@ĘŢÝŔ޲ËŢĂŢľ@
ž•xŽmź’ߐç‘ă^V‚˝‚Č‚é—ˇ—§‚ż@`@V“ŕ‚̐˘ŠE
@@Žű˜^‹ČFŐš’ŽqAŒšŽ•¨ŒęA—–’ąiŽl’J`‰‚Ĺ‚ąj@@@@@–MŠy‚Ě—FŽĐ@

i6/8j
žƒAƒ‹ƒoƒgƒƒX–ź”Ő•œ‚R‚O‘I@‘Sƒ^ƒCƒgƒ‹

i6/7j
yƒgƒ‹ƒR–Ż—wz
 ƒWƒƒƒ“ƒZƒ”ƒFƒ‹^Mechul @@@@@@@@@@@@@“yKlip Muzik
 ƒGƒ~ƒl^Nazli Yar@@@@@@@@@@@@@@@@“yS Muzik
y–kźƒˆ[ƒƒbƒp`ƒmƒ‹ƒEƒF[z
Źuƒmƒ‹ƒEƒF[‚̉́v@@@@@@@@@@@@@@@@•ÄNew Albion
yƒNƒŒƒYƒ}[‰šŠyz
ĄƒWƒ‡ƒGƒ‹Eƒ‹[ƒrƒ“^Hungry Heartsi1920”N‘ă‚Ěƒ†ƒ_ƒ„ŒnƒNƒ‰ƒŠƒlƒbƒgEƒ\ƒj
ĄƒWƒ‡ƒGƒ‹Eƒ‹[ƒrƒ“•ƒWƒ‡ƒVƒ…ƒAEƒzƒƒ”ƒBƒbƒc^ƒxƒbƒTƒ‰ƒrƒA‚ĚƒVƒ“ƒtƒHƒj[@@@ˆČă‚Q“_@@“ĆWergo
yƒLƒŠƒXƒg‹ł‰šŠyz@
 ƒOƒŒƒSƒŠƒIš‰Ě‚Ć‚ť‚̐ů–@@@@ƒIƒNƒgƒGƒRƒXEƒ‰ƒeƒB[ƒm@@‘ć‚Pů–@`‘ć‚Wů–@‚É‚ć‚éƒOƒŒƒSƒŠƒIš‰Ě@@@źPneuma

i5/28j
y“Œ‰˘EƒƒVƒA`ƒnƒ“ƒKƒŠ[z
 ƒgƒ‰ƒ“ƒVƒ‹ƒ”ƒ@ƒjƒA‚Ěƒoƒ‰[ƒh@`Fairyland @@@@@@@@@ĘÝśŢŘ°Hungaroton
‰ď•ńƒy[ƒW`9.ƒAƒk[ƒVƒ…ƒJEƒVƒƒƒ“ƒJ[ƒ‹‚ĚƒVƒ^[ƒ‹‰‰‘t‰ď
‰ď•ńƒy[ƒW`8.ƒRƒ“ƒT[ƒgŒŠ•ˇ˜^^ƒ`ƒ…ƒjƒWƒA‰šŠy‚Ě—[‚×

i5/25j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
ĄƒOƒ‰ƒ€EƒnƒbƒTƒ“EƒVƒƒƒKƒ“^ƒpƒLƒXƒ^ƒ“‚ĚƒJƒ„[ƒ‹ @@@@@@•§Opus111@
y“ěƒˆ[ƒƒbƒpz
 ƒXƒyƒCƒ“‚Ě˜^‰š@ƒGƒXƒgƒŒƒ}ƒhƒD[ƒ‰@yą×ÝĽŰ°ĎŻ¸˝ĽşÚ¸źŽÝz@@•ÄRounder@
y–kźƒˆ[ƒƒbƒp`ƒmƒ‹ƒEƒF[AƒhƒCƒcAƒtƒ‰ƒ“ƒXz
 ƒNƒk[ƒgEƒuƒGƒ“^Spelemannsprova@@@@@@@@@@@@ ÉŮłŞ°BUEN
 ƒVƒmƒ”ƒFS.ƒrƒ‡ƒ‹ƒZƒg^Ram@@@@@@@@@@@@@@@@@ÉŮłŞ°NORCD
 ƒgƒ‹ƒ“Eƒ‰ƒtƒeƒ”ƒHƒ‹ƒhEƒ‹ƒG‘ź^Glima@@@@@@@@@@ ÉŮłŞ°Laerdal@
 ƒ”ƒ@ƒCƒXEƒtƒFƒ‹ƒhƒDƒ‹^I woass net wia ma is (2CD)@@@“ĆTrikont@
 ƒAƒ‰ƒ“Eƒ[ƒ}ƒbƒNƒXEƒRƒŒƒNƒVƒ‡ƒ“@@ƒtƒ‰ƒ“ƒX•Ň
’n•ű–źFƒxƒŠ[AƒpƒŠAƒmƒ‹ƒ}ƒ“ƒfƒB[Aƒ”ƒ@ƒ“ƒf[AƒuƒŠƒ^ƒj[AƒI[ƒ”ƒFƒ‹ƒjƒ…Aƒvƒƒ”ƒ@ƒ“ƒX`ƒhƒtƒBƒl[AƒKƒXƒR[ƒjƒ…AƒRƒ‹ƒVƒJAƒoƒXƒNAƒAƒ‹ƒUƒXAźƒCƒ“ƒh(¸ŢąÄŢŮ°Ěß)@‘ź@@@@@@@@•ÄRounder@
 ‹Ö’f‚Ě“Ž‚Ť@`ƒWƒ‹EƒVƒƒƒxƒiiƒn[ƒfƒB[ƒK[ƒfƒB[j@@@•§Buda@

i5/17j
y–MŠy`‚ť‚Ě‘źz
ž‰Ř”T‰ŽƒPƒC•ƒtƒ‰ƒ[Šy’c^“Œ‹ž‚̉Ԕ„–ş@iCDźÝ¸Ţفj @@@@@‰Ř”T‰Ž@
ŸťŽqAń‘ž˜YAt•vA”’H@ŽŠě˜N“ǂ̐˘ŠE@@@@@@@@@@@ƒRƒƒ“ƒrƒA
y“ŒƒAƒWƒA`ŠŘ‘z
žŠŘ‘•‘—xŒö‰‰@ŒÜ•ű•‘@@ićâŽő‹Ę@‘źjLive
žu´ăߑ÷ă߁v@`@Œş‹ŐiƒRƒ€ƒ“ƒSjŽU’˛‰‰‘t Live@@@@@@@ˆČă‚Q“_@ćâŽő‹Ęƒ`ƒ…ƒ€ƒpƒ“‚̉ď
y“Œ“ěƒAƒWƒAz
 ’†•”ƒWƒƒƒ‚ĚƒKƒ€ƒ‰ƒ“@Celemonial Music
Ą’†•”ƒWƒƒƒ‚ĚƒKƒ€ƒ‰ƒ“@Classical Gendings@@@@@@@@@@ˆČă‚Q“_@ˆÉFelmay(New Tone)
yƒAƒ‰ƒu`ƒ}ƒOƒŒƒu‚̉́z
 ƒVƒFƒCƒnEƒŠƒ~ƒeƒB^ƒ‰ƒC‚Ěƒ‹[ƒc@@@@@@@@@@@@@@@•§BudaiϸŢÚĚނ̐şźŘ°˝Ţj
y“ěƒˆ[ƒƒbƒp`ƒMƒŠƒVƒAz
ĄƒnƒŠƒXEƒAƒŒƒNƒV[ƒE^Ta Tsilika@@@@@@@@@@@@@@@ŠóMinos
y“Œ‰˘EƒƒVƒA`ƒ{ƒXƒjƒAz
žƒ‚ƒXƒ^ƒ‹EƒZƒ”ƒ_EƒŠƒ†ƒjƒIƒ“presentsƒVƒƒƒoƒ“^ƒVƒƒƒoƒ“EƒoƒCƒ‰ƒ‚ƒ”ƒBƒ`@@@ËŢ°Ý˝Ţ
yƒ†ƒ_ƒ„‰šŠy`ƒCƒfƒBƒbƒVƒ…z@
 ƒtƒ‰ƒ“ƒNEƒƒ“ƒhƒ“•ƒƒŠƒ“EƒXƒNƒ‰ƒ“ƒxƒ‹ƒN^Zmiros Project@@@@@@@@•ÄTraditional Crossroads

i5/14j
y“ěƒAƒWƒAz
ž‹gŒŠŞŽ÷(ŔĚŢ×)^WAWA 2@@@ƒS[ƒgƒŒƒR[ƒh
yƒR[ƒJƒTƒX`ƒOƒ‹ƒWƒAz
 ƒOƒ‹ƒWƒA‹¤˜a‘‚Ĺ‚ĚĹ‰‚Ě˜^‰š@1902-1914 @Drinking Horns & Gramophones@@•ÄTraditional Crossroads

‰ď•ńƒy[ƒW`7.ƒGƒ`ƒIƒsƒAŽG‹L

i5/11j
y–kƒCƒ“ƒhŒĂ“T‰šŠyz
Ą’Š‚Ěƒ‰[ƒK@@Rare Morning Ragas
ƒjƒLƒ‹Eƒoƒlƒ‹ƒW[(Raga Hem Lalit)AƒAƒŠEƒAƒNƒoƒ‹EƒJ[ƒ“(Raga Jogiya Kalengra)Aƒ”ƒBƒ‰ƒ„ƒgEƒJ[ƒ“(Raga Mand Bhairav)Aƒ‰ƒ”ƒBEƒVƒƒƒ“ƒJƒ‹(Raga Parmeshwari)@@@@@@@@@@@@ˆóGramophone(RPG)@
ĄƒVƒ”ƒNƒ}[ƒ‹EƒVƒƒƒ‹ƒ}(Santoor)^ƒTƒ“ƒgƒD[ƒ‹@@@–Raga Gavati@@@ˆóGramophone(RPG)@
yƒyƒ‹ƒVƒAŒĂ“T‰šŠyz
Ąƒ‚ƒnƒ“ƒ}ƒhEƒŒƒUEƒVƒƒƒWƒƒƒŠƒAƒ“•ƒJƒCƒnƒ“EƒJƒ‹ƒz[ƒ‹^Night Silence Desert@@@•ÄTraditional Crossroads
y“ěƒˆ[ƒƒbƒpz
Ąƒtƒ@ƒh•ƒtƒ@ƒfƒBƒXƒ^ƒX(2CD)
Amalia Rodrigues, Miguel Capucho, Madelena de Melo, Carolina Tavares, Armandinho, Maria Dilar, Antonio Menado, Dom Heitor de Vilenha, Maria do Carmo, Rodigo Costa Felix...@@@@@@@@@•§Iris Musique
y“Œ‰˘EƒƒVƒAz@
 ƒƒ}[ƒmEƒhƒ[ƒ€^ando foro@@@@@@@@@@•§daqui
 ƒ‰[ƒXƒ[Eƒ‰ƒCƒ^‚ĚŠíŠy–Ż‘­‰šŠyĚW‚ć‚č@@@@@ĘÝśŢŘ°Hungaroton@
 ƒh[ƒŠEƒˆ[ƒWƒFƒt@ƒnƒ“ƒKƒŠ[‚̉̂đ‰Ě‚¤@@@@@ĘÝśŢŘ°Hungaroton@
Ąƒ`ƒFƒR‚ĚŒĂ‚˘–Ż—wW@@@ƒ„ƒƒXƒ‰ƒtEƒNƒ‹ƒ`ƒFƒNAƒˆƒZƒtEƒNƒ‹ƒ`ƒFƒNŽwŠöƒ€ƒWƒJEƒ{ƒwƒ~ƒJ@@@ÁŞşSupraphon@
y–k‰˘z
ƒŐĄƒmƒ‹ƒXƒPEƒgƒDƒ‹ƒ_ƒ“ƒTƒ‹‚S(2CD)@@@@@@@@ÉŮłŞ°Heilo@@

i5/10j
yƒgƒ‹ƒRŒĂ“T‰šŠyz
Ąƒgƒ‹ƒRŒĂ“T‰šŠy‚ĚˆâŽYi14`20˘‹I‚̍ě•ij@Miras@@@@@“yKalan Muzik Yapim@
 ƒoƒVƒƒ[ƒ‹EƒfƒBƒLƒW^ƒlƒC‚Ěƒ^ƒNƒV[ƒ€@@@@@@@@@@@“yAser
 ƒnƒŠƒ‹EƒJƒ‰ƒhƒDƒ}ƒ“^ƒJ[ƒk[ƒ“‚Ěƒ^ƒNƒV[ƒ€i‘Ś‹ťj@@@@“yAras
 ƒuƒ‹ƒnƒ“EƒGƒ`ƒƒƒ‹•ƒs[ƒgEƒiƒ€ƒ‹ƒbƒN^Sultan Osman@@@“yUniversal
yƒCƒXƒ‰[ƒ€‰šŠy`ƒJƒbƒ[ƒŠz
 ƒkƒXƒ‰ƒbƒgEƒtƒ@ƒeEƒAƒŠEƒJ[ƒ“^Body and Soul@@@@@@•ÄReal World
yƒLƒŠƒXƒg‹ł‰šŠyEƒˆ[ƒƒbƒp‚ĚŒĂŠyz
 ƒMƒŠƒVƒAł‹ł‚ĚƒC[ƒXƒ^[‚Ěƒ~ƒT(2CD)@@@@@@@@@@@@ŠóSony
 ƒƒVƒA’†˘‚̐š‰Ě@@@ƒZƒ‹ƒQƒCEƒNƒŠƒ”ƒHƒ{ƒRƒt^‚c‚d‚h‚r‚t‚r@@@‰pChandos@
 Žž‚ĚŠ´G@`’†˘Eƒ‹ƒlƒTƒ“ƒXŠú‚ĚƒXƒyƒCƒ“‚̉šŠy‚ĆƒIƒŠƒWƒiƒ‹ě•iW@ƒxƒSƒjƒAEƒIƒ‰ƒrƒfiƒTƒ‹ƒeƒŠƒEƒ€A‰ĚA‘ĹŠyŠíj@źJubal
 ƒVƒ}ƒ“ƒJƒX‚ĚŽčŽĘ–{AƒEƒvƒTƒ‰‰ĚWAƒGƒ‹ƒ”ƒ@ƒX‰ĚW‚ÉŽű˜^‚ł‚ę‚˝şŠyě•i‚ĚƒrƒEƒGƒ‰•Ň‹ČW@@@@źEnchiriadis

i5/6j
y–Ż—w`–ŘŒ­‚čz
ŸŒˆ’č”Ձ@]ŒË–ŘŒ­‚č @@@@@@@@@@@ˇÝ¸Ţ@
Ÿ]ŒË–Ř‚â‚č@ƒ–MŠyŒˆ’č”Ő2000źŘ°˝Ţ„@@ˇÝ¸Ţ
y“ŒƒAƒWƒA`’†‘z@
Ą—ɓ쐁‘ĹŠy Vol.1@`Music of the First Moon
Ą—ɓ쐁‘ĹŠy Vol.2@`The Li Family Band i—›‰Ć”ǁj@@@ˆČă‚Q“_@•§Buda@
ž‹Ő‰C´‰ë@@”ďŒ˜—u•›IŹÂ@@@@@@@Lasa Planning
Ą’†‘‚ĚŠíŠy@`ŒĂ‹ŐA”ú”iAŒĂ⾁@@@@@•§Unesco@
y“Œ“ěƒAƒWƒAz
ĄƒtƒHƒ“EƒiƒAƒ€^JakajaniV‚ľ‚˘ƒVƒƒƒ€‚̉šŠyj@@@@@‰pNimbus@
 ƒJƒ`ƒƒƒsEƒXƒŠƒ“‚Ćƒ‹ƒo[ƒu@`ƒNƒ“ƒoƒ“EƒoƒŒƒoƒbƒg@@@LSƒJƒ“ƒ`ƒƒƒiEƒTƒŠ
 ƒKƒ€ƒ‰ƒ“EƒhƒDƒOƒ“`ƒuƒ“ƒ^ƒ“EƒXƒŠƒ“ƒ^ƒ“@@@ƒXƒAƒ‰Eƒpƒ‰ƒqƒAƒ“ƒKƒ“EƒOƒ‹[ƒv
 ƒKƒ€ƒ‰ƒ“EƒhƒDƒOƒ“`ƒAƒhƒDEƒ}ƒjƒX@@ƒŠƒ“ƒNƒ“EƒXƒjEƒEƒBƒAƒeƒBEƒAƒXƒŠ@@ˆČă‚R“_@ľĚ¨˝ĽťÝËß°ĆŹiŒ´”ՁF˛ÝÄŢČźąSP Recordsj
yƒAƒtƒŠƒJz
žƒGƒ`ƒIEƒWƒƒƒY•ƒCƒ“ƒXƒgƒDƒ‹ƒƒ“ƒ^ƒ‹Eƒ~ƒ…[ƒWƒbƒN@@@ľŮŔ°Î߯Ěß
yƒ†ƒ_ƒ„‰šŠyz@
ĄƒVƒiƒS[ƒO‚̐š‰Ě @@@@@@@@ÁŞşSupraphon
Ąƒ†ƒ_ƒ„‚Ě“T—ç‰Ě@ƒŒƒIEƒ[ƒ[ƒ“ƒuƒŠƒ…[ƒg(śÝÄ°Ů)@@ƒGƒŠƒbƒNEƒGƒŠƒNƒ\ƒ“ŽwŠöƒXƒgƒbƒNƒzƒ‹ƒ€‰¤—§‰šŠy‰@Žş“ŕ‡Ľ’c@@“TBIS@
 ƒ†ƒ_ƒ„‚̍°@@ƒ}ƒCƒNEƒ^ƒ{ƒ‹@@@@@@‰pARC@
 gƒxƒ‹ƒcA‰ä‚ŞŒĚ‹˝h@`ƒCƒfƒBƒbƒVƒ…–Ż—wW@@@@@@@ĘÝśŢŘ°Hungaroton@
 ƒ}ƒŠƒŠƒ“EƒŒƒ‹ƒi[•ƒfƒ”ƒBƒbƒhEƒEƒH[ƒ‹^Still Soft Voiced Heart@@@@•ÄTraditional Crossroads@
 ƒVƒ…ƒVƒƒƒiEƒ”ƒ@ƒ‹ƒRƒj^Ot Azoy!@iƒCƒfƒBƒbƒVƒ…‚̉̂ƎqŽç‰Sj@@@@@@•§ARB
ĄƒŠƒŠEƒ{ƒjƒbƒVƒ…^Il n'y a qu'un seul Dieu@@@@@@@•§Cafe de la Danse
ĄƒX[ƒW[^Herencia@@@@@@@@@@@˛˝×´ŮHed Arzi@
yƒNƒŒƒYƒ}[‰šŠyz
 ƒIƒfƒbƒTEƒNƒŒƒYƒ}[Eƒoƒ“ƒh^Izak Szaraz Faja@@ ĘÝśŢŘ°Etnofon Records

ˆČ‘O‚̍XV—š—đbˆČŒă‚Ě—š—đ